The Flaming Jewel by Robert W. Chambers (phonics story books txt) 📕

to grasp the case, a hand snatched it, a masked figure sprang through the doorway, and ran toward the barn.

Somebody recognised the hat and red bandanna:

"Salzar!" he yelled. "Nick Salzar!"

"A traitor, by God!" shouted Quintana. Even before he had reached the door, his pistol flashed twice, deafening all in the semi-darkness, choking them with stifling fumes.

A masked man turned on Stormont, forcing him back into the pantry at pistol-point. Another man pushed Eve after him, slammed the pantry door and bolted it.

Through the iron bars of the pantry window, Stormont saw a man, wearing a red bandanna tied under his eyes, run up and untie his horse and fling himself astride under a shower of bullets.

As he wheeled the horse and swung him into the clearing toward the foot of Star Pond, his seat and horsemanship were not to be mistaken.

He was gone, now, the gallop stretching into a dead run; and Quintana's men still following, shooting, hallooing in the starlight like a pack of leaping shapes from hell.

But Quintana had not followed far. When he had emptied his automatic he halted.

Something about the transaction suddenly checked his fury, stilled it, summoned his brain into action.

For a full minute he stood unstirring, every atom of intelligence in terrible concentration.

Presently he put his left hand into his pocket, fitted another clip to his pistol, turned on his heel and walked straight back to the house.

Between the two locked in the pantry not a word had passed. Stormont still peered out between the iron bars, striving to catch a glimpse of what was going on. Eve crouched at the pantry doors, her face in her hands, listening.

Suddenly she heard Quintana's step in the kitchen. Cautiously she turned the pantry key from inside.

Stormont heard her, and instantly came to her. At the same moment Quintana unbolted the door from the outside and tried to open it.

"Come out," he said coldly, "or it will not go well with you when my men return."

"You've got what you say is your property," replied. Stormont. "What do you want now?"

"I tell you what I want ver' damn quick. Who was he, thees man who rides with my property on your horse away? Eh? Because it was not Nick Salzar! No! Salzar can not ride thees way. No! Alors?"

"I can't tell you who he was," replied Stormont. "That's your affair, not ours."

"No? Ah! Ver' well, then. I shall tell you, Señor Flic! He was one of yours . I understan'. It is a trap, a cheat—what you call a plant ! Thees man who rode your horse he is disguise! Yes! He also is a gendarme! Yes! You think I let a gendarme rob me? I got you where I want you now. You shall write your gendarme frien' that he return to me my property, one day's time , or I send him by parcel post two nice, fresh-out right-hands—your sweetheart's and your own!"

Stormont drew Eve's head close to his:

"This man is blood mad or out of his mind! I'd better go out and take a chance at him before the others come back."

But the girl shook her head violently, caught him by the arm and drew him toward the mouth of the tile down which Clinch always emptied his hootch when the Dump was raided.

But now, it appeared that the tile which protruded from the cement floor was removable.

In silence she began to unscrew it, and he, seeing what she was trying to do, helped her.

Together they lifted the heavy tile and laid it on the floor.

"You open thees door!" shouted Quintana in a paroxysm of fury. "I give you one minute! Then, by God, I kill you both!"

Eve lifted a screen of wood through which the tile had been set. Under it a black hole yawned. It was a tunnel made of three-foot aqueduct tiles; and it led straight into Star Pond, two hundred feet away.

Now, as she straightened up and looked silently at Stormont, they heard the trample of boots in the kitchen, voices, the bang of gun-stocks.

"Does that drain lead into the lake?" whispered Stormont.

She nodded.

"Will you follow me, Eve?"

She pushed him aside, indicating that he was to follow her.

As she stripped the hunting jacket from her, a hot colour swept her face. But she dropped on both knees, crept straight into the tile and slipped out of sight.

As she disappeared, Quintana shouted something in Portuguese, and fired at the lock.

With the smash of splintering wood in his ears, Stormont slid into the smooth tunnel.

In an instant he was shooting down a polished toboggan slide, and in another moment was under the icy water of Star Pond.

Shocked, blinded, fighting his way to the surface, he felt his spurred boots dragging at him like a ton of iron. Then to him came her helping hand.

"I can make it," he gasped.

But his clothing and his boots and the icy water began to tell on him in mid-lake.

Swimming without effort beside him, watching his every stroke, presently she sank a little and glided under him and a little ahead, so that his hands fell upon her shoulders.

He let them rest, so, aware now that it was no burden to such a swimmer. Supple and silent as a swimming otter, the girl slipped lithely through the chilled water, which washed his body to the nostrils and numbed his legs till he could scarcely move them.

And now, of a sudden, his feet touched gravel. He stumbled forward in the shadow of overhanging trees and saw her wading shoreward, a dripping, silvery shape on the shoal.

Then, as he staggered up to her, breathless, where she was standing on the pebbled shore, he saw her join both hands, cup-shape, and lift them to her lips.

And out of her mouth poured diamond, sapphire, and emerald in a dazzling stream,—and, among them, one great, flashing gem blazing in the starlight,—the Flaming Jewel!

