The Goddess of Atvatabar<br />Being the history of the discovery of the interior world and conquest of Atvatabar by William Richard Bradshaw (spanish books to read txt) 📕

much as we love the priests and priestesses, we cannot give allegiance to the[303] old faith, We cannot, we dare not countenance your creed. It will be therefore impossible for yourselves or your people to remain at Egyplosis, which will be the chief shrine of the new faith hereafter."

"We have already anticipated all this," said Hushnoly, "and do not propose even to remain in Atvatabar."

"And where do you go to?" said Lyone, in astonishment.

"Well, your majesty," replied he, "we have determined to take possession of the sphere Hilar, one of the untenanted spheres above us, and there create an ideal world. Thus we will relieve your majesty of all embarrassment and remove any obstacle in the way of religious or political reform."

I was bewildered by the reply of Hushnoly, as I had never before heard of any one desiring to dwell on the wandering sphere Hilar, and begged an explanation.

"Hilar, as your majesty is probably aware," said Hushnoly, "is a sphere twenty-five miles in diameter that floats in space at a distance of fifty miles from the surface of Atvatabar. It revolves on its own axis at the rate of a mile an hour, making a complete revolution in seventy-five hours. It also revolves around Swang once during a hundred aerial revolutions, or in one hundred of its days. It has tropic, temperate, and frigid zones, with perpetual ice capping its poles. It contains one ocean of irregular outline and has one continent. The areas of land and water are about equal. There are two mountain ranges, turning from a given centre of upheaval and determining the configuration of the land. There are one hundred islands in the sea and a dozen rivers on the land. In fact, it seems to be a facsimile in climate, geologic, and physiographical conditions to the outer world you have come from; and on such a sphere we propose to build a new throne for Harikar, and seat thereon another goddess like the virtuous and glorious Lyone."

"Ah," said Lyone, "I know who that other goddess will be—she will be the fair Zooly-Soase."

The high priestess blushed in her robe of crimson silk, making her golden beauty superb and precious. As for Hushnoly, it was evident the destiny of his counterpart soul was already fully anticipated. Her ascension to the throne of a goddess would virtually make him ruler of Hilar.

"We desire, your majesty," said he, "to resign our titles and[304] offices of high priest and priestess of Egyplosis and supreme general and general of the amazons of the royal army of Atvatabar. Our only request is that we be allowed to depart to Hilar, together with such of the priests and priestesses of Harikar as are willing to follow us thither. Also, that all new converts to Harikar desirous of emigrating to our spiritual kingdom will be secured freedom of departure from Atvatabar for all time hereafter."

I willingly granted Hushnoly and Zooly-Soase their request, and added: "You both shall be promptly and liberally rewarded for the great services rendered your king and queen in time of war, as well as recompensed for past services to the country in Egyplosis and for loss of estate in Atvatabar."

I promised to issue a royal decree embodying all of the aforesaid liberties and bounties in favor of Hushnoly and his fair consort and their followers. The late high priest and high priestess, with grateful, cordial adieus, departed from the audience-chamber.

I thereupon appointed General Rackiron the commander-in-chief of the army in place of Hushnoly, with General Gerolio the vice-commander.

CHAPTER LVII. THE COMBINED CEREMONY OF MARRIAGE AND CORONATION.

The day of our marriage and coronation as king and queen of Atvatabar at length arrived. The scene in the Bormidophia was of surpassing magnificence. For the first time in history Lyone sat before the throne of the gods not as goddess, but as queen; and I, her compeer, as king sat beside her. Lyone was attired in a loosely-fitting robe of old-ivory silk, over which was an outer network of lace formed of thread of gold, the design being a golden sun on the breast, which, with its long streaming rays, was held together by a golden cobweb that covered the entire figure of the queen. She also wore her belt of jewels. Beside her stood a page bearing her crown as Queen of Atvatabar. For myself I had caused to be made a knightly suit of golden armor that shone mightily as I wore it on that eventful occasion.[305]

The priestesses of Egyplosis, taught by a priest of decorative art from Gnaphisthasia, had been for some time engaged in creating a tapestry of lace, wrought with a thread of heavy bullion gold, as a bridal gift to their queen. The design took the form of a winged twin-soul in loving converse, in the centre, surrounded by Atvatabarese arabesque—all held together by a most poetic fancy of floral scrolls and formed of gold thread lace work. This enormous piece of work was twelve feet in width, seventy-five feet in length, and four inches in thickness. The gold used in its marvellous intricacies weighed five tons. Such was the glorious piece of tapestry that was hung over the side of the throne, and which, reaching downward three-fourths of its height, concealed a considerable part of the august structure.

Around us swept the amphitheatre, filled with the leaders of the army and navy, the great officers of government, and the people of Atvatabar. Surrounding the base of the throne, sat those priests and priestesses of Egyplosis who had embraced the new faith of "one body and one soul."

The pontiff Charka performed the marriage ceremony when the roar of guns had subsided. He performed his august duties sustained by the splendors of music and the adoration of the people.

"Wilt thou have this woman, Lyone, Queen of Atvatabar, to be thy wife until death, according to the customs of our people and not according to the customs of Egyplosis?"

"I will."

"Wilt thou have this man, Lexington, King of Atvatabar, to be thy husband until death, according to the new faith of 'one body and one soul?'"

"I will."

The deed was done. Around the throne swept a cyclone of twin-souls resolved on matrimony. In their bewildering flight they became radiant with strange transformations of feeling and gesture, and their songs symbolized the intensity of the great crisis that had arrived in the history of the nation.

All around the amphitheatre rose the enormous multitude, as one soul, shouting their joy. The guns of the fortress volleyed their thunders, and the first act of the great drama ended amid the shouting of armed hosts, the singing of twin-souls, and the hosannas of the multitude.[306]

The second scene was perhaps still more impressive. The grand chamberlain of the palace Cleperelyum had put into his phonograph beside us a coil containing the charter of coronation. Fitting a megaphone to the phonograph, there issued the following proclamation from the instrument, like a blast of music: