Greener Than You Think by Ward Moore (children's ebooks online .TXT) 📕

a minute, folks, I'm having a little trouble with my microphone cable. Nothing serious, you understand—tangled a bit in the grass behind me. Those burnt stems. Stand by for just a minute...."

"This is KPAR, The Voice of Edendale. Due to mechanical difficulties there will be a brief musical interlude until contact is resumed with our portable transmitter bringing you an onthespot account of the unusual grass...."

"Kirk, Quork, krrmp—AR's portable transmitter. Here I am again, folks, in the street in front of the Dinkman residence—a little out of breath, but none the worse off, ready to resume the blowbyblow story of the fight against the devilgrass. That was a little trouble back there, but it's all right now. Seems the weedburners hadnt quite finished off the grass in the parkwaystrip between the curb and the sidewalk and after I dragged my microphone cable across it, it sort of—well, it sort of came to life again and tangled up the cable. It's all right now though. Everything under control. The boys with the weedburners have come back and are going over the parkwaystrip again, just to make sure.[53]

"I want to tell you—this stuff really can grow. It's amazing, simply amazing. Youve heard of plants growing while you look at them; well, this grows while you don't look at it. It grows while your back is turned. Just to give you an example: while the boys have been busy a second time with the parkwaystrip, the grass has come back and grown again over all they burned up beyond the sidewalk. And now it's starting to come back over the concrete. You can actually see it move. The creepers run out in front and crawl ahead like thousands of little green snakes. Imagine seeing grass traveling forward like an army of worms. An army you can't stop. Because it's alive. Alive and coming at you. It's alive. It's alive. It's al—"

"This is Station KPAR. We will resume our regular programs immediately following the timesignal. Now we bring you a message from the manufacturers of Chewachoc, the Candy Laxative with the Hole...."

I continued thoughtfully down the street. The Daily Intelligencer was spread on a newsstand, a smudgy black bannerhead fouling its pure bosom. CITY COUNCIL MEETS TO END GRASS MENACE.

I trusted so. Quickly. I was tired of Mrs Dinkman's lawn.

13. "Weener sahib, fate has tied us together."

I hoped not. I was weary of Gootes and his phony accents.

"On account of your female Burbank, your scientess (scientistess is a twister. Peder Piber et a peg of piggled pebbers) won't play ball with W R. The chief offered her a fabulous sum—'much beer in little kegs, many dozen hardboiled eggs, and goodies to a fabulous amount'—fabulous for W R, that is—to act as special writer on the grass business. J S Francis, World Renowned Chemist, exclusively in the Intelligencer. You know. Suppress her unfortunate sex. ORIGINATOR OF WILD GRASS TELLS ALL.

"Anyway she didnt grasp her chance. Practically told W R to go to hell. Practically told him to go to hell," he repeated,[54] evidently torn between reprehension at the sacrilege and admiration of the daring.

Miss Francis plainly had what might be described as talent that way. I debated whether to inform Gootes of my discovery of her craziness and decided against it on the bare possibility it would be unwise to lower the value of my connection with the Metamorphizer's discoverer. I was soon rewarded for my caution.

"O Weeneru san," continued Gootes, evidently in an oriental vein traveling westward, "not too hard for you to be picking up few yen. You do not hate fifty potatoes from Editor san yesterday?"

"Forty," I corrected.

"Forty, fifty—what's the difference so long as youre healthy?" He produced a card, showed it, tore it in half, waved his hand and exhibited it whole and unharmed. "No kidding, chum; the old man has the bug to make you a special correspondent—on my advice yunderstand—always looking out for my pals."

Well, why not? The wheel of Fortune had been a long time turning before stopping at the proper spot. I had never had any doubt I'd someday be in a position to prove my writing ability. Now all those who had sneered at me years before—my English teachers and editors who had been too jealous to recognize my existence by anything more courteous than a printed rejection—would have to acknowledge their injustice. And in the meantime all my accumulated experience had been added to enhance my original talent. I'd sold everything that could be sold doortodoor and a man acquires not only an ease with words but a wide knowledge of human nature this way. Certainly I was better equipped all around than many of these highly advertised magazine or newspaper authors.

"Well ... I don't know if I could spare the time...."

"O K, bigshot. Let me know if the market goes down and I'll come around and put up more margin."

"How much will Mr Le ffaçasé—"

"How the hell do I know? More than youre worth—more than I'm getting, because youre a ninetyday wonder, the guy[55] who put the crap on the grass and sent it nuts. Less than he'd have given Minerva-Medusa. Come and get it straight from the horse's mouth."

My only previous visits to newspaper offices had been to place advertisements, but I was prepared to find the Daily Intelligencer a veritable hive of activity. Perhaps some part of the big building which housed the paper did hum, but not the floor devoted to the editorial staff. That simply dozed. Gootes led me from the elevator through an enormous room where men and an occasional woman sat indolently before typewriters, stared druggedly into space or flew paper airplanes out of open windows. The only sign of animation I saw as we walked what might well have been a quartermile was one reporter (I judged him such by the undersized hat on the back of his head) who enthusiastically munched a sandwich while perusing a magazine containing photographs of women with uncovered breasts. Even the nipples showed.

Beyond the cityroom was a battery of private offices. I will certainly not conceal the existence of my extreme nervousness as we neared the proximity of the famous editor. I hung back from the groundglass door inscribed in shabby, peeling letters—in distinction to its neighbors, newly and brightly painted—W.R. Le ffaçasé. Gootes, noting my trepidation, put on the brogue of a burlesque Irishman.