Like a naiad of the lake she stood, white, slim, silent, the heaped gems glittering in her snowy hands, her face framed by the curling masses of her wet hair.

Then, slowly she turned her head to Stormont.

"These are what Quintana came for," she said. "Could you put them into your pocket?"

Episode Eight CUP AND LIP I

TWO miles beyond Clinch's Dump, Hal Smith pulled Stormont's horse to a walk. He was tremendously excited.

With naïve sincerity he believed that what he had done on the spur of the moment had been the only thing to do.

By snatching the Flaming Jewel from Quintana's very fingers he had diverted that vindictive bandit's fury from Eve, from Clinch, from Stormont, and had centred it upon himself.

More than that, he had sown the seeds of suspicion among Quintana's own people. They never could discover Salzar's body. Always they must believe that it was Nicolas Salzar and no other who so treacherously robbed them, and who rode away in a rain of bullets, shaking the emblazoned morocco case above his masked head in triumph, derision and defiance.

At the recollection of what had happened, Hal Smith drew bridle, and, sitting his saddle there in the false dawn, threw back his handsome head and laughed until the fading stars overhead swam in his eyes through tears of sheerest mirth.

For he was still young enough to have had the time of his life. Nothing in the Great War had so thrilled him. For, in what had just happened, there was humour. There had been none in the Great Grim Drama.

Still, Smith began to realise that he had taken the long, long chance of the opportunist who rolls the bones with Death. He had kept his pledge to the little Grand Duchess. It was a clean job. It was even good drama——

The picturesque angle of the affair shook Hal Smith with renewed laughter. As a moving picture hero he thought himself the funniest thing on earth.

From the time he had poked a pistol against Sard's fat paunch, to this bullet-pelted ride for life, life had become one ridiculously exciting episode after another.

He had come through like the hero in a best-seller.... Lacking only a heroine.... If there had been any heroine it was Eve Strayer. Drama had gone wrong in that detail.... So perhaps, after all, it was real life he had been living and not drama. Drama, for the masses, must have a definite beginning and ending. Real life lacks the latter. In life nothing is finished. It is always a premature curtain which is yanked by that doddering old stage-hand, Johnny Death.

Smith sat his saddle, thinking, beginning to be sobered now by the inevitable reaction which follows excitement and mirth as relentlessly as care dogs the horseman.

He had had a fine time,—save for the horror of the Rocktrail.... He shuddered.... Anyway, at worst he had not shirked a clean deal in that ghastly game.... It was God's mercy that he was not lying where Salzar lay, ten feet—twenty—a hundred deep, perhaps—in immemorial slime——

He shook himself in his saddle as though to be rid of the creeping horror, and wiped his clammy face.

Now, in the false dawn, a blue-jay awoke somewhere among the oaks and filled the misty silence with harsh grace-notes.

Then reaction, setting in like a tide, stirred more sombre depths in the heart of this young man.

He thought of Riga; and of the Red Terror; of murder at noon-day, and outrage by night. He remembered his only encounter with a lovely child—once Grand Duchess of Esthonia—then a destitute refugee in silken rags.

What a day that had been.... Only one day and one evening.... And never had he been so near in love in all his life....

That one day and evening had been enough for her to confide to an American officer her entire life's history.... Enough for him to pledge himself to her service while life endured.... And if emotion had swept every atom of reason out of his youthful head, there in the turmoil and alarm—there in the terrified, riotous city jammed with refugees, reeking with disease, half frantic from famine and the filthy, rising flood of war—if really it all had been merely romantic impulse, ardour born of overwrought sentimentalism, nevertheless, what he had pledged that day to a little Grand Duchess in rags, he had fulfilled to the letter within the hour.

As the false dawn began to fade, he loosened hunting coat and cartridge sling, drew from his shirt-bosom the morocco case.

It bore the arms and crest of the Grand Duchess Theodorica of Esthonia.

His fingers trembled slightly as he pressed the jewelled spring. It opened on an empty casket.

In the sudden shock of horror and astonishment, his convulsive clutch on the spring started a tiny bell ringing. Then, under his very nose, the empty tray slid aside revealing another tray underneath, set solidly with brilliants. A rainbow glitter streamed from the unset gems in the silken tray. Like an incredulous child he touched them. They were magnificently real.

In the centre lay blazing the great Erosite gem,—the Flaming Jewel itself. Priceless diamonds, sapphires, emeralds ringed it. In his hands he held nearly four millions of dollars.

Gingerly he balanced the emblazoned case, fascinated. Then he replaced the empty tray, closed the box, thrust it into the bosom of his flannel shirt and buttoned it in.

Now there was little more for this excited young man to do. He was through with Clinch. Hal Smith, hold-up man and dish-washer at Clinch's Dump, had ended his career. The time had now arrived for him to vanish and make room for James Darragh.

Because there still remained a very agreeable rôle for Darragh to play. And he meant to eat it up—as Broadway has it.

For by this time the Grand Duchess of Esthonia—Ricca, as she was called by her companion, Valentine, the pretty Countess Orloff-Strelwitz—must have arrived in New York.

At the big hunting lodge of the late Henry Harrod—now inherited by Darragh—there