Tales of the Argonauts by Bret Harte (top books to read .txt) 📕

business, as he said. Perhaps the mother already was there; but no, she had gone East. Nevertheless, Mrs. Tretherick, in her then state of mind, preferred to dwell upon the fact that she might be there. She was dimly conscious, also, of a certain satisfaction in exaggerating her feelings. Surely no woman had ever been so shamefully abused. In fancy, she sketched a picture of herself sitting alone and deserted, at sunset, among the fallen columns of a ruined temple, in a melancholy yet graceful attitude, while her husband drove rapidly away in a luxurious coach-and-four, with a red-haired woman at his side. Sitting upon the trunk she had just packed, she partly composed a lugubrious poem, describing her sufferings, as, wandering alone, and poorly clad, she came upon her husband and “another” flaunting in silks and diamonds. She pictured herself dying of consumption, brought on by sorrow,—a beautiful wreck, yet still fascinating, gazed upon adoringly by the editor of “The Avalanche,” and Col. Starbottle. And where was Col. Starbottle all this while? Why didn’t he come? He, at least, understood her. He—she laughed the reckless, light laugh of a few moments before; and then her face suddenly grew grave, as it had not a few moments before.

What was that little red-haired imp doing all this time? Why was she so quiet? She opened the door noiselessly, and listened. She fancied that she heard, above the multitudinous small noises and creakings and warpings of the vacant house, a smaller voice singing on the floor above. This, as she remembered, was only an open attic that had been used as a storeroom. With a half-guilty consciousness, she crept softly up stairs, and, pushing the door partly open, looked within.

Athwart the long, low-studded attic, a slant sunbeam from a single small window lay, filled with dancing motes, and only half illuminating the barren, dreary apartment. In the ray of this sunbeam she saw the child’s glowing hair, as if crowned by a red aureola, as she sat upon the floor with her exaggerated doll between her knees. She appeared to be talking to it; and it was not long before Mrs. Tretherick observed that she was rehearsing the interview of a half-hour before. She catechised the doll severely, cross-examining it in regard to the duration of its stay there, and generally on the measure of time. The imitation of Mrs. Tretherick’s manner was exceedingly successful, and the conversation almost a literal reproduction, with a single exception. After she had informed the doll that she was not her mother, at the close of the interview she added pathetically, “that if she was dood, very dood, she might be her mamma, and love her very much.”

I have already hinted that Mrs. Tretherick was deficient in a sense of humor. Perhaps it was for this reason that this whole scene affected her most unpleasantly; and the conclusion sent the blood tingling to her cheek. There was something, too, inconceivably lonely in the situation. The unfurnished vacant room, the half-lights, the monstrous doll, whose very size seemed to give a pathetic significance to its speechlessness, the smallness of the one animate, self-centred figure,—all these touched more or less deeply the half-poetic sensibilities of the woman. She could not help utilizing the impression as she stood there, and thought what a fine poem might be constructed from this material, if the room were a little darker, the child lonelier,—say, sitting beside a dead mother’s bier, and the wind wailing in the turrets. And then she suddenly heard footsteps at the door below, and recognized the tread of the colonel’s cane.

She flew swiftly down the stairs, and encountered the colonel in the hall. Here she poured into his astonished ear a voluble and exaggerated statement of her discovery, and indignant recital of her wrongs. “Don’t tell me the whole thing wasn’t arranged beforehand; for I know it was!” she almost screamed. “And think,” she added, “of the heartlessness of the wretch, leaving his own child alone here in that way.”

“It’s a blank shame!” stammered the colonel without the least idea of what he was talking about. In fact, utterly unable as he was to comprehend a reason for the woman’s excitement with his estimate of her character, I fear he showed it more plainly than he intended. He stammered, expanded his chest, looked stern, gallant, tender, but all unintelligently. Mrs. Tretherick, for an instant, experienced a sickening doubt of the existence of natures in perfect affinity.

“It’s of no use,” said Mrs. Tretherick with sudden vehemence, in answer to some inaudible remark of the colonel’s, and withdrawing her hand from the fervent grasp of that ardent and sympathetic man. “It’s of no use: my mind is made up. You can send for my trunk as soon as you like; but I shall stay here, and confront that man with the proof of his vileness. I will put him face to face with his infamy.”

I do not know whether Col. Starbottle thoroughly appreciated the convincing proof of Tretherick’s unfaithfulness and malignity afforded by the damning evidence of the existence of Tretherick’s own child in his own house. He was dimly aware, however, of some unforeseen obstacle to the perfect expression of the infinite longing of his own sentimental nature. But, before he could say any thing, Carry appeared on the landing above them, looking timidly, and yet half-critically at the pair.

“That’s her,” said Mrs. Tretherick excitedly. In her deepest emotions, either in verse or prose, she rose above a consideration of grammatical construction.

