The Historical Nights' Entertainment by Rafael Sabatini (mini ebook reader .TXT) ๐
My narrative in "The Night of Hate" is admittedly a purely theoretical account of the crime. But it is closely based upon all the known facts of incidence and of character; and if there is nothing in the surviving records that will absolutely support it, neither is there anything that can absolutely refute it.
In "The Night of Masquerade" I am guilty of quite arbitrarily discovering a reason to explain the mystery of Baron Bjelke's sudden change from the devoted friend and servant of Gustavus III of Sweden into his most bitter enemy. That speculation is quite indefensible, although affording a possible explanation of that mystery. In the case of "The Night of Kirk o' Field," on the other hand, I do not think any apology is necessary for my reconstruction of the precise manner in which Darnley met his death. The event has long been looked upon as one of the mysteries of history - the mystery lying in the fact that whilst the house at Kirk o' Field was destroyed by an e
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a temper to bear reproaches long. Under his scorn her anger kindled
and her humility was sloughed.
โWhat then?โ she cried at last, eyes aflash through lingering tears.
โIs the blame all mine? If all this is true, it is no less true
that I was driven to it by my love for you and the despair to which
your heartlessness and infidelity reduced me. To you,โ she
continued, gathering force at every word, โI sacrificed everything
- my honour, a noble husband who loved me, all that a woman prizes.
And what did you give me in exchange? Your cruel fickleness exposed
me to the low mockery of the lick-spittles of your Court. Do you
wonder that I went mad, and that in my madness I sacrificed what
shreds of self-respect you had left me? And now it seems I have
lost all but life. Take that, too, if it be your pleasure. Heaven
knows it has little value left for me! But remember that in
striking me you strike the mother of your children - the legitimate
children of France. Remember that!โ
He remembered it. Indeed, he was never in danger of forgetting it;
for she might have added that he would be striking also at himself
and at that royal dignity which was his religion. And so that all
scandalous comment might be avoided she was actually allowed to
remain at Court, although no longer in her first-floor apartments;
and it was not until ten years later that she departed to withdraw
to the community of Saint Joseph.
But even in her disgrace this woman, secretly convicted among other
abominations of attempting to procure the poisoning of the King and
of her rival, enjoyed an annual pension of 1,200.000 livres; whilst
none dared proceed against those who shared her guilt - not even
the infamous Guibourg, the poisoners Romani and Bertrand, and La
Filastre - nor yet against some scores of associates of these, who
were known to live by sorcery and poisonings, and who might be
privy to the part played by Madame de Montespan in that horrible
night of magic at the Chateau de Villebousin.
The hot blast of revolution was needed to sweep France clean.
VI. THE NIGHT OF WITCHCRAFT
LOUIS XIV AND MADAME DE MONTESPAN
If you scrape the rubbish-heap of servile, coeval flattery that
usually smothers the personality of a monarch, you will discover a
few kings who have been truly great; many who have achieved
greatness because they were wisely content to serve as masks for
the great intellects of their time; and, for the rest, some bad
kings, some foolish kings, and some ridiculous kings. But in all
that royal gallery of history you will hardly find a more truly
absurd figure than that of the resplendent Roi Soleil, the Grand
Monarque, the Fourteenth Louis of France.
I am not aware that he has ever been laughed at; certainly never
to the extent which he deserves. The flatterers of his day,
inevitable products of his reign, did their work so thoroughly that
even in secret they do not appear to have dared to utter - possibly
they did not even dare to think - the truth about him. Their work
survives, and when you have assessed the monstrous flattery at its
true worth, swept it aside and come down to the real facts of his
life, you make the discovery that the proudest title their
sycophancy could bestow and his own fatuity accept - Le Roi Soleil,
the SunKing - makes him what indeed he is: a king of opera bouffe.
There is about him at times something almost reminiscent of the
Court buffoons of a century before, who puffed themselves out with
mock pride, and aped a sort of sovereignty to excite laughter; with
this difference, however, that in his own case it was not intended
to be amusing.
A heartless voluptuary of mediocre intelligence, he contrived to
wrap himself in what Saint-Simon has called a โterrible majesty.โ
He was obsessed by the idea of the dignity, almost the divinity - of
kingship. I cannot believe that he conceived himself human. He
appears to have held that being king was very like being God, and
he duped the world by ceremonials of etiquette that were very
nearly sacramental. We find him burdening the most simple and
personal acts of everyday life with a succession of rites of an
amazing complexity. Thus, when he rose in the morning, princes of
the blood and the first gentlemen of France were in attendance: one
to present to him his stockings, another to proffer on bended knee
the royal garters, a third to perform the ceremony of handing him
his wig, and so on until the toilette of his plump, not unhandsome
person was complete. You miss the incense, you feel that some
noble thurifer should have fumigated him at each stage. Perhaps
he never thought of it.
