Reprinted Pieces by Charles Dickens (a book to read .TXT) 📕

he resolved to turn those servants out of their places. So, he called to him a Roebuck who had the gift of speech, and he said, ‘Good Roebuck, tell them they must go.’ So, the good Roebuck delivered his message, so like a man that you might have supposed him to be nothing but a man, and they were turned out - but, not without warning, for that they had had a long time.

 

And now comes the most extraordinary part of the history of this Prince. When he had turned out those servants, of course he wanted others. What was his astonishment to find that in all his dominions, which contained no less than twenty-seven millions of people, there were not above five-and-twenty servants altogether!

They were so lofty about it, too, that instead of discussing whether they should hire themselves as servants to Prince Bull, they turned things topsy-turvy, and considered whether as a favour they should hire Prince Bull to be their master! While they were arguing this point among themselves quite at their leisure, the wicked old red Fairy was incessantly going up and down, knocking at the doors of twelve of the oldest of the five-and-twenty, who were the oldest inhabitants in all that country, and whose united ages amounted to one thousand, saying, ‘Will YOU hire Prince Bull for your master? - Will YOU hire Prince Bull for your master?’ To which one answered, ‘I will if next door will;’ and another, ‘I won’t if over the way does;’ and another, ‘I can’t if he, she, or they, might, could, would, or should.’ And all this time Prince Bull’s affairs were going to rack and ruin.

 

At last, Prince Bull in the height of his perplexity assumed a thoughtful face, as if he were struck by an entirely new idea. The wicked old Fairy, seeing this, was at his elbow directly, and said, ‘How do you do, my Prince, and what are you thinking of?’ - ‘I am thinking, godmother,’ says he, ‘that among all the seven-and-twenty millions of my subjects who have never been in service, there are men of intellect and business who have made me very famous both among my friends and enemies.’ - ‘Aye, truly?’ says the Fairy. -

‘Aye, truly,’ says the Prince. - ‘And what then?’ says the Fairy. -

‘Why, then,’ says he, ‘since the regular old class of servants do so ill, are so hard to get, and carry it with so high a hand, perhaps I might try to make good servants of some of these.’ The words had no sooner passed his lips than she returned, chuckling, ‘You think so, do you? Indeed, my Prince? - Tape!’ Thereupon he directly forgot what he was thinking of, and cried out lamentably to the old servants, ‘O, do come and hire your poor old master!

Pray do! On any terms!’

 

And this, for the present, finishes the story of Prince Bull. I wish I could wind it up by saying that he lived happy ever afterwards, but I cannot in my conscience do so; for, with Tape at his elbow, and his estranged children fatally repelled by her from coming near him, I do not, to tell you the plain truth, believe in the possibility of such an end to it.

A PLATED ARTICLE

PUTTING up for the night in one of the chiefest towns of Staffordshire, I find it to be by no means a lively town. In fact, it is as dull and dead a town as any one could desire not to see.

It seems as if its whole population might be imprisoned in its Railway Station. The Refreshment Room at that Station is a vortex of dissipation compared with the extinct town-inn, the Dodo, in the dull High Street.

 

Why High Street? Why not rather Low Street, Flat Street, Low-Spirited Street, Used-up Street? Where are the people who belong to the High Street? Can they all be dispersed over the face of the country, seeking the unfortunate Strolling Manager who decamped from the mouldy little Theatre last week, in the beginning of his season (as his play-bills testify), repentantly resolved to bring him back, and feed him, and be entertained? Or, can they all be gathered to their fathers in the two old churchyards near to the High Street - retirement into which churchyards appears to be a mere ceremony, there is so very little life outside their confines, and such small discernible difference between being buried alive in the town, and buried dead in the town tombs? Over the way, opposite to the staring blank bow windows of the Dodo, are a little ironmonger’s shop, a little tailor’s shop (with a picture of the Fashions in the small window and a bandy-legged baby on the pavement staring at it) - a watchmakers shop, where all the clocks and watches must be stopped, I am sure, for they could never have the courage to go, with the town in general, and the Dodo in particular, looking at them. Shade of Miss Linwood, erst of Leicester Square, London, thou art welcome here, and thy retreat is fitly chosen! I myself was one of the last visitors to that awful storehouse of thy life’s work, where an anchorite old man and woman took my shilling with a solemn wonder, and conducting me to a gloomy sepulchre of needlework dropping to pieces with dust and age and shrouded in twilight at high noon, left me there, chilled, frightened, and alone. And now, in ghostly letters on all the dead walls of this dead town, I read thy honoured name, and find that thy Last Supper, worked in Berlin Wool, invites inspection as a powerful excitement!

