The Historical Nights' Entertainment by Rafael Sabatini (mini ebook reader .TXT) đź“•
My narrative in "The Night of Hate" is admittedly a purely theoretical account of the crime. But it is closely based upon all the known facts of incidence and of character; and if there is nothing in the surviving records that will absolutely support it, neither is there anything that can absolutely refute it.
In "The Night of Masquerade" I am guilty of quite arbitrarily discovering a reason to explain the mystery of Baron Bjelke's sudden change from the devoted friend and servant of Gustavus III of Sweden into his most bitter enemy. That speculation is quite indefensible, although affording a possible explanation of that mystery. In the case of "The Night of Kirk o' Field," on the other hand, I do not think any apology is necessary for my reconstruction of the precise manner in which Darnley met his death. The event has long been looked upon as one of the mysteries of history - the mystery lying in the fact that whilst the house at Kirk o' Field was destroyed by an e
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been appointed governess to Madame de Montespan’s royal children,
empanoplied in a dignity and ceremony that left no doubt on the
score of her true position at Court.
And so, after seven years of absolute sway in which homage had been
paid her almost in awe by noble and simple alike, Madame de
Montespan, neglected now by Louis, moved amid reflections of that
neglect, with arrogantly smiling lips and desperate rage in her
heart. She sneered openly at the royal lack of taste, allowed her
barbed wit to make offensive sport with the ladies who supplanted
her; yet, ravaged by jealousy, she feared for herself the fate
which through her had overtaken La Valliere.
That fear was with her now as she sat in the window embrasure, hell
in her heart and a reflection of it in her eyes, as, fallen almost
to the rank of a spectator in that comedy wherein she was accustomed
to the leading part, she watched the shifting, chattering,
glittering crowd. And as she watched, her line of vision was
crossed to her undoing by the slender, wellknit figure of de Vanens,
who, dressed from head to foot in black, detached sharply from that
dazzling throng. His face was pale and saturnine, his eyes dark,
very level, and singularly piercing. Thus his appearance served to
underline the peculiar fascination which he exerted, the rather
sinister appeal which he made to the imagination.
This young Provencal nobleman was known to dabble in magic, and
there were one or two dark passages in his past life of which more
than a whisper had gone abroad. Of being a student of alchemy, a
“philosopher” - that is to say, a seeker after the philosopher’s
stone, which was to effect the transmutation of metals - he made
no secret. But if you taxed him with demoniacal practices he would
deny it, yet in a way that carried no conviction.
To this dangerous fellow Madame de Montespan now made appeal in her
desperate need.
Their eyes met as he was sauntering past, and with a lazy smile and
a languid wave of her fan she beckoned him to her side.
“They tell me, Vanens,” said she, “that your philosophy succeeds
so well that you are transmuting copper into silver.”
His piercing eyes surveyed her, narrowing; a smile flickered over
his thin lips.
“They tell you the truth,” he said. “I have cast a bar which has
been purchased as good silver by the Mint.”
Her interest quickened. “By the Mint!” she echoed, amazed. “But,
then, my friend - ” She was breathless with excitement. “It is
a miracle.”
“No less,” he admitted. “But there is the greater miracle to come
- the transmutation of base metal into gold.”
“And you will perform it?”
“Let me but conquer the secret of solidifying mercury, and the rest
is naught. I shall conquer it, and soon.”
He spoke with easy confidence, a man stating something that he knew
beyond the possibility of doubt. The Marquise became thoughtful.
She sighed.
“You are the master of deep secrets, Vanens. Have you none that
will soften flinty hearts, make them responsive?”
He considered this woman whom Saint-Simon has called “beautiful as
the day,” and his smile broadened.
“Look in your mirror for the alchemy needed there,” he bade her.
Anger rippled across the perfect face. She lowered
“I have looked - in vain. Can you not help me, Vanens, you who
know so much?”
“A love-philtre?” said he, and hummed. “Are you in earnest?”
“Do you mock me with that question? Is not my need proclaimed for
all to see?”
Vanens became grave.
“It is not an alchemy in which myself I dabble,” he said slowly.
“But I am acquainted with those who do.”
She clutched his wrist in her eagerness.
“I will pay well,” she said.
“You will need to. Such things are costly.” He glanced round to
see that none was listening, then bending nearer: “There is a
sorceress named La Voisin in the Rue de la Tannerie, well known as
a fortuneteller to many ladies of the Court, who at a word from me
will do your need.”
La Montespan turned white. The piety in which she had been reared
- the habits of which clung to her despite the irregularity of her
life-made her recoil before the thing that she desired. Sorcery
was of the Devil. She told him so. But Vanens laughed.
“So that it be effective …” said he with a shrug.
And then across the room floated a woman’s trilling laugh. She
looked in the direction of the sound and beheld the gorgeous figure
of the King bending - yet haughty and condescending even in
adoration - over handsome Madame de Ludres. Pride and ambition
rose up in sudden fury to trample on religious feeling. Let Vanens
take her to this witch of his, for be the aid what it might, she
must have it.
And so, one dark night late in the year, Louis de Vanens handed a
masked and muffled lady from a coach at the corner of the Rue de
la Tannerie, and conducted her to the house of La Voisin.
