The Blood of the Arena by Vicente Blasco Ibáñez (big screen ebook reader TXT) 📕
"There's none left now. The coal's all burnt up! Let me alone, pesterers."
Pretending to be annoyed by this popularity which really flattered him, he opened a passage for himself by a push with his strong arms and escaped by the stairway, running up the steps with the agility of an athlete, while the servants, no longer restrained by his presence, swept and pushed the crowd toward the street.
Gallardo passed the room occupied by Garabato and saw his servant through the half-opened door bending over valises and boxes getting his costume ready for the bull-fight.
Finding himself alone in his room the pleasant excitement caused by the avalanche of his admirers instantly vanished. The unhappy moments of these bull-fighting days had come, the trepidation of the last hours before going to the plaza. Miura bulls and the public of Madrid! The danger which, when he faced it, seemed to intoxicate him and increase his
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- Author: Vicente Blasco Ibáñez
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Gallardo's wedding was a national event. Far into the night guitars strummed with melancholy plaint.... Girls, their arms held high, beat the marble floor with their little feet
There was a great feast in the courtyard. Photographers took instantaneous views for the Madrid newspapers. Gallardo's wedding was a national event. Far into the night guitars strummed with melancholy plaint, accompanied by hand-clapping and the click of castanets. The girls, their arms held high, beat the marble floor with their little feet, whirling their skirts and mantillas around their slender bodies, moving with the rhythm characteristic of the Sevillanas. Bottles of rich Andalusian wines were uncorked by the dozen; from hand to hand passed cups of ardent sherry, of strong montilla, and of the wine of San Lúcar, pale and perfumed. Every one was drunk but their intoxication left them sweet, subdued, and sad, with no other manifestation than sighs and songs, many starting at once to intone melancholy chants that told of prisons, of deaths, and of the poor mother, the eternal theme of the popular songs of Andalusia.
The last guests took their leave at midnight and the bride and groom were left in the house with Señora Angustias. The leather-worker, going out with his wife, made a gesture of desperation. He was drunk and furious because no one had paid him any attention during the entire day. As if he were nobody! As if the family did not exist!
"They cast us out, Encarnación. That girl, with her little face like the Virgin of Hope, is going to be mistress of everything and there won't be even a crumb left for us. Thou shalt see how they will fill the place with children."
And the prolific man grew indignant thinking of Gallardo's future offspring being brought into the world with no other purpose than to harm his own.
Time went on. A year passed without Señor Antonio's prediction being fulfilled. Gallardo and his wife appeared at all the functions with the pomp and show of a rich and popular bridal pair; she with mantillas that drew forth screams of admiration from the poor women; he, wearing his brilliants and ever ready to draw out his pocket-book to treat the people and to succor the beggars that came in bands. The gypsies, coppery of skin and chattering like witches, besieged Carmen with happy prophesies. Might God bless her! She was going to have a boy, a little prattling babe, more beautiful than the sun itself. They read it in the white of her eyes.
But in vain Carmen flushed with joy and modesty, lowering her eyes; in vain the espada walked erect, proud of his achievements, believing that the coveted fruit would soon appear.
And then another year passed without the realization of their hopes. Señora Angustias was sad when they spoke to her about it. She had other grandchildren, Encarnación's little ones, who by order of the leather-worker spent the day in their grandmother's house trying in every way to please their uncle. But she, wishing to compensate Gallardo for the hardships of the past, prayed with fervent affection for a child of his to care for, yearning to shower upon him all the love she could not give the father in his infancy because of her poverty.
"I know what is the matter," said the old woman sadly, "poor Carmen has no peace of mind. Thou shouldst see that unhappy creature when Juan is travelling about the world."
During the winter, in the season of rest when the bull-fighter was at home or went to the country testing bullocks and joining in the hunt, all was well. Carmen was then content knowing that her husband was in no danger. She laughed on the slightest pretext; she ate heartily; her face was animated by the color of health; but as soon as the spring came and Juan left home to fight bulls in the rings of Spain the poor girl, pale and weak, would fall into a painful stupefaction, her eyes enlarged by fear and ready to shed tears.
"Seventy-two bull-fights this year," said the friends of the house, commenting on the swordsman's contracts. "No one is so sought after as he."
And Carmen smiled with a grimace of pain. Seventy-two afternoons of agony like a criminal doomed to death, awaiting the arrival of the telegram at nightfall and at the same time dreading it! Seventy-two days of terror, of vague superstitions, thinking that a word forgotten in a prayer might influence the luck of the absent one! Seventy-two days of painful paradox, living in a tranquil house, seeing the same people, her accustomed existence running on, calm and peaceful as though nothing extraordinary were happening in the world, hearing the play of her husband's nephews in the courtyard and the flower-seller's song on the street, while far, very far away, in unknown cities, her Juan, in the presence of thousands of eyes, fought with wild beasts, seeing death pass close to his breast at each movement of the red rag he held in his hands!
