Notre-Dame de Paris by Victor Hugo (best electronic book reader TXT) 📕
Four of the bailiff of the palace's sergeants, perfunctory guardians of all the pleasures of the people, on days of festival as well as on days of execution, stood at the four corners of the marble table.
The piece was only to begin with the twelfth stroke of the great palace clock sounding midday. It was very late, no doubt, for a theatrical representation, but they had been obliged to fix the hour to suit the convenience of the ambassadors.
Now, this whole multitude had been waiting since morning. A goodly number of curious, good people had been shivering since daybreak before the grand staircase of the palace; some even affirmed that they had passed the night across the threshold of the great door, in order to make sure that they should be the first to pass in. The crowd grew more dense every moment, and, like water, which rises above its normal level, began to mount along the walls, to swell around the pillars, to spread out on the entablatures, on the co
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- Author: Victor Hugo
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So saying, the unhappy Gringoire kissed the king’s slippers, and Guillaume Rym said to Coppenole in a low tone: “He doth well to drag himself on the earth. Kings are like the Jupiter of Crete, they have ears only in their feet.” And without troubling himself about the Jupiter of Crete, the hosier replied with a heavy smile, and his eyes fixed on Gringoire: “Oh! that’s it exactly! I seem to hear Chancellor Hugonet craving mercy of me.”
When Gringoire paused at last, quite out of breath, he raised his head tremblingly towards the king, who was engaged in scratching a spot on the knee of his breeches with his finger- nail; then his majesty began to drink from the goblet of ptisan. But he uttered not a word, and this silence tortured Gringoire. At last the king looked at him. “Here is a terrible bawler!” said, he. Then, turning to Tristan l’Hermite, “Bali! let him go!”
Gringoire fell backwards, quite thunderstruck with joy.
“At liberty!” growled Tristan “Doth not your majesty wish to have him detained a little while in a cage?”
“Gossip,” retorted Louis XI., “think you that ‘tis for birds of this feather that we cause to be made cages at three hundred and sixty-seven livres, eight sous, three deniers apiece? Release him at once, the wanton (Louis XI. was fond of this word which formed, with Pasque-Dieu, the foundation of his joviality), and put him out with a buffet.”
“Ugh!” cried Gringoire, “what a great king is here!”
And for fear of a counter order, he rushed towards the door, which Tristan opened for him with a very bad grace. The soldiers left the room with him, pushing him before them with stout thwacks, which Gringoire bore like a true stoical philosopher.
The king’s good humor since the revolt against the bailiff had been announced to him, made itself apparent in every way. This unwonted clemency was no small sign of it. Tristan l’Hermite in his corner wore the surly look of a dog who has had a bone snatched away from him.
Meanwhile, the king thrummed gayly with his fingers on the arm of his chair, the March of Pont-Audemer. He was a dissembling prince, but one who understood far better how to hide his troubles than his joys. These external manifestations of joy at any good news sometimes proceeded to very great lengths thus, on the death, of Charles the Bold, to the point of vowing silver balustrades to Saint Martin of Tours; on his advent to the throne, so far as forgetting to order his father’s obsequies.
“Hé! sire!” suddenly exclaimed Jacques Coictier, “what has become of the acute attack of illness for which your majesty had me summoned?”
“Oh!” said the king, “I really suffer greatly, my gossip. There is a hissing in my ear and fiery rakes rack my chest.”
Coictier took the king’s hand, and begun to feel of his pulse with a knowing air.
“Look, Coppenole,” said Rym, in a low voice. “Behold him between Coictier and Tristan. They are his whole court. A physician for himself, a headsman for others.”
As he felt the king’s pulse, Coictier assumed an air of greater and greater alarm. Louis XI. watched him with some anxiety. Coictier grew visibly more gloomy. The brave man had no other farm than the king’s bad health. He speculated on it to the best of his ability.
“Oh! oh!” he murmured at length, “this is serious indeed.”
“Is it not?” said the king, uneasily.
“Pulsus creber, anhelans, crepitans, irregularis,” continued the leech.
“Pasque-Dieu!”
“This may carry off its man in less than three days.”
“Our Lady!” exclaimed the king. “And the remedy, gossip?”
“I am meditating upon that, sire.”
He made Louis XI. put out his tongue, shook his head, made a grimace, and in the very midst of these affectations,—
“Pardieu, sire,” he suddenly said, “I must tell you that there is a receivership of the royal prerogatives vacant, and that I have a nephew.”
“I give the receivership to your nephew, Gossip Jacques,” replied the king; “but draw this fire from my breast.”
“Since your majesty is so clement,” replied the leech, “you will not refuse to aid me a little in building my house, Rue Saint-André-des-Arcs.”
“Heugh!” said the king.
