Speeches: Literary and Social by Charles Dickens (inspiring books for teens .TXT) 📕

Claiming, on my part, to be related in some degree to the profession of an artist, I disdain to stoop to ask for charity, in the ordinary acceptation of the term, on behalf of the Artists. In its broader and higher signification of generous confidence, lasting trustfulness, love and confiding belief, I very readily associate that cardinal virtue with art. I decline to present the artist to the notice of the public as a grown-up child, or as a strange, unaccountable, moon-stricken person, waiting helplessly in the street of life to be helped over the road by the crossing-sweeper; on the contrary, I present the artist as a reasonable creature, a sensible gentleman, and as one well acquainted with the value of his time, and that of other people, as if he were in the habit of going on high ‘Change every day. The Artist whom I wish to present to the notice of the Meeting is one to whom the perfect enjoyment of the five senses is essential to every achievement of his life. He can gain no wealth nor fame by buying something which he never touched, and selling it to another who would also never touch or see it, but was compelled to strike out for himself every spark of fire which lighted, burned, and perhaps consumed him. He must win the battle of life with his own hand, and with his own eyes, and was obliged to act as general, captain, ensign, non-commissioned officer, private, drummer, great arms, small arms, infantry, cavalry, all in his own unaided self. When, therefore, I ask help for the artist, I do not make my appeal for one who was a cripple from his birth, but I ask it as part payment of a great debt which all sensible and civilised creatures owe to art, as a mark of respect to art, as a decoration—not as a badge—as a remembrance of what this land, or any land, would be without art, and as the token of an appreciation of the works of the most successful artists of this country. With respect to the society of which I am the advocate, I am gratified that it is so liberally supported by the most distinguished artists, and that it has the confidence of men who occupy the highest rank as artists, above the reach of reverses, and the most distinguished in success and fame, and whose support is above all price. Artists who have obtained wide-world reputation know well that many deserving and persevering men, or their widows and orphans, have received help from this fund, and some of the artists who have received this help are now enrolled among the subscribers to the Institution.

SPEECH: LONDON, MAY 20, 1862.

[The following speech was made by Mr. Dickens, in his capacity as chairman, at the annual Festival of the Newsvendors’ and Provident Institution, held at the Freemasons’ Tavern on the above date.]

When I had the honour of being asked to preside last year, I was prevented by indisposition, and I besought my friend, Mr. Wilkie Collins, to reign in my stead. He very kindly complied, and made an excellent speech. Now I tell you the truth, that I read that speech with considerable uneasiness, for it inspired me with a strong misgiving that I had better have presided last year with neuralgia in my face and my subject in my head, rather than preside this year with my neuralgia all gone and my subject anticipated.

Therefore, I wish to preface the toast this evening by making the managers of this Institution one very solemn and repentant promise, and it is, if ever I find myself obliged to provide a substitute again, they may rely upon my sending the most speechless man of my acquaintance.

