The Story of Rome From the Earliest Times to the End of the Republic by Arthur Gilman (story read aloud .txt) 📕

Cato the elder, who would have nothing to do with consulting Chaldeans or magicians of any sort, asked how it were possible for two such ministers to meet each other face to face without laughing at their own duplicity and the ridiculous superstition of the people they deceived.

[Footnote: It had been in early times customary to dismiss a political gathering if a thunder-storm came up, and the augurs had taken advantage of the practice to increase their own power by laying down an occult system of celestial omens which enabled them to bring any such meeting to a close when the legislation promised to thwart their plans.

They finally reached the absurd extreme of enacting a law, by the terms of which a popular assembly was obliged to disperse, if it should occur to a higher magistrate merely to look into the heavens for signs of the approach of such a storm. The power of the priests under such a law was immeasurable. (See pages 236 and 247). ] Cato was very much shocked by the preaching of three Greek philosophers: Diogenes, a stoic; Critolaus, a peripatetic; and Carneades, an academic, who visited Rome on a political mission, B.C. 155; because it seemed to him that they, especially the last, preached a doctrine that confounded justice and injustice, a system of expediency, and he urged successfully that they should have a polite permission to depart with all speed. The philosophers were dismissed, but it was impossible to restrain the Roman youth who had listened to the addresses of the strangers with an avidity all the greater because their utterances had been found scandalous, and they went to Athens, or Rhodes, to hear more of the same doctrine.

Thus in time the simplicity of the people was completely undermined, and while they became more cosmopolitan they also grew more lax. They used the Greek language, and employed Greek writers, as we have seen, to make their books for them, which, though bearing Greek titles, were composed in Latin. The public men performed in the forenoon their civil and religious acts; took their siestas in the middle of the day; exercised in the Campus Martius, swimming, wrestling, and fencing, in the afternoon; enjoyed the delicacies of the table later, listening to singing and buffoonery the while, and were thus prepared to seek their beds when the sun went down. At the bath, which came to be the polite resort of pleasure-seekers, all was holiday; the toga and the foot-coverings were exchanged for a light Greek dressing-gown, and the time was whiled away in gossip, idle talk, lounging, many dippings into the flowing waters, and music. Pleasure became the business of life, and morality was relaxed to a frightful extent.

When we consider the gay moods of the Roman people we turn probably first to childhood, and try to imagine how the little ones amused themselves. We find that the girls had their dolls, some of which have been dug out of ruins of the ancient buildings, and that the boys played games similar to those that still hold dominion over the young English or American school-boy at play. In their quieter moods they played with huckle-bones taken from sheep, goats, or antelopes, or imitated in stone, metal, ivory, or glass. From the earliest days these were used chiefly by women and children, who used five at a time, which they threw into the air and then tried to catch on the back of the hand, their irregular form making the success the result of considerable skill. The bones were also made to contribute to a variety of amusements requiring agility and accuracy; but after a while the element of chance was introduced. The sides were marked with different values, and the victor was he who threw the highest value, fourteen, the numbers cast being each different from the rest. This throw obtained at a symposium or drinking party caused a person to be appointed king of the feast.

One of the oldest games of the world is that called by the Romans little marauders (_latrunculi_), because it was played like draughts or checkers, there being two sets of “men,” white and red, representing opposed soldiers, and the aim of each player being to gain advantage over the other, as soldiers do in a combat. This game is as old as Homer, and is represented in Egyptian tombs, which are of much greater antiquity than any Grecian monuments. In this game, too, skill was all that was needed at first, but in time spice was given by the addition of chance, and dice (_tessera_, a die) were used as in backgammon; but gambling was deemed disreputable, and was forbidden during the republic, except at the time of the Saturnalia, though both Greeks and Romans permitted aged men to amuse themselves in that way. [Footnote: A gambler was called aleator, and sometimes his implement was spoken of as alea, which meant literally gaming. When Suetonius makes Cæsar say, before crossing the Rubicon, “The die is cast,” he uses the words Jacta alea est!]

