The $30,000 Bequest by Mark Twain (best e reader for manga TXT) đź“•
"You have said quite enough," said Aleck, coldly; "let the subject be dropped."
"I'M willing," fervently responded Sally, wiping the sweat from his forehead and looking the thankfulness he had no words for. Then, musingly, he apologized to himself. "I certainly held threes-- I KNOW it--but I drew and didn't fill. That's where I'm so often weak in the game. If I had stood pat--but I didn't. I never do. I don't know enough."
Confessedly defea
Read free book «The $30,000 Bequest by Mark Twain (best e reader for manga TXT) 📕» - read online or download for free at americanlibrarybooks.com
- Author: Mark Twain
- Performer: 1406911003
Read book online «The $30,000 Bequest by Mark Twain (best e reader for manga TXT) 📕». Author - Mark Twain
C. She wished me to use my influence.
H. Dear me, what has INFLUENCE to do with such a matter?
C. Well, I think she thought you would be more likely to examine
her book if you were influenced.
H. Why, what we are here FOR is to examine books—anybody’s book
that comes along. It’s our BUSINESS. Why should we turn away
a book unexamined because it’s a stranger’s? It would be foolish.
No publisher does it. On what ground did she request your influence,
since you do not know her? She must have thought you knew her
literature and could speak for it. Is that it?
C. No; she knew I didn’t.
H. Well, what then? She had a reason of SOME sort for believing you
competent to recommend her literature, and also under obligations
to do it?
C. Yes, I—I knew her uncle.
H. Knew her UNCLE?
C. Yes.
H. Upon my word! So, you knew her uncle; her uncle knows her literature;
he endorses it to you; the chain is complete, nothing further needed;
you are satisfied, and therefore—
C. NO, that isn’t all, there are other ties. I know the cabin
her uncle lived in, in the mines; I knew his partners, too; also I
came near knowing her husband before she married him, and I DID
know the abandoned shaft where a premature blast went off and he
went flying through the air and clear down to the trail and hit
an Indian in the back with almost fatal consequences.
H. To HIM, or to the Indian?
C. She didn’t say which it was.
H. (WITH A SIGH). It certainly beats the band! You don’t know HER,
you don’t know her literature, you don’t know who got hurt when
the blast went off, you don’t know a single thing for us to build
an estimate of her book upon, so far as I—
C. I knew her uncle. You are forgetting her uncle.
H. Oh, what use is HE? Did you know him long? How long was it?
C. Well, I don’t know that I really knew him, but I must have
met him, anyway. I think it was that way; you can’t tell about
these things, you know, except when they are recent.
H. Recent? When was all this?
C. Sixteen years ago.
H. What a basis to judge a book upon! As first you said you knew him,
and now you don’t know whether you did or not.
C. Oh yes, I know him; anyway, I think I thought I did; I’m perfectly
certain of it.
H. What makes you think you thought you knew him?
C. Why, she says I did, herself.
H. SHE says so!
C. Yes, she does, and I DID know him, too, though I don’t remember
it now.
H. Come—how can you know it when you don’t remember it.
C. I don’t know. That is, I don’t know the process, but I DO know
lots of things that I don’t remember, and remember lots of things
that I don’t know. It’s so with every educated person.
H. (AFTER A PAUSE). Is your time valuable?
C. No—well, not very.
H. Mine is.
So I came away then, because he was looking tired. Overwork, I reckon;
I never do that; I have seen the evil effects of it. My mother
was always afraid I would overwork myself, but I never did.
Dear madam, you see how it would happen if I went there. He would
ask me those questions, and I would try to answer them to suit him,
and he would hunt me here and there and yonder and get me embarrassed
more and more all the time, and at last he would look tired on
account of overwork, and there it would end and nothing done.
I wish I could be useful to you, but, you see, they do not
care for uncles or any of those things; it doesn’t move them,
it doesn’t have the least effect, they don’t care for anything
but the literature itself, and they as good as despise influence.
But they do care for books, and are eager to get them and examine them,
no matter whence they come, nor from whose pen. If you will send
yours to a publisher—any publisher—he will certainly examine it,
I can assure you of that.
***
A TELEPHONIC CONVERSATION
Consider that a conversation by telephone—when you are simply siting
by and not taking any part in that conversation—is one of the solemnest
curiosities of modern life. Yesterday I was writing a deep article
on a sublime philosophical subject while such a conversation was
going on in the room. I notice that one can always write best when
somebody is talking through a telephone close by. Well, the thing
began in this way. A member of our household came in and asked me
to have our house put into communication with Mr. Bagley’s downtown.
I have observed, in many cities, that the sex always shrink from
calling up the central office themselves. I don’t know why,
but they do. So I touched the bell, and this talk ensued:
CENTRAL OFFICE. (GRUFFY.) Hello!
I. Is it the Central Office?
C. O. Of course it is. What do you want?
I. Will you switch me on to the Bagleys, please?
C. O. All right. Just keep your ear to the telephone.
Then I heard K-LOOK, K-LOOK, K’LOOK—KLOOK-KLOOK-KLOOK-LOOK-LOOK! then
a horrible “gritting” of teeth, and finally a piping female voice:
Y-e-s? (RISING INFLECTION.) Did you wish to speak to me?
Without answering, I handed the telephone to the applicant, and sat down.
