Dombey and Son by Charles Dickens (ebooks that read to you .txt) 📕

his stick, or the like. These services did not so much originate with Mr Carker, in truth, as with Mr Dombey himself, who was apt to assert his chieftainship by saying, with subdued authority, and in an easy way—for him—‘Here, Carker, have the goodness to assist me, will you?’ which the smiling gentleman always did with pleasure.

They made the tour of the pictures, the walls, crow’s nest, and so forth; and as they were still one little party, and the Major was rather in the shade: being sleepy during the process of digestion: Mr Carker became communicative and agreeable. At first, he addressed himself for the most part to Mrs Skewton; but as that sensitive lady was in such ecstasies with the works of art, after the first quarter of an hour, that she could do nothing but yawn (they were such perfect inspirations, she observed as a reason for that mark of rapture), he transferred his attentions to Mr Dombey. Mr Dombey said little beyond an occasional ‘Very true, Carker,’ or ‘Indeed, Carker,’ but he tacitly encouraged Carker to proceed, and inwardly approved of his behaviour very much: deeming it as well that somebody should talk, and thinking that his remarks, which were, as one might say, a branch of the parent establishment, might amuse Mrs Granger. Mr Carker, who possessed an excellent discretion, never took the liberty of addressing that lady, direct; but she seemed to listen, though she never looked at him; and once or twice, when he was emphatic in his peculiar humility, the twilight smile stole over her face, not as a light, but as a deep black shadow.

Warwick Castle being at length pretty well exhausted, and the Major very much so: to say nothing of Mrs Skewton, whose peculiar demonstrations of delight had become very frequent Indeed: the carriage was again put in requisition, and they rode to several admired points of view in the neighbourhood. Mr Dombey ceremoniously observed of one of these, that a sketch, however slight, from the fair hand of Mrs Granger, would be a remembrance to him of that agreeable day: though he wanted no artificial remembrance, he was sure (here Mr Dombey made another of his bows), which he must always highly value. Withers the lean having Edith’s sketch-book under his arm, was immediately called upon by Mrs Skewton to produce the same: and the carriage stopped, that Edith might make the drawing, which Mr Dombey was to put away among his treasures.

‘But I am afraid I trouble you too much,’ said Mr Dombey.

‘By no means. Where would you wish it taken from?’ she answered, turning to him with the same enforced attention as before.

Mr Dombey, with another bow, which cracked the starch in his cravat, would beg to leave that to the Artist.

‘I would rather you chose for yourself,’ said Edith.

‘Suppose then,’ said Mr Dombey, ‘we say from here. It appears a good spot for the purpose, or—Carker, what do you think?’

There happened to be in the foreground, at some little distance, a grove of trees, not unlike that in which Mr Carker had made his chain of footsteps in the morning, and with a seat under one tree, greatly resembling, in the general character of its situation, the point where his chain had broken.

‘Might I venture to suggest to Mrs Granger,’ said Carker, ‘that that is an interesting—almost a curious—point of view?’

She followed the direction of his riding-whip with her eyes, and raised them quickly to his face. It was the second glance they had exchanged since their introduction; and would have been exactly like the first, but that its expression was plainer.

‘Will you like that?’ said Edith to Mr Dombey.

‘I shall be charmed,’ said Mr Dombey to Edith.

Therefore the carriage was driven to the spot where Mr Dombey was to be charmed; and Edith, without moving from her seat, and opening her sketch-book with her usual proud indifference, began to sketch.

‘My pencils are all pointless,’ she said, stopping and turning them over.

‘Pray allow me,’ said Mr Dombey. ‘Or Carker will do it better, as he understands these things. Carker, have the goodness to see to these pencils for Mrs Granger.’

Mr Carker rode up close to the carriage-door on Mrs Granger’s side, and letting the rein fall on his horse’s neck, took the pencils from her hand with a smile and a bow, and sat in the saddle leisurely mending them. Having done so, he begged to be allowed to hold them, and to hand them to her as they were required; and thus Mr Carker, with many commendations of Mrs Granger’s extraordinary skill—especially in trees—remained—close at her side, looking over the drawing as she made it. Mr Dombey in the meantime stood bolt upright in the carriage like a highly respectable ghost, looking on too; while Cleopatra and the Major dallied as two ancient doves might do.

‘Are you satisfied with that, or shall I finish it a little more?’ said Edith, showing the sketch to Mr Dombey.

Mr Dombey begged that it might not be touched; it was perfection.

‘It is most extraordinary,’ said Carker, bringing every one of his red gums to bear upon his praise. ‘I was not prepared for anything so beautiful, and so unusual altogether.’

This might have applied to the sketcher no less than to the sketch; but Mr Carker’s manner was openness itself—not as to his mouth alone, but as to his whole spirit. So it continued to be while the drawing was laid aside for Mr Dombey, and while the sketching materials were put up; then he handed in the pencils (which were received with a distant acknowledgment of his help, but without a look), and tightening his rein, fell back, and followed the carriage again.

Thinking, perhaps, as he rode, that even this trivial sketch had been made and delivered to its owner, as if it had been bargained for and bought. Thinking, perhaps, that although she had assented with such perfect readiness to his request, her haughty face, bent over the drawing, or glancing at the distant objects represented in it, had been the face of a proud woman, engaged in a sordid and miserable transaction. Thinking, perhaps, of such things: but smiling certainly, and while he seemed to look about him freely, in enjoyment of the air and exercise, keeping always that sharp corner of his eye upon the carriage.

