A Love Story, by a Bushman by - (best mobile ebook reader .txt) 📕
Clarendon read aloud his first contribution--who knows it not? The very words form a music, and that music is Metastasio's,
"Placido zeffiretto, Se trovi il caro oggetto, Digli che sei sospiro Ma non gli dir di chi, Limpido ruscelletto, Se mai t'incontri in lei, Digli che pianto sei, Ma non le dir qual' eiglio Crescer ti fe cosi."
"And now, Emily! for my parting tribute--if I remember right, it was sorrowful enough."
Gage read, with tremulous voice, the following, which we will christen
THE FAREWELL.
I will not be the lightsome lark, That carols to the r
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“I do not understand your insolence, Sir; but if you are a dun, go to my
servant. Thompson,” continued he, “give me my spurs! I shall ride.”
“Ride!” said Delmé.
Thompson made him a quiet sign. “I am very sorry, Sir,” said he, “but
the Arab is quite lame, and is not fit for the saddle.”
“Give me a glass of sangaree then, you rascal! Port—do you hear?”
The glass was brought him. He drained its contents at a draught.
“Now, kick that scoundrel out of the room, Thompson, and let me sleep.”
He threw himself listlessly on the sofa. Acmé was weeping bitterly,
but he seemed not to notice her. It was late in the day. The surgeon
had been sent for. He now arrived, and stated that nothing could be
done; but recommended his being watched closely, and the removing
all dangerous weapons. He begged Henry, however, to indulge him in
all his caprices, in order that he might the better observe the
state of his mind.
While George slept, Delmé entered another room, and ordering the servant
to inform him when he awoke, he sat down to dinner alone and dispirited;
for Acmé refused to leave George. It was indeed a sad, and to Sir Henry
Delmé an unforeseen shock.
In a couple of hours, Thompson came with a message from Acmé. “Master
is awake, Sir—knows the Signora—and seems much better. He has
desired me to brush his cloak, as he intends going out. Shall I do so,
Sir, or not?”
“Do so!” said Delmé, “but fail not to inform me when he is about to go;
and be yourself in readiness. We will watch him.”
Chapter XV.
The Charnel House.
“And when at length the mind shall be all free,
From what it hates in this degraded form,
Reft of its carnal life, save what shall be
Existent happier in the fly or worm;
When elements to elements conform,
And dust is as it should be.”
The last grey tinge of twilight, was fast giving place to the sombre
hues of night, as a figure, enveloped in a military cloak, issued from
the barrack at Floriana.
Henry at once recognised George; and only delaying till a short distance
had intervened between his brother and himself, Delmé and Thompson
followed his footsteps.
George Delmé walked swiftly, as if intent on some deep design. The long
shadow thrown out by his figure, enabled his pursuers to distinguish him
very clearly. He did not turn his head, but, with hurried step, strode
the species of common which divides Floriana from La Valette. Crossing
the drawbridge, and passing through the porch which guards the entrance
to the town, he turned down an obscure street, and, folding his cloak
closer around him, rapidly—yet with an appearance of caution—continued
his route, diving from one street to another, till he entered a small
courtyard, in which stood an isolated gloomy-looking house. No light
appeared in the windows, and its exterior bespoke it uninhabited. Henry
and the domestic paused, expecting George either to knock or return to
the street. He walked on, however, and, turning to one side of the
porch, descended a flight of stone steps, and entered the lower part of
the house.
“Perhaps we had better not both follow him,” said the servant.
“No, Thompson! do you remain here, only taking care that your master
does not pass you: and I think you may as well go round the house, and
see if there is any other way of leaving it.”
Sir Henry descended the steps in silence. Arrived at the foot of the
descent, a narrow passage, diverging to the left, presented itself.
Beyond appeared a distant glimmering of light. Delmé groped along the
passage, using the precaution to crouch as low as possible, until he
came before a large comfortless room in the centre of which, was placed
a brass lamp, whose light was what he had discerned at the extremity of
the passage. He could distinctly observe the furniture and inmates of
the room. Of the former, the only articles were a table—on which were
placed the remains of a homely meal—an iron bedstead, and a barrel,
turned upside down, which served as a substitute for a chair. The
bedstead had no curtains, but in lieu of them, there were hangings
around it, which struck Delmé as resembling mourning habiliments.
Whilst the light operated thus favourably, in enabling Sir Henry to
note the interior of the apartment, it was hardly possible, from its
situation, that he himself could be observed. Its rays did not reach
the passage; and he was also shrouded in some degree by a door, which
was off its hinges, and which was placed against the wall. Fastened to
the side of the room were two deep shelves—the lower one containing
some bottles and plates; the upper, a number of human sculls. In a
corner were some more of these, intermingled in a careless heap, with a
few bleached bones.
