St. Ronan's Well by Walter Scott (ebook offline reader .txt) 📕

And when he changed his strain to an adagio, and suffered his music to die away in the plaintive notes of Roslin Castle, the echoes of the old walls were, after a long slumber, awakened by that enthusiastic burst of applause, with which the Scots usually received and rewarded their country's gifted minstrel.

“He is his father's own son,” said Touchwood to the clergyman, for both had gotten seats near about the centre of the place of audience. “It is many a long year since I listened to old Neil at Inver, and, to say truth, spent a night with him over pancakes and Athole brose; and I never expected to hear his match again in my lifetime. But stop—the curtain rises.”

The screen was indeed withdrawn, and displayed Hermia, Helena, and their lovers, in attitudes corresponding to the scene of confusion occasioned by the error of Puck.

Messrs. Chatterly and the Painter played their parts neither better nor worse than amateur actors in general; and the best that could be said of them was, that they seemed more than half ashamed of their exotic dresses, and of the public gaze.

But against this untimely weakness Lady Penelope was guarded, by the strong shield of self-conceit. She minced, ambled, and, notwithstanding the slight appearance of her person, and the depredations which time had made on a countenance that had never been very much distinguished for beauty, seemed desirous to top the part of the beautiful daughter of Egeus. The sullenness which was proper to the character of Hermia, was much augmented by the discovery that Miss Mowbray was so much better dressed than herself,—a discovery[Pg 17] which she had but recently made, as that young lady had not attended on the regular rehearsals at the Well, but once, and then without her stage habit. Her ladyship, however, did not permit this painful sense of inferiority, where she had expected triumph, so far to prevail over her desire of shining, as to interrupt materially the manner in which she had settled to represent her portion of the scene. The nature of the exhibition precluded much action, but Lady Penelope made amends by such a succession of grimaces, as might rival, in variety at least, the singular display which Garrick used to call “going his rounds.” She twisted her poor features into looks of most desperate love towards Lysander; into those of wonder and offended pride, when she turned them upon Demetrius; and finally settled them on Helena, with the happiest possible imitation of an incensed rival, who feels the impossibility of relieving her swollen heart by tears alone, and is just about to have recourse to her nails.

No contrast could be stronger in looks, demeanour, and figure, than that between Hermia and Helena. In the latter character, the beautiful form and foreign dress of Miss Mowbray attracted all eyes. She kept her place on the stage, as a sentinel does that which his charge assigns him; for she had previously told her brother, that though she consented, at his importunity, to make part of the exhibition, it was as a piece of the scene, not as an actor, and accordingly a painted figure could scarce be more immovable. The expression of her countenance seemed to be that of deep sorrow and perplexity, belonging to her part, over which wandered at times an air of irony or ridicule, as if she were secretly scorning the whole exhibition, and even[Pg 18] herself for condescending to become part of it. Above all, a sense of bashfulness had cast upon her cheek a colour, which, though sufficiently slight, was more than her countenance was used to display; and when the spectators beheld, in the splendour and grace of a rich Oriental dress, her whom they had hitherto been accustomed to see attired only in the most careless manner, they felt the additional charms of surprise and contrast; so that the bursts of applause which were vollied towards the stage, might be said to be addressed to her alone, and to vie in sincerity with those which have been forced from an audience by the most accomplished performer.

“Oh, that puir Lady Penelope!” said honest Mrs. Blower, who, when her scruples against the exhibition were once got over, began to look upon it with particular interest,—“I am really sorry for her puir face, for she gars it work like the sails of John Blower's vesshel in a stiff breeze.—Oh, Doctor Cacklehen, dinna ye think she wad need, if it were possible, to rin ower her face wi' a gusing iron, just to take the wrunkles out o't?”

“Hush, hush! my good dear Mrs. Blower,” said the Doctor; “Lady Penelope is a woman of quality, and my patient, and such people always act charmingly—you must understand there is no hissing at a private theatre—Hem!”

“Ye may say what ye like, Doctor, but there is nae fule like an auld fule—To be sure, if she was as young and beautiful as Miss Mowbray—hegh me, and I didna use to think her sae bonny neither—but dress—dress makes an unco difference—That shawl o' hers—I daur say the like o't was ne'er seen in braid Scotland—It will be real Indian, I'se warrant.”[Pg 19]

“Real Indian!” said Mr. Touchwood, in an accent of disdain, which rather disturbed Mrs. Blower's equanimity,—“why, what do you suppose it should be, madam?”