The games of the Romans range from the innocent tossing of huckle-bones to the frightful scenes of the gladiatorial show. Some were celebrated in the open air, and others within the enclosures of the circus or the amphitheatre. Some were gay, festive, and abandoned, and others were serious and tragic. Some were said to have been instituted in the earliest days by Romulus, Servius Tullius, or Tarquinius Priscus, and others were imported from abroad or grew up naturally as the nation progressed in experience or in acquaintance with foreign peoples. The great increase of games and festivals and their enormous cost were signs of approaching trouble for the republic, and foretold the terrible days of the empire, when the rabblement of the capital, accustomed to be amused and fed by their despotic and corrupt rulers, should cry in the streets: “Give us bread for nothing and games forever!” It was gradually educating the populace to think of nothing but enjoyment and to abhor honest labor, and we can imagine the corruption that must have been brought into politics when honors were so expensive that a respectable gladiatorical show cost more than thirty-five thousand dollars (£7,200). If money for such purposes could not be obtained by honest means, the nobles, who lived on popular applause, would seek to force it from poor citizens of the colonies or win it by intrigue at home.

There were impressive games celebrated from the fourth to the twelfth of September, called the great games of the Roman Circus, but it is a disputed point what divinities they were in honor of. Jupiter was thought surely to be one, and Census another, by those who believed the legends asserting that they were a continuation of those established by Romulus when he wished to get wives from the Sabines. Others think that Tarquinius Priscus, after a victory over the Latins, commemorated his success by games in a valley between the Aventine and the Palatine hills, where the spectators stood about to look on, or occupied stages that they erected for their separate use. The racers went around in a circuit, and it is perhaps on this account that the course and its scaffolds was called the circus (_circum,_ round about). The course was long, and about it the seats of the spectators were in after times arranged in tiers. A division, called the spina (spine), was built through the central enclosure, separated the horses running in one direction from those going in the other.

A variety of different games were celebrated in the circus. The races may be mentioned first. Sometimes two chariots, drawn by two horses or four each (the biga or the quadriga), entered for the trial of speed. Each had two horsemen, one of whom, standing in the car with the reins behind his back to enable him to throw his entire weight on them, drove, while the other urged the beasts forward, cleared the way, or assisted in managing the reins. Before the race lists of the horses were handed about and bets made on them, the utmost enthusiasm being excited, and the factions sometimes even coming to blows and blood. The time having arrived, the horses were brought from stalls at the end of the course, and ranged in line, a trumpet sounded, or a handkerchief was dropped, and the drivers and animals put forth every exertion to win the prize. Seven times they whirled around the course, the applause of the excited spectators constantly sounding in their ears. Now and then a biga would be overturned, or a driver, unable to control his fiery steeds, would be thrown to the ground, and, not quick enough to cut the reins that encircled him with the bill-hook that he carried for the purpose, would be dragged to his death. Such an accident would not stop the onrushing of the other competitors, and at last the victor would step from his car, mount the spina, and receive the sum of money that had been offered as the prize.

[Illustration: RUINS OF THE COLOSSEUM SEEN FROM THE PALATINE HILL]

Another game was the Play of Troy, fabled to have been invented by Æneas, in which young men of rank on horses performed a sham fight. On another occasion the circus would be turned into a camp, and equestrians and infantry would give a realistic exhibition of battle.

Again, there would be athletic games, running, boxing, wrestling, throwing the discus or the spear, and other exercises testing the entire physical system with much thoroughness. One day the amphitheatre would be filled with huge trees, and savage animals would be brought to be hunted down by criminals, captives, or men especially trained for the desperate work, who made it their profession.

For the purposes of these combats the circus was found not to be the best, and the amphitheatre was invented by Curio for the celebration of his father’s funeral games. It differed from a theatre in permitting the audience to see on both sides (Greek amphi, both), but the distinctive name was first applied to a structure built by Cæsar, B.C.

46. The Flavian Amphitheatre, better known as the Colosseum, of which the ruins now stand in Rome, was the culmination of this sort of building, and affords a good idea of the general arrangement of those that were not so grand. That of Cæsar was, however, of wood, which material was used in constructing theatres also; the first one of stone was not erected until 30 B.C., when Augustus was consul. [Footnote: History gives an account of one edifice of this kind made of wood that fell down owing to imperfect construction, killing many thousand spectators, and of another that was destroyed by fire. Pompey’s theatre of stone, built B.C. 55, has already been mentioned (page 231).]

Variety was given to the exhibitions of the amphitheatre by introducing sufficient water to float ships, and by causing the same wretched class that fought the wild beasts to represent two rival nations, and to fight until one party was actually killed, unless preserved by the clemency of the ruler.

It must not be supposed that all these