“I am at the end of my finances,” pursued the doctor; and it would really be a pity that the house should not have a roof; not on account of the house, which is simple and thoroughly bourgeois, but because of the paintings of Jehan Fourbault, which adorn its wainscoating. There is a Diana flying in the air, but so excellent, so tender, so delicate, of so ingenuous an action, her hair so well coiffed and adorned with a crescent, her flesh so white, that she leads into temptation those who regard her too curiously. There is also a Ceres. She is another very fair divinity. She is seated on sheaves of wheat and crowned with a gallant garland of wheat ears interlaced with salsify and other flowers. Never were seen more amorous eyes, more rounded limbs, a nobler air, or a more gracefully flowing skirt. She is one of the most innocent and most perfect beauties whom the brush has ever produced.”
“Executioner!” grumbled Louis XI., “what are you driving at?”
“I must have a roof for these paintings, sire, and, although ‘tis but a small matter, I have no more money.”
“How much doth your roof cost?”
“Why a roof of copper, embellished and gilt, two thousand livres at the most.”
“Ah, assassin!” cried the king, “He never draws out one of my teeth which is not a diamond.”
“Am I to have my roof?” said Coictier.
“Yes; and go to the devil, but cure me.”
Jacques Coictier bowed low and said,—
“Sire, it is a repellent which will save you. We will apply to your loins the great defensive composed of cerate, Armenian bole, white of egg, oil, and vinegar. You will continue your ptisan and we will answer for your majesty.”
A burning candle does not attract one gnat alone. Master Olivier, perceiving the king to be in a liberal mood, and judging the moment to be propitious, approached in his turn.
“Sire—”
“What is it now?” said Louis XI.
“Sire, your majesty knoweth that Simon Radin is dead?”
“Well?”
“He was councillor to the king in the matter of the courts of the treasury.”
“Well?”
“Sire, his place is vacant.”
As he spoke thus, Master Olivier’s haughty face quitted its arrogant expression for a lowly one. It is the only change which ever takes place in a courtier’s visage. The king looked him well in the face and said in a dry tone,—“I understand.”
He resumed,
“Master Olivier, the Marshal de Boucicaut was wont to say, ‘There’s no master save the king, there are no fishes save in the sea.’ I see that you agree with Monsieur de Boucicaut. Now listen to this; we have a good memory. In ‘68 we made you valet of our chamber: in ‘69, guardian of the fortress of the bridge of Saint-Cloud, at a hundred livres of Tournay in wages (you wanted them of Paris). In November, ‘73, by letters given to Gergeole, we instituted you keeper of the Wood of Vincennes, in the place of Gilbert Acle, equerry; in ‘75, gruyer* of the forest of Rouvray-lez- Saint-Cloud, in the place of Jacques le Maire; in ‘78, we graciously settled on you, by letters patent sealed doubly with green wax, an income of ten livres parisis, for you and your wife, on the Place of the Merchants, situated at the School Saint-Germain; in ‘79, we made you gruyer of the forest of Senart, in place of that poor Jehan Daiz; then captain of the Château of Loches; then governor of Saint- Quentin; then captain of the bridge of Meulan, of which you cause yourself to be called comte. Out of the five sols fine paid by every barber who shaves on a festival day, there are three sols for you and we have the rest. We have been good enough to change your name of Le Mauvais (The Evil), which resembled your face too closely. In ‘76, we granted you, to the great displeasure of our nobility, armorial bearings of a thousand colors, which give you the breast of a peacock. Pasque-Dieu! Are not you surfeited? Is not the draught of fishes sufficiently fine and miraculous? Are you not afraid that one salmon more will make your boat sink? Pride will be your ruin, gossip. Ruin and disgrace always press hard on the heels of pride. Consider this and hold your tongue.”
A lord having a right on the woods of his vassals.These words, uttered with severity, made Master Olivier’s face revert to its insolence.
“Good!” he muttered, almost aloud, “‘tis easy to see that the king is ill to-day; he giveth all to the leech.”
Louis XI. far from being irritated by this petulant insult, resumed with some gentleness, “Stay, I was forgetting that I made you my ambassador to Madame Marie, at Ghent. Yes, gentlemen,” added the king turning to the Flemings, “this man hath been an ambassador. There, my gossip,” he pursued, addressing Master Olivier, “let us not get angry; we are old friends. ‘Tis very late. We have terminated our labors. Shave me.”
Our readers have not, without doubt, waited until the present moment to recognize in Master Olivier that terrible Figaro whom Providence, the great maker of dramas, mingled so artistically in the long and bloody comedy of the reign of Louis XI. We will not here undertake to develop that singular figure. This barber of the king had three names. At court he was politely called Olivier le Daim (the Deer); among the people Olivier the Devil. His real name was Olivier le Mauvais.
Accordingly, Olivier le Mauvais remained motionless, sulking at the king, and glancing askance at Jacques Coictier.
“Yes, yes, the physician!” he said between his teeth.
“Ah, yes, the physician!” retorted Louis XI., with singular good humor; “the physician has more credit than you. ‘Tis very simple; he has taken hold upon us by the whole body, and you hold us only by the chin. Come, my poor barber, all will come right. What would you say and what would become of your office if I were a king like Chilperic, whose gesture consisted
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