The door was opened for them by a young woman of some twenty years
of age - Marguerite Monvoisin, the daughter of the witch - who led
them upstairs to a room that was handsomely furnished and hung with
fantastic tapestry of red designs upon a black ground - designs that
took monstrous shapes in the flickering light of a cluster of
candles. Black curtains parted, and from between them stepped a
short, plump woman, of a certain comeliness, with two round black
beads of eyes. She was fantastically robed in a cloak of crimson
velvet, lined with costly furs and closely studded with double-headed
eagles in fine gold, which must have been worth a prince’s ransom;
and she wore red shoes on each of which there was the same eagle
design in gold.
“Ah, Vanens!” she said familiarly.
He bowed.
“I bring you,” he announced, “a lady who has need of your skill.”
And he waved a hand towards the tall cloaked figure at his side.
La Voisin looked at the masked face.
“Velvet faces tell me little, Madame la Marquise,” she said calmly.
“Nor, believe me, will the King look at a countenance that you
conceal from me.”
There was an exclamation of surprise and anger from Madame de
Montespan. She plucked off her mask.
“You knew me?”
“Can you wonder?” asked La Voisin, “since I have told you what you
carry concealed in your heart?”
Madame de Montespan was as credulous as only the very devout can be.
“Since that is so, since you know already what I seek, tell me can
you procure it me?” she asked in a fever of excitement. “I will
pay well.”
La Voisin smiled darkly.
“Obdurate, indeed, is the case that will not yield to such medicine
as mine,” she said. “Let me consider first what must be done. In
a few days I shall bring you word. But have you courage for a great
ordeal?”
“For any ordeal that will give me what I want.”
“In a few days, then, you shall hear from me,” said the witch, and
so dismissed the great lady.
Leaving a heavy purse behind her, as Vanens had instructed her, the
Marchioness departed with her escort. And there, with that
initiation, as far as we can ascertain, ended Louis de Vanens’s
connection with the affair.
At Clagny Madame de Montespan waited for three days in a fever of
impatience for the coming of the witch. But when at last La Voisin
presented herself, the proposal that she had to make was one before
which the Marchioness recoiled in horror and some indignation.
The magic that La Voisin suggested involved a coadjutor, the Abbe
Guibourg, and the black mass to be celebrated by him. Madame de
Montespan had heard something of these dread sacrificial rites to
Satan; sufficient to fill her with loathing and disgust of the
whitefaced, beady-eyed woman who dared to insult her by the
proposal. She fumed and raged a while, and even went near to
striking La Voisin, who looked on with inscrutable face and stony,
almost contemptuous, indifference. Before that impenetrable,
almost uncanny, calm, Madame de Montespan’s fury at last abated.
Then the urgency of her need becoming paramount, she desired more
clearly to be told what would be expected of her. What the witch
told her was more appalling than anything she could have imagined.
But La Voisin argued:
“Can anything be accomplished without cost? Can anything be gained
in this life without payment of some kind?”
“But the price of this is monstrous!” Madame de Montespan protested.
“Measure it by the worldly advantages to be gained. They are not
small, madame. To enjoy boundless wealth, boundless power, and
boundless honour, to be more than queen - is not all this worth
some sacrifice?”
To Madame de Montespan it must have been worth any sacrifice in this
world or the next, since in the end she conquered her disgust, and
agreed to lend herself to this horror.
Three masses, she was told, would be necessary to ensure success,
and it was determined that they should be celebrated in the chapel
of the Chateau de Villebousin, where Guibourg had been almoner, to
which he had access, and which was at the time untenanted.
The chateau was a gloomy mediaeval fortress, blackened by age, and
standing, surrounded by a moat, in a lonely spot some two miles to
the south of Paris. Thither on a dark, gusty night of March came
Madame de Montespan, accompanied by her confidential waiting-woman,
Mademoiselle Desoeillets. They left the coach to await them on the
Orleans road, and thence, escorted by a single male attendant, they
made their way by a rutted, sodden path towards the grim castle
looming faintly through the enveloping gloom.
The wind howled dismally about the crenellated turrets; and a row
of poplars, standing like black, phantasmal guardians of the evil
place, bent groaning before its fury. From the running waters of
the moat, swollen by recent rains, came a gurgling sound that was
indescribably wicked.
Desoeillets was frightened by the dark, the desolate loneliness and
eeriness of the place; but she dared utter no complaint as she
stumbled forward over the uneven ground, through the gloom and the
buffeting wind, compelled by the suasion of her mistress’s imperious
will. Thus, by a drawbridge spanning dark, oily waters, they came
into a vast courtyard and an atmosphere as of mildew. A studded
door stood ajar, and through the gap, from a guiding beacon of
infamy, fell a rhomb of yellow light, suddenly obscured by a squat
female figure when the steps of the Marchioness and her companions
fell upon the stones of the yard.
It was La Voisin who stood on the threshold to receive her client.
In the stone-flagged hall behind her the light of a lantern revealed
her daughter, Marguerite Monvoisin, and a short, crafty-faced,
misshapen fellow in black homespun and a red wig - a magician named
Lesage, one of La Voisin’s coadjutors, a rogue of some talent who
exploited the witches of Paris to his own profit.
Leaving Leroy - the Marchioness’s male attendant below in this
fellow’s company, La Voisin took up a candle and lighted Madame de
Montespan up the broad stone staircase, draughty and cold, to the
ante-room of the chapel on the floor above. Mademoiselle
Desoeillets followed closely and fearfully, and Marguerite Monvoisin
came
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