The evil fruits of his reign - evil, that is to say, from the point
of view of his order, which was swept away as so much anachronistic
rubbish - did not come until a hundred years later. In his own day
France was great, and this not because but in spite of him. After
all, he was not the absolute ruler he conceived himself. There were
such capable men as Colbert and Louvois at the Kingโs sideโ; there
was the great genius of France which manifests itself when and as
it will, whatever the regime - and there was Madame de Montespan
to whose influence not a little of Louisโs glory may be ascribed,
since the most splendid years of his reign were those between 1668
and 1678 when she was maitresse en titre and more than Queen of
France. The women played a great part at the Court of Louis XIV,
and those upon whom he turned his dark eyes were in the main as wax
under the solar rays of the SunKing. But Madame de Montespan had
discovered the secret of reversing matters, so that in her hands it
was the King who became as wax for her modelling. It is with this
secret - a page of the secret history of France that we are here
concerned.
Francoises Athenais de Tonnay-Charente had come to Court in 1660 as
a maid of honour to the Queen. Of a wit and grace to match her
superb beauty, she was also of a perfervid piety, a daily
communicant, a model of virtue to all maids of honour. This until
the Devil tempted her. When that happened, she did not merely eat
an apple; she devoured an entire orchard. Pride and ambition
brought about her downfall. She shared the universal jealousy of
which Louise de la Valliere was a victim, and coveted the honours
and the splendour by which that unfortunate favourite was surrounded.
Not even her marriage with the Marquis de Montespan some three years
after her coming to Court sufficed to overcome the longings born of
her covetousness and ambition. And then, when the SunKing looked
with favour upon her opulent charms, when at last she saw the object
of her ambition within reach, that husband of hers went very near
to wrecking everything by his unreasonable behaviour. This
preposterous marquis had the effrontery to dispute his wife with
Jupiter, was so purblind as not to appreciate the honour the SunKing
proposed to do him.
In putting it thus, I but make myself the mouthpiece of the Court.
When Montespan began to make trouble by railing furiously against
the friendship of the King for his wife, his behaviour so amazed the
Kingโs cousin, Mademoiselle de Montpensier, that she called him
โan extravagant and extraordinary man.โ To his face she told him
that he must be mad to behave in this fashion; and so incredibly
distorted were his views, that he did not at all agree with her.
He provoked scenes with the King, in which he quoted Scripture,
made opposite allusions to King David which were in the very worst
taste, and even ventured to suggest that the SunKing might have
to reckon with the judgment of God. If he escaped a lettre de
cachet and a dungeon in the Bastille, it can only have been because
the King feared the further spread of a scandal injurious to the
sacrosanctity of his royal dignity.
The Marchioness fumed in private and sneered in public. When
Mademoiselle de Montpensier suggested that for his safetyโs sake
she should control her husbandโs antics, she expressed her
bitterness.
โHe and my parrot,โ she said, โamuse the Court to my shame.โ
In the end, finding that neither by upbraiding the King nor by
beating his wife could he prevail, Monsieur de Montespan resigned
himself after his own fashion. He went into widowerโs mourning,
dressed his servants in black, and came ostentatiously to Court in
a mourning coach to take ceremonious leave of his friends. It was
an affair that profoundly irritated the SunKing, and very nearly
made him ridiculous.
Thereafter Montespan abandoned his wife to the King. He withdrew
first to his country seat, and, later, from France, having
received more than a hint that Louis was intending to settle his
score with him. By that time Madame de Montespan was firmly
established as maitresse en titre, and in January of 1669 she gave
birth to the Duke of Maine, the first of the seven children she
was to bear the King. Parliament was to legitimize them all,
declaring them royal children of France, and the country was to
provide titles, dignities, and royal rent-rolls for them and their
heirs forever. Do you wonder that there was a revolution a century
later, and that the people, grown weary of the parasitic anachronism
of royalty, should have risen to throw off the intolerable burden
it imposed upon them?
The splendour of Madame de Montespan in those days was something
the like of which had never been seen at the Court of France. On
her estate of Clagny, near Versailles, stood now a magnificent
chateau. Louis had begun by building a country villa, which
satisfied her not at all.
โThat,โ she told him, โmight do very well for an opera-girlโ;
whereupon the infatuated monarch had no alternative but to command
its demolition, and call in the famous architect, Mansard, to erect
in its place an ultra royal residence.
At Versailles itself, whilst the long-suffering Queen had to be
content with ten rooms on the second floor, Madame de Montespan was
installed in twice that number on the first; and whilst a simple
page sufficed to carry the Queenโs train at Court, nothing less than
the wife of a marshal of France must perform the same office for the
favourite. She kept royal state as few queens have ever kept it.
She was assigned a troop of royal bodyguards for escort, and when
she travelled there was a never-ending train to follow her six-horse
coach, and officers of State came to receive her with royal honours
wherever she passed.
In her immeasurable pride she became a tyrant, even over the King
himself.
โThunderous and triumphant,โ Madame de Sevigne describes her in
those days when the SunKing was her utter and almost timid slave.
But constancy is not a Jovian virtue. Jupiter grew restless, and
then, shaking off all restraint, plunged into inconstancy of the
most scandalous and flagrant kind. It is doubtful if the history
of royal amours, with all its fecundity, can furnish a parallel.
Within a few months, Madame de Soubise, Mademoiselle de
Rochefort-Theobon, Madame de Louvigny, Madame de Ludres, and some
lesser ones passed in rapid succession through the furnace of the
SunKingโs affection - which is to say, through the royal bed -
and at last the Court was
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