Ah! those days of bull-fights, feast-days, on which the sky seemed more beautiful and the once solitary street resounded beneath the feet of the holiday crowd, when guitars strummed with accompaniment of hand-clapping and song in the tavern at the corner. Carmen, plainly dressed, with her mantilla over her eyes, left the house as if fleeing from evil dreams, going to take refuge in the churches. Her simple faith, which uncertainty burdened with superstitions, made her go from altar to altar as she recalled to mind the merits and miracles of each image. She went to San Gil, the church that had seen the happiest day of her existence, she knelt before the Virgin of Macarena, provided candles, many candles, and by their ruddy glow contemplated the brown face of the image with its black eyes and long lashes, which, it was said, resembled her own. In her she trusted. For a good reason was she Our Lady of Hope. Surely at this very hour she was protecting Juan by her divine power.
But suddenly indecision and fear rudely burst through her beliefs, tearing them asunder. The Virgin was a woman and women are so weak! Her destiny was to suffer and weep, as she wept for her husband, as the other had wept for her Son. She must confide in stronger powers; she must implore the aid of a more vigorous protection. And, in the stress of her agony, abandoning the Macarena without scruple as a useless friendship is forgotten, she went at other times to the church of San Lorenzo in search of Jesus, He of the Great Power, the Man-God crowned with thorns with the cross on his back, sweaty and tearful, the work of the sculptor Montañés, an awe-inspiring image.
The dramatic sadness of the Nazarene stumbling against the stones and bent beneath the weight of the cross seemed to console the poor wife. Lord of the Great Power! This vague and grandiose title tranquillized her. If the god dressed in brown velvet and gold would but deign to listen to her sighs, to her prayers repeated in eager haste, with dizzy rapidity, she was sure that Juan would walk unscathed out of the ring where he was at that moment. Again she would give money to a sacristan to light candles, and she passed hours contemplating the vacillating reflection of the red tongues on the image, believing she saw in the varnished face, by these alternations of shade and light, smiles of consolation, kind expressions that promised felicity.
The Lord of Great Power did not deceive her. On her return to the house she was presented with the little blue paper which she opened with a trembling hand: "As usual." She could breathe again, she could sleep like the criminal that is freed for the instant from immediate death; but in two or three days again came the agony of uncertainty, the terrible torture of doubt.
Carmen, in spite of the love she professed for her husband, had hours of rebellion. If she had known what this existence was before she married! At certain moments, craving the sisterhood of pain, she went in search of the wives of the bull-fighters who figured in Juan's cuadrilla, hoping they could give her news.
Nacional's good woman, who kept a tavern in the same ward, received the master's wife with tranquillity, wondering at her fears. She was accustomed to such an existence. Her husband must be all right since he sent no word. Telegrams cost dear and a banderillero earns little. If the newsboys did not shout an accident it was because none had happened. And she continued attentive to the service of her establishment as if no trace of worry could make its way into her blunted sensibility.
Again, crossing the bridge, Carmen went to the ward of Triana in search of the wife of Potaje, the picador, a kind of gypsy that lived in a hut like a hen-house surrounded by coppery, dirty youngsters whom she threatened and terrified with stentorian yells. The visit of the master's wife filled her with pride, but the latter's anxiety almost made her laugh. She ought not to be afraid. Those on foot always escaped the bull and Señor Juan Gallardo's good angel watched over him when he threw himself upon the beasts. The bulls killed but few. The terrible thing was being thrown from the horse. It was known to be the end of all picadores after a life of horrible falls; those who did not die suddenly from an unforeseen and thundering accident finished their days in madness. Thus poor Potaje would die—and so many hard struggles in exchange for a handful of duros,—while others—
This last she did not say but her eyes revealed the protest against the favoritism of Fate for those fine youths who, by a thrust of the sword, took the applause, the popularity, and the money, with no greater risks than those faced by their humbler associates.
Little by little Carmen grew accustomed to this new life. The cruel suspense on bull-fight days, the visits to the saints, the superstitious fears, she accepted them all as incidents necessary to her existence. Moreover, her husband's good luck and the continual conversation in the house on the events of the contest finally familiarized her with the danger. The fierce bull became for her as for Gallardo a generous and noble beast come into the world with no other purpose than to enrich and give fame to those who kill him.
She never attended a bull-fight. Since that afternoon on which she saw him who was to be her husband in his first novillada, she had not returned to the plaza. She lacked courage to witness a bull-fight, even one in which Gallardo did not take part. She would faint with terror on seeing other men face the danger dressed in the same costume as her Juan.
In the third year of their marriage Gallardo was wounded at Valencia. Carmen did not know it at once. The telegram arrived on time with the customary, "As usual." It was a merciful act of Don José, the manager, who, visiting Carmen every day and resorting to skilful jugglery to prevent her reading the papers, put off her knowledge of the misfortune for a week.
When Carmen heard of it through the indiscretion of some neighbor women she wished to take the train immediately to go to her husband, to take care of him, for she imagined him abandoned. It was not necessary. Before she could start the swordsman arrived, pale from the loss of blood, and with one leg doomed to a long season of immobility, but happy and
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