A stroll among the haunted ruins of Kenilworth, and more rides to more points of view: most of which, Mrs Skewton reminded Mr Dombey, Edith had already sketched, as he had seen in looking over her drawings: brought the day’s expedition to a close. Mrs Skewton and Edith were driven to their own lodgings; Mr Carker was graciously invited by Cleopatra to return thither with Mr Dombey and the Major, in the evening, to hear some of Edith’s music; and the three gentlemen repaired to their hotel to dinner.

The dinner was the counterpart of yesterday’s, except that the Major was twenty-four hours more triumphant and less mysterious. Edith was toasted again. Mr Dombey was again agreeably embarrassed. And Mr Carker was full of interest and praise.

There were no other visitors at Mrs Skewton’s. Edith’s drawings were strewn about the room, a little more abundantly than usual perhaps; and Withers, the wan page, handed round a little stronger tea. The harp was there; the piano was there; and Edith sang and played. But even the music was played by Edith to Mr Dombey’s order, as it were, in the same uncompromising way. As thus.

‘Edith, my dearest love,’ said Mrs Skewton, half an hour after tea, ‘Mr Dombey is dying to hear you, I know.’

‘Mr Dombey has life enough left to say so for himself, Mama, I have no doubt.’

‘I shall be immensely obliged,’ said Mr Dombey.

‘What do you wish?’

‘Piano?’ hesitated Mr Dombey.

‘Whatever you please. You have only to choose.’

Accordingly, she began with the piano. It was the same with the harp; the same with her singing; the same with the selection of the pieces that she sang and played. Such frigid and constrained, yet prompt and pointed acquiescence with the wishes he imposed upon her, and on no one else, was sufficiently remarkable to penetrate through all the mysteries of picquet, and impress itself on Mr Carker’s keen attention. Nor did he lose sight of the fact that Mr Dombey was evidently proud of his power, and liked to show it.

Nevertheless, Mr Carker played so well—some games with the Major, and some with Cleopatra, whose vigilance of eye in respect of Mr Dombey and Edith no lynx could have surpassed—that he even heightened his position in the lady-mother’s good graces; and when on taking leave he regretted that he would be obliged to return to London next morning, Cleopatra trusted: community of feeling not being met with every day: that it was far from being the last time they would meet.

‘I hope so,’ said Mr Carker, with an expressive look at the couple in the distance, as he drew towards the door, following the Major. ‘I think so.’

Mr Dombey, who had taken a stately leave of Edith, bent, or made some approach to a bend, over Cleopatra’s couch, and said, in a low voice:

‘I have requested Mrs Granger’s permission to call on her to-morrow morning—for a purpose—and she has appointed twelve o’clock. May I hope to have the pleasure of finding you at home, Madam, afterwards?’

Cleopatra was so much fluttered and moved, by hearing this, of course, incomprehensible speech, that she could only shut her eyes, and shake her head, and give Mr Dombey her hand; which Mr Dombey, not exactly knowing what to do with, dropped.

‘Dombey, come along!’ cried the Major, looking in at the door. ‘Damme, Sir, old Joe has a great mind to propose an alteration in the name of the Royal Hotel, and that it should be called the Three Jolly Bachelors, in honour of ourselves and Carker.’ With this, the Major slapped Mr Dombey on the back, and winking over his shoulder at the ladies, with a frightful tendency of blood to the head, carried him off.

Mrs Skewton reposed on her sofa, and Edith sat apart, by her harp, in silence. The mother, trifling with her fan, looked stealthily at the daughter more than once, but the daughter, brooding gloomily with downcast eyes, was not to be disturbed.

Thus they remained for a long hour, without a word, until Mrs Skewton’s maid appeared, according to custom, to prepare her gradually for night. At night, she should have been a skeleton, with dart and hour-glass, rather than a woman, this attendant; for her touch was as the touch of Death. The painted object shrivelled underneath her hand; the form collapsed, the hair dropped off, the arched dark eyebrows changed to scanty tufts of grey; the pale lips shrunk, the skin became cadaverous and loose; an old, worn, yellow, nodding woman, with red eyes, alone remained in Cleopatra’s place, huddled up, like a slovenly bundle, in a greasy flannel gown.

The very voice was changed, as it addressed Edith, when they were alone again.

‘Why don’t you tell me,’ it said sharply, ‘that he is coming here to-morrow by appointment?’

‘Because you know it,’ returned Edith, ‘Mother.’

The mocking emphasis she laid on that one word!

‘You know he has bought me,’ she resumed. ‘Or that he will, to-morrow. He has considered of his bargain; he has shown it to his friend; he is even rather proud of it; he thinks that it will suit him, and may be had sufficiently cheap; and he will buy to-morrow. God, that I have lived for this, and that I feel it!’

Compress into one handsome face the conscious self-abasement, and the burning indignation of a hundred women, strong in passion and in pride; and there it hid itself with two white shuddering arms.

‘What do you mean?’ returned the angry mother. ‘Haven’t you from a child—’

‘A child!’ said Edith, looking at her, ‘when was I a child? What childhood did you ever leave to me? I was a