"Is it afraid of Himself you are, me boy? Sure, think no more of it. Faith, and wasnt he born Billy Casey; no better than the rest of us for all his mother was a Clancy and related to the Finnegans? He's written so often about coming from noble Huguenot stock he almost believes it himself, but the Huguenots were dirty Protestants and when his time comes W R'll send for the priest and take the last sacraments like the true son of the Church he is in his heart. So buck up, me boy, and come in and view the biggest faker in journalism."

But Gootes' flippancy reassured me no more than did the bare sunlit office behind the door. I had somehow, perhaps from the movies, expected to see an editor's desk piled with copypaper while he himself used halfadozen telephones at[56] once, simultaneously making incomprehensible gestures at countless underlings. But Mr Le ffaçasé's desk was nude except for an enameled snuffbox and a signed photograph of a president whose administration had been subjected daily to the editor's bitterest jabs. On the walls hung framed originals of the more famous political cartoons of the last quartercentury, but neither telephone nor scrap of manuscript was in evidence.

But who could examine that office with detached scrutiny while William Rufus Le ffaçasé occupied it? Somnolent in a leather armchair, he opened tiny, sunken eyes to regard us with less than interest as we entered. Under a shiny alpaca coat he wore an oldfashioned collarless shirt whose neckband was fastened with a diamond stud. Neither collar nor tie competed with the brilliance of this flashing gem resting in a shaven stubblefold of his draped neck. His face was remarkably long, his upperlip stretching interminably from a mouth looking to have been freshly smeared with vaseline to a nose not unlike a golfclub in shape. From the snuffbox on his desk, which I'd imagined a pretty ornament or receptacle for small objects, he scooped with a flat thumb a conical mound of graybrown dust and this, with a sweeping upward motion, he pushed into a gaping nostril.

"Chief, this is Albert Weener."

"How do, Mr Weener. Gootes, who the bloody hell is Weener?"

"Why, Chief, he's the guy who put the stuff on the grass."

"Oh." He surveyed me with the attention due a worthy but not particularly valuable specimen. "You bit the dog, ay, Weener?"

Gootes burst into a high, appreciative cackle. Le ffaçasé turned the deathray of his left eye on him. "Youre a syncophant, Gootes," he stated flatly, "a miserable groveling lowlivered cringing fawning mealymouthed chickenhearted toadeating arselicking, slobbering syncophant."

I couldnt see how we were ever to reach the point this way, so I ventured, "I understand in view of the fact that I inoculated Mrs Dinkman's lawn you want me to contribute—"[57]

"Desires grow smaller as intelligence expands," growled Le ffaçasé. "I want nothing except to find a few undisturbed moments in which to read the work of the immortal Hobbes."

"I'm sorry," I said. "I understood you wished me to report the progress of the wildly growing grass."

"Cityeditor's province," he declared uninterestedly.

"No such thing on the Intelligencer," Gootes informed me in a loud whisper. Le ffaçasé, who evidently heard him, glared, reached down and retrieved the telephone from its concealment under the desk and snarled into the mouthpiece, "I hate to interrupt your crapgame with the trivial concerns of this organ men called a newspaper till you got on the payroll. I'm sending you a man who knows something about the crazy grass. Divorce yourself from whatever pornography youre gloating over at the moment to see if we can use him."

His immediate obliviousness to our presence was so insulting that if Gootes had not made the first move to leave I should have done so myself. I don't know what vast speculations swept upon him as he hung up the telephone, but I thought he might at least have had the courtesy to nod a dismissal.

"Youre hired, bejesus," proclaimed Gootes, and of course I was, for there was no doubt a brilliantly successful figure like Le ffaçasé—whatever my opinion of his intemperate language or failure in the niceties of deportment, he was a forceful man—had sized me up in a flash and sensed my ability before I'd written a single line for his paper.

14. The wage offered by the Daily Intelligencer—even assuming, as they undoubtedly did, that the affair of the grass would be over shortly and my service ended—was high enough to warrant my buying a secondhand car. A previous unpleasantness with a financecompany made the transaction difficult, with as little cash as I had on hand, but a phonecall to the paper established my bonafides and I was soon driving out Sunset Boulevard in a tomatocolored roadster, meditating on the longdelayed upsurge of my fortunes.[58]

The street was closed off by a road barrier quite some distance away and tightly parked cars testified to the attraction of the expanding grass. Scorning these idle sightseers, I pushed and shoved my way forward to what had now become the focus of all my interests.

The Dinkmans had lived in a city block, an urban entity. It was no pretentious group of houses, nor was it a repetitive design out of some subdividing contractor's greedy mind. Moderatesized, mediumpriced, middleclass bungalows; these were the homes of the Dinkmans and their neighbors; a sample from a pattern which varied but was basically the same here and in Oakland, Seattle and St. Louis; in Chicago, Philadelphia, Boston and Cleveland.

But now I looked upon no city scene, no picture built upon the substantial foundation of daddy at the office all day, fixing a leaky faucet of an evening, painting the woodwork during his summer vacation; or mom, after a pleasant afternoon with the girls, unstintedly opening cans for supper and harassedly watching the cleaning woman who came in once a week. An alien presence, a rude fist through the canvas negated the convention that this was a picture of reality. A coneshaped hill rose to a blurred point, marking the burialplace of the Dinkman house. It was a child's drawing of a coneshaped hill, done in green crayon; too symmetrical, too evenly and heavily green to be a spontaneous product of nature; man's unimaginative hand was apparent in its composition.

The sides of the cone flowed past the doors and windows of the adjacent houses, blocking them as it had previously blocked the Dinkmans', but their inhabitants, forewarned, had gone. More than mere desertion was implied in their going; there was an implicit surrender, abandonment to the invader. The base of the cone, accepting capitulation and still aggressive, had