“Ah!” said the colonel, with a sudden assumption of parental affection and jocularity that was glaringly unreal and affected. “Ah! pretty little girl, pretty little girl! How do you do? How are you? You find yourself pretty well, do you, pretty little girl?” The colonel’s impulse also was to expand his chest, and swing his cane, until it occurred to him that this action might be ineffective with a child of six or seven. Carry, however, took no immediate notice of this advance, but further discomposed the chivalrous colonel by running quickly to Mrs. Tretherick, and hiding herself, as if for protection, in the folds of her gown. Nevertheless, the colonel was not vanquished. Falling back into an attitude of respectful admiration, he pointed out a marvellous resemblance to the “Madonna and Child.” Mrs. Tretherick simpered, but did not dislodge Carry as before. There was an awkward pause for a moment; and then Mrs. Tretherick, motioning significantly to the child, said in a whisper, “Go now. Don’t come here again, but meet me tonight at the hotel.” She extended her hand: the colonel bent over it gallantly, and, raising his hat, the next moment was gone.

“Do you think,” said Mrs. Tretherick with an embarrassed voice and a prodigious blush, looking down, and addressing the fiery curls just visible in the folds of her dress,—“do you think you will be ‘dood,’ if I let you stay in here and sit with me?”

“And let me tall you mamma?” queried Carry, looking up.

“And let you call me mamma!” assented Mrs. Tretherick with an embarrassed laugh.

“Yeth,” said Carry promptly.

They entered the bedroom together. Carry’s eye instantly caught sight of the trunk.

“Are you dowin away adain, mamma?” she said with a quick nervous look, and a clutch at the woman’s dress.

“No-o,” said Mrs. Tretherick, looking out of the window.

“Only playing your dowin away,” suggested Carry with a laugh. “Let me play too.”

Mrs. Tretherick assented. Carry flew into the next room, and presently re-appeared, dragging a small trunk, into which she gravely proceeded to pack her clothes. Mrs. Tretherick noticed that they were not many. A question or two regarding them brought out some further replies from the child; and, before many minutes had elapsed, Mrs. Tretherick was in possession of all her earlier history. But, to do this, Mrs. Tretherick had been obliged to take Carry upon her lap, pending the most confidential disclosures. They sat thus a long time after Mrs. Tretherick had apparently ceased to be interested in Carry’s disclosures; and, when lost in thought, she allowed the child to rattle on unheeded, and ran her fingers through the scarlet curls.

“You don’t hold me right, mamma,” said Carry at last, after one or two uneasy shiftings of position.

“How should I hold you?” asked Mrs. Tretherick with a half-amused, half-embarrassed laugh.

“Dis way,” said Carry, curling up into position, with one arm around Mrs. Tretherick’s neck, and her cheek resting on her bosom,— “dis way,—dere.” After a little preparatory nestling, not unlike some small animal, she closed her eyes, and went to sleep.

For a few moments the woman sat silent, scarcely daring to breathe in that artificial attitude. And then, whether from some occult sympathy in the touch, or God best knows what, a sudden fancy began to thrill her. She began by remembering an old pain that she had forgotten, an old horror that she had resolutely put away all these years. She recalled days of sickness and distrust,—days of an overshadowing fear,—days of preparation for something that was to be prevented, that WAS prevented, with mortal agony and fear. She thought of a life that might have been,—she dared not say HAD been,—and wondered. It was six years ago: if it had lived, it would have been as old as Carry. The arms which were folded loosely around the sleeping child began to tremble, and tighten their clasp. And then the deep potential impulse came, and with a half-sob, half-sigh, she threw her arms out, and drew the body of the sleeping child down, down, into her breast, down again and again as if she would hide it in the grave dug there years before. And the gust that shook her passed, and then, ah me! the rain.

A drop or two fell upon the curls of Carry, and she moved uneasily in her sleep. But the woman soothed her again,—it was so easy to do it now,—and they sat there quiet and undisturbed, so quiet that they might have seemed incorporate of the lonely silent house, the slowly-declining sunbeams, and the general air of desertion and abandonment, yet a desertion that had in it nothing of age, decay, or despair.

 

Col. Starbottle waited at the Fiddletown hotel all that night in vain. And the next morning, when Mr. Tretherick returned to his husks, he found the house vacant and untenanted, except by motes and sunbeams.

When it was fairly known that Mrs. Tretherick had run away, taking Mr. Tretherick’s own child with her, there was some excitement, and much diversity of opinion, in Fiddletown. “The Dutch Flat Intelligencer” openly alluded to the “forcible abduction” of the child with the same freedom, and it is to be feared the same prejudice, with which it had criticised the abductor’s poetry. All of Mrs. Tretherick’s own sex, and perhaps a few of the opposite sex, whose distinctive quality was not, however, very strongly indicated, fully coincided in the views of “The Intelligencer.” The majority, however, evaded the moral issue: that Mrs. Tretherick had shaken the red dust of Fiddletown from her dainty slippers was enough for them to know. They mourned the loss of the fair abductor more than her offence. They promptly rejected Tretherick as an injured husband and disconsolate father, and even went so far as to openly cast discredit on the sincerity of his grief. They reserved an ironical condolence for Col. Starbottle, overbearing that excellent man with untimely and demonstrative sympathy in bar-rooms, saloons, and other localities not generally deemed favorable to the display of sentiment. “She was alliz a skittish thing, kernel,” said one sympathizer, with a fine affectation of gloomy concern, and great readiness of illustration; “and it’s kinder nat’ril thet she’d get away some day, and stampede that theer colt: but thet she should shake YOU, kernel, thet she should just shake you—is