“I dinna ken, sir,” said she, edging somewhat nearer the Doctor, not being altogether pleased, as she afterwards allowed, with the outlandish appearance and sharp tone of the traveller; then pulling her own drapery round her shoulders, she added, courageously, “There are braw shawls made at Paisley, that ye will scarce ken frae foreign.”

“Not know Paisley shawls from Indian, madam?” said Touchwood; “why, a blind man could tell by the slightest touch of his little finger. Yon shawl, now, is the handsomest I have seen in Britain—and at this distance I can tell it to be a real Tozie.”

“Cozie may she weel be that wears it,” said Mrs. Blower. “I declare, now I look on't again, it's a perfect beauty.”

“It is called Tozie, ma'am, not cozie,” continued the traveller; “the Shroffs at Surat told me in 1801, that it is made out of the inner coat of a goat.”

“Of a sheep, sir, I am thinking ye mean, for goats has nae woo'.”

“Not much of it, indeed, madam, but you are to understand they use only the inmost coat; and then their dyes—that Tozie now will keep its colour while there is a rag of it left—men bequeath them in legacies to their grandchildren.”

“And a very bonny colour it is,” said the dame; “something like a mouse's back, only a thought redder—I wonder what they ca' that colour.”

“The colour is much admired, madam,” said Touchwood, who was now on a favourite topic;[Pg 20] “the Mussulmans say the colour is betwixt that of an elephant and the breast of the faughta.”

“In troth, I am as wise as I was,” said Mrs. Blower.

“The faughta, madam, so called by the Moors, (for the Hindhus call it hollah,) is a sort of pigeon, held sacred among the Moslem of India, because they think it dyed its breast in the blood of Ali.—But I see they are closing the scene.—Mr. Cargill, are you composing your sermon, my good friend, or what can you be thinking of?”

Mr. Cargill had, during the whole scene, remained with his eyes fixed, in intent and anxious, although almost unconscious gaze, upon Clara Mowbray; and when the voice of his companion startled him out of his reverie, he exclaimed, “Most lovely—most unhappy—yes—I must and will see her!”

“See her?” replied Touchwood, too much accustomed to his friend's singularities to look for much reason or connexion in any thing he said or did; “Why, you shall see her and talk to her too, if that will give you pleasure.—They say now,” he continued, lowering his voice to a whisper, “that this Mowbray is ruined. I see nothing like it, since he can dress out his sister like a Begum. Did you ever see such a splendid shawl?”

“Dearly purchased splendour,” said Mr. Cargill, with a deep sigh; “I wish that the price be yet fully paid!”

“Very likely not,” said the traveller; “very likely it's gone to the book; and for the price, I have known a thousand rupees given for such a shawl in the country.—But hush, hush, we are to have another tune from Nathaniel—faith, and they are withdrawing the screen—Well, they have some[Pg 21] mercy—they do not let us wait long between the acts of their follies at least—I love a quick and rattling fire in these vanities—Folly walking a funeral pace, and clinking her bells to the time of a passing knell, makes sad work indeed.”

A strain of music, beginning slowly, and terminating in a light and wild allegro, introduced on the stage those delightful creatures of the richest imagination that ever teemed with wonders, the Oberon and Titania of Shakspeare. The pigmy majesty of the captain of the fairy band had no unapt representative in Miss Digges, whose modesty was not so great an intruder as to prevent her desire to present him in all his dignity, and she moved, conscious of the graceful turn of a pretty ankle, which, encircled with a string of pearls, and clothed in flesh-coloured silk, of the most cobweb texture, rose above the crimson sandal. Her jewelled tiara, too, gave dignity to the frown with which the offended King of Shadows greeted his consort, as each entered upon the scene at the head of their several attendants.

The restlessness of the children had been duly considered; and, therefore, their part of the exhibition had been contrived to represent dumb show, rather than a stationary picture. The little Queen of Elves was not inferior in action to her moody lord, and repaid, with a look of female impatience and scorn, the haughty air which seemed to express his sullen greeting,

“Ill met by moonlight, proud Titania.”

The other children were, as usual, some clever and forward, some loutish and awkward enough; but the gambols of childhood are sure to receive[Pg 22] applause, paid, perhaps, with a mixture of pity and envy, by those in advanced life; and besides, there were in the company several fond papas and mammas, whose clamorous approbation, though given apparently to the whole performers, was especially dedicated in their hearts to their own little Jackies and Marias,—for Mary, though the prettiest and most classical of Scottish names, is now unknown in the land. The elves, therefore, played their frolics, danced a measure, and vanished with good approbation.

The anti-mask, as it may be called, of Bottom, and his company of actors, next appeared on the stage, and a thunder of applause received the young Earl, who had, with