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over Meshach with the cold towel, and of Meshach passing the flame across John's dying eyes, and these juxtapositions appeared to her intolerably mournful in their ridiculous grimness.

Impelled by a physical curiosity, she lifted the sheet and scrutinised John's breast, so pallid against the dark red of his neck, and bent down to catch the last tired efforts of the heart within. And the idea of her extraordinary intimacy with this man, of the incessant familiarity of more than twenty years, struck her and overwhelmed her. She saw that nothing is so subtly influential as constant uninterrupted familiarity, nothing so binding, and perhaps nothing so sacred. It was a trifle that they had not loved. They had lived. Ah! she knew him so profoundly that words could not describe her knowledge. He kept his own secrets, hundreds of them; and he had, in a way, astounded and shocked her by his suicide. Yet, in another way, this miserable termination did not at all surprise her; and his secrets were petty, factual things of no essential import, which left her mystic omniscience of him unimpaired.

She looked at his eyes, and thought pitifully: 'These eyes cannot see that I uncover him.' Then she looked again at his breast, which heaved in shallow respirations. And at the moment he exhaled a sigh, so softly delicate and gentle that it might have been the sigh of an infant sinking to sleep. She put her ear quickly to the still breast, as to a sea-shell, and listened intently, and caught no rumour of life there. Startled, she glanced at the jaw, which had dropped, and then at Ethel dozing on the sofa.

The room was filled for her with the majestic sound of trumpets, loud, sustained, and thrilling, but heard only by the soul; a noble and triumphant fanfare announcing the awful advent of those forces which are beyond the earthly sense. John's body lay suddenly deserted and residual; that deceitful brain, and that lying tongue, and that murderous hand had already begun to decay; and the informing fragment of eternal and universal energy was gone to its next manifestation and its next task, unconscious, irresponsible, and unchanged. The ineptitude of human judgments had been once more emphasised, and the great excellence of charity.

'Ethel,' said Leonora timorously, waking with a touch the young and beautiful girl whose flushed cheek was pressed against the cushion of the sofa. 'He's gone.... Call Fred.'


CHAPTER XI


THE REFUSAL



Fifteen months after John's death, and the inquest on his body, and the clandestine funeral, Leonora sat alone one evening in the garden of the house at Hillport. She wore a black dress trimmed with jet; a narrow band of white muslin clasped her neck, and from her shoulders hung a long thin antique gold chain, once the ornament of Aunt Hannah. Her head was uncovered, and the mild breeze which stirred the new leaves of the poplars moved also the stray locks of her hair. Her calm and mature beauty was unchanged; it was a common remark in the town that during the past year she had looked handsomer than ever, more content, radiant, and serene. 'And it's not surprising, either!' people added. The homestead appeared to be as of old. Carpenter was feeding Prince in the stable; Bran lay huge and benign at the feet of his mistress; the borders of the lawn were vivid with bloom; and within the house Bessie still ruled the kitchen. No luxury was abated, and no custom altered. Time apparently had nothing to show there, save an engagement ring on Bessie's finger. Many things, however, had occurred; but they had seemed to occur so placidly, and the days had been so even, that the term of her widowhood was to Leonora more like three months than fifteen, and she often reminded herself: 'It was last spring, not this, that he died.'

'The business is right enough!' Fred Ryley had said positively, with an emphasis on the word 'business,' when he met Leonora and Uncle Meshach in family council, during the first week of the disaster; and Meshach had replied: 'Thou shalt prove it, lad!' The next morning Mr. Mayer, the manager, and everybody on the bank, learned that Fred, with old Myatt at his back, was in sole control of the works at Shawport; creditors breathed with relief; and the whole of Bursley remembered that it had always prophesied that Fred's sterling qualities were bound to succeed. Meshach lent several thousands of pounds to Fred at five per cent., and Fred was to pay half the net profits of the business to Leonora as long as she lived. The youth did not change his lodgings, nor his tailor, nor his modest manners; but he became nevertheless suddenly important, and none appreciated this fact better than Mr. Mayer, whose sandy hair was getting grey, and who, having six children but no rich great-uncle, could never hope to earn more than three pounds a week. Fred was now an official member of the Myatt clan, and, in the town, men of position, pompous individuals who used to ignore him, greeted the sole principal of Twemlow & Stanway's with a certain cordiality. After an interval his engagement to Ethel was announced. Every evening he came up to Hillport. The couple were ardently and openly in love; they expected always to have the dining-room at their private disposal, and they had it. Ethel simply adored him, and he was immeasurably proud of her. Even in presence of the family they would sit hand in hand, making no attempt to conceal their bliss. For the rest Fred's attitude to Leonora was very affectionate and deferential; it touched her, though she knew he worshipped her ignorantly. Rose and Millicent wondered 'what Ethel could see in him'; he was neither amusing nor smart nor clever, nor even vivacious; he had little acquaintance with games, music, novels, or the feminist movement; he was indeed rather dull; but they liked him because he was fundamentally and invariably 'nice.' At the close of the year of Stanway's death, Fred had paid to Leonora four hundred and fifty pounds as her share of the profits of the firm for nine months. But long before that Leonora was rich. Uncle Meshach had died and left her the Myatt fortune for life, with remainder to the three girls absolutely in equal shares. Fred was the executor and trustee, and Fred's own share of the bounty was a total remission of Meshach's loan to him. Thus it is that providence watches over the wealthy, the luxurious, and the well-connected, and over the lilies of the field who toil not.