 

Where are the people who are bidden with so much cry to this feast of little wool? Where are they? Who are they? They are not the bandy-legged baby studying the fashions in the tailor’s window.

They are not the two earthy ploughmen lounging outside the saddler’s shop, in the stiff square where the Town Hall stands, like a brick and mortar private on parade. They are not the landlady of the Dodo in the empty bar, whose eye had trouble in it and no welcome, when I asked for dinner. They are not the turnkeys of the Town Jail, looking out of the gateway in their uniforms, as if they had locked up all the balance (as my American friends would say) of the inhabitants, and could now rest a little. They are not the two dusty millers in the white mill down by the river, where the great water-wheel goes heavily round and round, like the monotonous days and nights in this forgotten place. Then who are they, for there is no one else? No; this deponent maketh oath and saith that there is no one else, save and except the waiter at the Dodo, now laying the cloth. I have paced the streets, and stared at the houses, and am come back to the blank bow window of the Dodo; and the town clocks strike seven, and the reluctant echoes seem to cry, ‘Don’t wake us!’ and the bandy-legged baby has gone home to bed.

 

If the Dodo were only a gregarious bird - if he had only some confused idea of making a comfortable nest - I could hope to get through the hours between this and bedtime, without being consumed by devouring melancholy. But, the Dodo’s habits are all wrong. It provides me with a trackless desert of sitting-room, with a chair for every day in the year, a table for every month, and a waste of sideboard where a lonely China vase pines in a corner for its mate long departed, and will never make a match with the candlestick in the opposite corner if it live till Doomsday. The Dodo has nothing in the larder. Even now, I behold the Boots returning with my sole in a piece of paper; and with that portion of my dinner, the Boots, perceiving me at the blank bow window, slaps his leg as he comes across the road, pretending it is something else. The Dodo excludes the outer air. When I mount up to my bedroom, a smell of closeness and flue gets lazily up my nose like sleepy snuff. The loose little bits of carpet writhe under my tread, and take wormy shapes. I don’t know the ridiculous man in the looking-glass, beyond having met him once or twice in a dish-cover - and I can never shave HIM to-morrow morning! The Dodo is narrow-minded as to towels; expects me to wash on a freemason’s apron without the trimming: when I asked for soap, gives me a stony-hearted something white, with no more lather in it than the Elgin marbles. The Dodo has seen better days, and possesses interminable stables at the back - silent, grass-grown, broken-windowed, horseless.

 

This mournful bird can fry a sole, however, which is much. Can cook a steak, too, which is more. I wonder where it gets its Sherry? If I were to send my pint of wine to some famous chemist to be analysed, what would it turn out to be made of? It tastes of pepper, sugar, bitter-almonds, vinegar, warm knives, any flat drinks, and a little brandy. Would it unman a Spanish exile by reminding him of his native land at all? I think not. If there really be any townspeople out of the churchyards, and if a caravan of them ever do dine, with a bottle of wine per man, in this desert of the Dodo, it must make good for the doctor next day!

 

Where was the waiter born? How did he come here? Has he any hope of getting away from here? Does he ever receive a letter, or take a ride upon the railway, or see anything but the Dodo? Perhaps he has seen the Berlin Wool. He appears to have a silent sorrow on him, and it may be that. He clears the table; draws the dingy curtains of the great bow window, which so unwillingly consent to meet, that they must be pinned together; leaves me by the fire with my pint decanter, and a little thin funnel-shaped wine-glass, and a plate of pale biscuits - in themselves engendering desperation.

 

No book, no newspaper! I left the Arabian Nights in the railway carriage, and have nothing to read but Bradshaw, and ‘that way madness lies.’ Remembering what prisoners and shipwrecked mariners have done to exercise their minds in solitude, I repeat the multiplication table, the pence table, and the shilling table: which are all the tables I happen to know. What if I write something? The Dodo keeps no pens but steel pens; and those I always stick through the paper, and can turn to no other account.

 

What am I to do? Even if I could have the bandy-legged baby knocked up and brought here, I could offer him nothing but sherry, and that would be the death of him. He would never hold up his head again if he touched it. I can’t go to bed, because I have conceived a mortal hatred for my bedroom; and I can’t go away, because there is no train for my place of destination until morning. To burn the biscuits will be but a fleeting joy; still it is a temporary relief, and here they go on the fire! Shall I break the plate? First let me look at the back, and see who made it.

COPELAND.

 

Copeland! Stop a moment. Was it yesterday I visited Copeland’s works, and saw them making plates? In the confusion of travelling about, it might be yesterday or it might be yesterday month; but I think it was yesterday. I appeal to the plate. The plate says, decidedly, yesterday. I find the plate, as