Then followed that queerest of all the queer things in this world—
a conversation with only one end of it. You hear questions asked;
you don’t hear the answer. You hear invitations given; you hear
no thanks in return. You have listening pauses of dead silence,
followed by apparently irrelevant and unjustifiable exclamations
of glad surprise or sorrow or dismay. You can’t make head or tail
of the talk, because you never hear anything that the person at the
other end of the wire says. Well, I heard the following remarkable
series of observations, all from the one tongue, and all shouted—
for you can’t ever persuade the sex to speak gently into a telephone:
Yes? Why, how did THAT happen?
Pause.
What did you say?
Pause.
Oh no, I don’t think it was.
Pause.
NO! Oh no, I didn’t mean THAT. I meant, put it in while it
is still boiling—or just before it COMES to a boil.
Pause.
WHAT?
Pause.
I turned it over with a backstitch on the selvage edge.
Pause.
Yes, I like that way, too; but I think it’s better to baste it
on with Valenciennes or bombazine, or something of that sort.
It gives it such an air—and attracts so much noise.
Pause.
It’s forty-ninth Deuteronomy, sixty-forth to ninety-seventh inclusive.
I think we ought all to read it often.
Pause.
Perhaps so; I generally use a hair pin.
Pause.
What did you say? (ASIDE.) Children, do be quiet!
Pause
OH! B FLAT! Dear me, I thought you said it was the cat!
Pause.
Since WHEN?
Pause.
Why, I never heard of it.
Pause.
You astound me! It seems utterly impossible!
Pause.
WHO did?
Pause.
Goodness gracious!
Pause.
Well, what IS this world coming to? Was it right in CHURCH?
Pause.
And was her MOTHER there?
Pause.
Why, Mrs. Bagley, I should have died of humiliation! What did
they DO?
Long pause.
I can’t be perfectly sure, because I haven’t the notes by me;
but I think it goes something like this: te-rolly-loll-loll, loll
lolly-loll-loll, O tolly-loll-loll-LEE-LY-LI-I-do! And then REPEAT,
you know.
Pause.
Yes, I think it IS very sweet—and very solemn and impressive,
if you get the andantino and the pianissimo right.
Pause.
Oh, gum-drops, gum-drops! But I never allow them to eat striped candy.
And of course they CAN’T, till they get their teeth, anyway.
Pause.
WHAT?
Pause.
Oh, not in the least—go right on. He’s here writing—it doesn’t
bother HIM.
Pause.
Very well, I’ll come if I can. (ASIDE.) Dear me, how it does tire
a person’s arm to hold this thing up so long! I wish she’d—
Pause.
Oh no, not at all; I LIKE to talk—but I’m afraid I’m keeping you
from your affairs.
Pause.
Visitors?
Pause.
No, we never use butter on them.
Pause.
Yes, that is a very good way; but all the cook-books say they
are very unhealthy when they are out of season. And HE doesn’t
like them, anyway—especially canned.
Pause.
Oh, I think that is too high for them; we have never paid over fifty
cents a bunch.
Pause.
MUST you go? Well, GOOD-by.
Pause.
Yes, I think so. GOOD-by.
Pause.
Four o’clock, then—I’ll be ready. GOOD-by.
Pause.
Thank you ever so much. GOOD-by.
Pause.
Oh, not at all!—just as fresh—WHICH? Oh, I’m glad to hear you
say that. GOOD-by.
(Hangs up the telephone and says, “Oh, it DOES tire a person’s
arm so!”)
A man delivers a single brutal “Good-by,” and that is the end of it.
Not so with the gentle sex—I say it in their praise; they cannot
abide abruptness.
***
EDWARD MILLS AND GEORGE BENTON: A TALE
These two were distantly related to each other—seventh cousins,
or something of that sort. While still babies they became orphans,
and were adopted by the Brants, a childless couple, who quickly
grew very fond of them. The Brants were always saying: “Be pure,
honest, sober, industrious, and considerate of others, and success
in life is assured.” The children heard this repeated some thousands
of times before they understood it; they could repeat it themselves
long before they could say the Lord’s Prayer; it was painted over
the nursery door, and was about the first thing they learned to read.
It was destined to be the unswerving rule of Edward Mills’s life.
Sometimes the Brants changed the wording a little, and said:
“Be pure, honest, sober, industrious, considerate, and you will never
lack friends.”
Baby Mills was a comfort to everybody about him. When he wanted
candy and could not have it, he listened to reason, and contented
himself without it. When Baby Benton wanted candy, he cried for it
until he got it. Baby Mills took care of his toys; Baby Benton
always destroyed his in a very brief time, and then made himself
so insistently disagreeable that, in order to have peace in the house,
little Edward was persuaded to yield up his play-things to him.
When the children were a little older, Georgie became a heavy expense
in one respect: he took no care of his clothes; consequently, he
shone frequently in new ones, with was not the case with Eddie.
The boys grew apace. Eddie was an increasing comfort, Georgie an
increasing solicitude. It was always sufficient to say, in answer
to Eddie’s petitions, “I would rather you would not do it”—
meaning swimming, skating, picnicking, berrying, circusing,
and all sorts of things which boys delight in. But NO answer
was sufficient for Georgie; he had to be humored in his desires,
or he would carry them with a high hand. Naturally, no boy got
more swimming
Comments (0)