George Delmé was standing opposite the door, conversing earnestly with a
Maltese, evidently of the lowest caste. The latter was seated on the
barrel we have mentioned, and was listening with apparently a mixture of
surprise and exultation to what George was saying. George’s voice sunk
to an inaudible whisper, as the conversation continued, and he was
evidently trying to remove some scruples, which this man either affected
to feel, or really felt. The man’s answers were given in a gruff and
loud tone of voice, but from the Maltese dialect of his Italian, Sir
Henry could not understand what was said. His countenance was very
peculiar. It was of that derisive character rarely met with in one of
his class of life, except when called forth by peculiar habits, or
extraordinary circumstances. His eyes were very small, but bright and
deeply set. His lips wore a constant sarcastic smile, which gave him the
air of a bold but cunning man. His throat and bosom were bare, and of a
deep copper colour; and his muscular chest was covered with short curly
hair. The conversation on George’s part became more animated, and he at
length made use of what seemed an unanswerable argument. Taking out a
beaded purse, which Sir Henry knew well—it had been Emily’s last
present to George—he emptied the contents into the bronzed hand of his
companion, who grasped the money with avidity. The Maltese now
appeared to acquiesce in all George’s wishes; and rising, went towards
the bed, and selected some of the articles of wearing apparel Delmé had
already noticed. He addressed some words to George, who sat on the
bedside quiescently, while the man went to the table, and took up a
knife that was upon it. For a moment, Delmé felt alarm lest his design
might be a murderous one; but it was not so. He laughed savagely, as he
made use of the knife, to cut off the luxuriant chestnut ringlets, which
shaded George’s eyes and forehead. He then applied to the face some
darkening liquid, and commenced choosing a sable dress. George threw off
his cloak, and was attired by the Maltese, in a long black cotton robe
of the coarsest material, which, descending to the feet, came in a hood
over his face, which it almost entirely concealed. During the whole of
this scene, George Delmé‘s features wore an air of dogged apathy, which
alarmed his brother, even more than his agitation in the earlier part of
the day. After his being metamorphosed in the way we have described, it
would have been next to an impossibility to have recognised him. His
companion put on a dress of the same nature, and Sir Henry was preparing
to make his retreat, presuming that they would now leave the building,
when he was induced to stay for the purpose of remarking the conduct of
the Maltese. He took up a scull, and placing his finger through an
eyeless hole, whence once love beamed or hate flashed, he made some
savage comment, which he accompanied by a long and malignant laugh. This
would at another time have shocked Sir Henry, but there was another
laugh, wilder and more discordant, that curdled the blood in Delmé‘s
veins. It proceeded from his brother, the gay—the happy George Delmé;
and as it re-echoed through the gloomy passage, it seemed that of a
remorseless demon, gloating on the misfortunes of the human race. Delmé
turned away in agony, and, unperceived, regained the anxious domestic.
Screened by an angle of the building, they saw George and his companion
ascend the stone steps, cross the yard, and turn into the street. They
followed him cautiously—Delmé‘s ears ringing with that fiendish laugh.
George’s companion stopped for a moment, at a house in the street, where
they were joined by a sallow-looking priest, apparently one of the most
disgusting of his tribe. He was accompanied by a boy, also drest in
sacerdotal robes, in one hand bearing a silver-ornamented staff, of the
kind frequently used in processions, and in other observances of the
Catholic religion; and in the other, a rude lanthorn, whose light
enabled Delmé to note these particulars. As the four figures swept
through the streets, the lower orders prostrated themselves, before the
figure of the crucified and dying Saviour which surmounted the staff.
They again stopped, and the priest entered a house alone. On coming
back, he was followed by a coffin, borne on the shoulders of four of the
lower order of Maltese. At the moment these were leaving the house,
Henry heard a solitary scream, apparently of a woman. It was wild and
thrilling; such an one as we hear from the hovering sea bird, as the
tempest gathers to a head. To Delmé, coming as it did at that lone hour
from one he saw not, it seemed superhuman. In the front of the house
stood two calèches, the last of which, Sir Henry observed was without
doors. At a sign from the Maltese, George and his strange companion
entered it. They were followed by the coffin, which was placed
lengthways, with the two ends projecting into the street. In the
leading calèche were the priest and boy, the latter of whom thrust
the figure of the bleeding Jesus out at the window, whilst with the
other hand he held up the lanthorn. Twice more did the calèche
stop—twice receive corpses. Another light was produced, and placed in
the last conveyance, and Delmé took the opportunity of their arranging
this, to pass by the calèche. The light that had been placed in it shone
full on George. The coffins were on a level with the lower part of his
face. Nothing of his body, which was jammed in between the seat and the
coffins, could be seen. But the features, which glared over the pall,
were indeed terrific; apathy no longer marked them. George seemed wound
up to an extraordinary state of excitement. Gone was the glazed
expression of his eye, which now gleamed like that of a famished eagle.
The Maltese leant back in the carriage, with a sardonic smile, his dark
face affording a strange contrast to the stained, but yet ghastly hue of
George Delmé‘s.
“They intend to take them to the vault at Floriana, your honor,” said
the servant, “shall I call a calèche, and we can follow them?”
Without waiting a reply, for the man saw that Sir Henry’s faculties,
were totally absorbed in the strange scene he had witnessed; Thompson
called a carriage, which passed the other two—now commencing at a
funeral pace to proceed to the vault—and, taking the same direction
which they had done on entering the town, a short time sufficed to put
them down immediately opposite the church. They had time allowed them to
dismiss
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