The Chairman last year presented you with an amiable view of the universality of the newsman’s calling. Nothing, I think, is left for me but to imagine the newsman’s burden itself, to unfold one of those wonderful sheets which he every day disseminates, and to take a bird’s-eye view of its general character and contents. So, if you please, choosing my own time—though the newsman cannot choose his time, for he must be equally active in winter or summer, in sunshine or sleet, in light or darkness, early or late—but, choosing my own time, I shall for two or three moments start off with the newsman on a fine May morning, and take a view of the wonderful broadsheets which every day he scatters broadcast over the country. Well, the first thing that occurs to me following the newsman is, that every day we are born, that every day we are married—some of us—and that every day we are dead; consequently, the first thing the newsvendor’s column informs me is, that Atkins has been born, that Catkins has been married, and that Datkins is dead. But the most remarkable thing I immediately discover in the next column, is that Atkins has grown to be seventeen years old, and that he has run away; for, at last, my eye lights on the fact that William A., who is seventeen years old, is adjured immediately to return to his disconsolate parents, and everything will be arranged to the satisfaction of everyone. I am afraid he will never return, simply because, if he had meant to come back, he would never have gone away. Immediately below, I find a mysterious character in such a mysterious difficulty that it is only to be expressed by several disjointed letters, by several figures, and several stars; and then I find the explanation in the intimation that the writer has given his property over to his uncle, and that the elephant is on the wing. Then, still glancing over the shoulder of my industrious friend, the newsman, I find there are great fleets of ships bound to all parts of the earth, that they all want a little more stowage, a little more cargo, that they have a few more berths to let, that they have all the most spacious decks, that they are all built of teak, and copper-bottomed, that they all carry surgeons of experience, and that they are all A1 at Lloyds’, and anywhere else. Still glancing over the shoulder of my friend the newsman, I find I am offered all kinds of house-lodging, clerks, servants, and situations, which I can possibly or impossibly want. I learn, to my intense gratification, that I need never grow old, that I may always preserve the juvenile bloom of my complexion; that if ever I turn ill it is entirely my own fault; that if I have any complaint, and want brown cod-liver oil or Turkish baths, I am told where to get them, and that, if I want an income of seven pounds a-week, I may have it by sending half-a-crown in postage-stamps. Then I look to the police intelligence, and I can discover that I may bite off a human living nose cheaply, but if I take off the dead nose of a pig or a calf from a shop-window, it will cost me exceedingly dear. I also find that if I allow myself to be betrayed into the folly of killing an inoffensive tradesman on his own doorstep, that little incident will not affect the testimonials to my character, but that I shall be described as a most amiable young man, and as, above all things, remarkable for the singular inoffensiveness of my character and disposition. Then I turn my eye to the Fine Arts, and, under that head, I see that a certain “J. O.” has most triumphantly exposed a certain “J. O. B.,” which “J. O. B.” was remarkable for this particular ugly feature, that I was requested to deprive myself of the best of my pictures for six months; that for that time it was to be hung on a wet wall, and that I was to be requited for my courtesy in having my picture most impertinently covered with a wet blanket. To sum up the results of a glance over my newsman’s shoulder, it gives a comprehensive knowledge of what is going on over the continent of Europe, and also of what is going on over the continent of America, to say nothing of such little geographical regions as India and China.

Now, my friends, this is the glance over the newsman’s shoulders from the whimsical point of view, which is the point, I believe, that most promotes digestion. The newsman is to be met with on steamboats, railway stations, and at every turn. His profits are small, he has a great amount of anxiety and care, and no little amount of personal wear and tear. He is indispensable to civilization and freedom, and he is looked for with pleasurable excitement every day, except when he lends the paper for an hour, and when he is punctual in calling for it, which is sometimes very painful. I think the lesson we can learn from our newsman is some new illustration of the uncertainty of life, some illustration of its vicissitudes and fluctuations. Mindful of this permanent lesson, some members of the trade originated this society, which affords them assistance in time of sickness and indigence. The subscription is infinitesimal. It amounts annually to five shillings. Looking at the returns before me, the progress of the society would seem to be slow, but it has only been slow for the best of all reasons, that it has been sure. The pensions granted are all obtained from the interest on the funded capital, and, therefore, the Institution is literally as safe as the Bank. It is stated that there are several newsvendors who are not members of this society; but that is true in all institutions which have come under my experience. The persons who are most likely to stand in need of the benefits which an institution confers, are usually the persons to keep away until bitter experience comes to them too late.

SPEECH: LONDON, MAY 11, 1864.

[On the above date Mr. Dickens presided at the Adelphi Theatre, at a public meeting, for the purpose of founding the Shakespeare Schools, in connexion with the Royal Dramatic College, and delivered the following address:]

Ladies and gentlemen—Fortunately for me, and fortunately for you, it is the duty of the Chairman on an occasion of this nature, to be very careful that he does not anticipate those speakers who come after him. Like Falstaff, with a considerable difference, he has to be the cause of speaking in others. It is rather his duty to sit and hear speeches with exemplary attention than to stand up to make them; so I shall confine myself, in opening these proceedings as your business official, to as plain and as short an exposition as I can possibly give you of the reasons why we come together.

First of all I will take leave to remark that we do not come together in commemoration of Shakespeare. We have nothing to do with any commemoration, except