Aroused from lethargy by the dramatic circumstances of her father's death, Rose had resumed her reading with a vigour that amounted almost to fury. In the following January she miraculously passed the Matriculation examination of London University in the first division, and on returning home she informed Leonora that she had decided to go back to London and study medicine at a hospital for women.

But of the three girls, it was Millicent who had made the most history. Millicent was rapidly developing the natural gift, so precious to the theatrical artist, of existing picturesquely in the eye of the public. When the rehearsals of _Princess Ida_ began for the annual performance of the Operatic Society Milly confidently expected to receive the principal part, despite the fact that Lucy Turner, who had the prescriptive right to it, was once more in a position to sing; and Milly was not disappointed. As a heroine of comic opera she now accounted herself an extremely serious person, and it soon became apparent that the conductor and his prima donna would have to decide between them who was to control the rehearsals while Milly was on the stage. One evening a difference of opinion as to the _tempo_ of a song and chorus reached the condition of being acute. Exasperated by the pretty and wayward child, the conductor laid down his stick and lighted a cigarette, and those who knew him knew that the rehearsal would not proceed until the duel had been fought to a finish. Milly thought hard and said: 'Mr. Corfe says the Hanbridge people would jump at me!' 'My good girl,' the conductor replied, 'Mr. Corfe's views on the acrobatic propensities of the Hanbridge people are just a shade off the point.' Every one laughed, except Milly. She possessed little appreciation of wit, and she had scarcely understood the remark; but she had an objection to the laughter, and a very strong objection to being the conductor's good girl. The instant result was that she vowed never again to sing or act under his baton, and took the entire Society to witness; her place was filled by Lucy Turner. The Hanbridge Society happened to be doing _Patience_ that year, and they justified Mr. Corfe's prediction. Moreover, they hired the Hanbridge Theatre Royal for six nights. On the first night Milly was enthusiastically applauded by two thousand people, and in addition to half a column of praise in the 'Signal,' she had the happiness of being mentioned in the district news of the 'Manchester Guardian' and the 'Birmingham Daily Post.' She deemed it magnificent for her; Leonora tried to think so too. But on the fourth day the Hanbridge conductor was in bed with influenza; and the Bursley conductor, upon a flattering request, undertook his work for the remaining nights. Milly broke her vow; her practical common sense was really wonderful. On the last and most glorious night of the six, after responding to several frenzied calls, Milly was inspired to seize the conductor in the wings and drag him with her before the curtain. The effect was tremendous. The conductor had won, but he very willingly admitted that, in losing, the adorable chit had triumphed over him. The episode was gossip for many days.

And this was by no means the end of the matter. The agent-in-advance of one of the touring musical-comedy companies of Lionel Belmont, the famous Anglo-American manager, was in Hanbridge during that week, and after seeing Milly in the piece he telegraphed to Liverpool, where his company was, and the next day the manager visited Hanbridge incognito. Then Harry Burgess began to play a part in Millicent's history. Harry had abandoned his stool at the Bank, expressing his intention to undertake some large commercial enterprise; he had persuaded his mother to find the capital. The leisurely search for a large commercial enterprise precisely suited to Harry's tastes necessitated frequent sojourns in London. Harry became a man-about-town and a member of the renowned New Fantastics Club. The New Fantastics were powerful supporters of the dramatic art, and the roll of the club included numerous theatrical stars of magnitudes varying from the first to the tenth. It was during one of the club's official excursions--in pantechnicon vans--to a suburban theatre where a good French actress was performing, that Harry made the acquaintance of that important man, Louis Lewis, Belmont's head representative in Europe. Louis Lewis, over champagne, asked Harry if he knew a Millicent Stanway of Bursley. The effect of the conversation was that Harry came home and astounded Milly by telling her what Louis Lewis had authorised him to say. There were conferences between Leonora and Milly and Mr. Cecil Corfe, a journey to Manchester, hesitations, excitations, thrills, and in the end an arrangement. Millicent was to go to London to be finally appraised, and probably to sign a contract for a sixteen-weeks provincial tour at three pounds a week.

* * * * *


Leonora's prevailing mood was the serenity of high

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