The Sun Also Rises by Ernest Hemingway (first color ebook reader TXT) đź“•
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The Sun Also Rises was Ernest Hemingway’s first published novel, and the novel that introduced the term “Lost Generation” to describe the generation that came to adulthood during World War I.
The novel follows Jake Barnes, an American expat living in the Parisian café society of the roaring 20s. A wound sustained during the war has left him unable to have sex, and that drives a wedge between him and the woman he loves: Brett Ashley, a twice-divorcée who has embraced the sexual freedom and independence of the age. As they drift through their lives in postwar Paris, they find themselves on a trip with some friends to Spain to witness the Festival of San Fermin, a week-long bacchanal whose highlight is bullfighting.
Hemingway explores the aimless, heavy drinking, and dramatic lives of Jake, Brett, and their friends as a means to reflect the Lost Generation as a whole. Jake is a character of troubled masculinity: his war wound has fundamentally changed him as a man, and his behavior is often tentative, unsure, and placating. On the other hand, Brett is an enigmatic New Woman: free to drink and carouse with the men, she is seductive, but aching for the reassurance and love of a real relationship, and not just sex. The satellites of friends that orbit around them are equally troubled, drinking to excess and fighting with themselves and with others.
These complex characters are now mere spectators for the bullfight, a microcosm of war and death whose masters, the matadors, are the powerful and elegant emblems of masculinity that the Lost Generation finds it impossible to compete against.
Though initially met with mixed reviews, modern critics consider it to be Hemingway’s best novel. The characters and events are largely based on real-life people in Hemingway’s social circle and his time spent in Paris and Spain. Thus, the book sold very well in its first print run, as the expatriate community was eager to read about the coded scandals of their peers. Today it is recognized as a foundational work of the modernist style, and an American classic.
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- Author: Ernest Hemingway
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“The Englishmen all have Saturday off,” Woolsey said.
“Lucky beggars,” said Krum. “Well, I’ll tell you. Some day I’m not going to be working for an agency. Then I’ll have plenty of time to get out in the country.”
“That’s the thing to do. Live out in the country and have a little car.”
“I’ve been thinking some about getting a car next year.”
I banged on the glass. The chauffeur stopped. “Here’s my street,” I said. “Come in and have a drink.”
“Thanks, old man,” Krum said. Woolsey shook his head. “I’ve got to file that line he got off this morning.”
I put a two-franc piece in Krum’s hand.
“You’re crazy, Jake,” he said. “This is on me.”
“It’s all on the office, anyway.”
“Nope. I want to get it.”
I waved goodbye. Krum put his head out. “See you at the lunch on Wednesday.”
“You bet.”
I went to the office in the elevator. Robert Cohn was waiting for me. “Hello, Jake,” he said. “Going out to lunch?”
“Yes. Let me see if there is anything new.”
“Where will we eat?”
“Anywhere.”
I was looking over my desk. “Where do you want to eat?”
“How about Wetzel’s? They’ve got good hors d’œuvres.”
In the restaurant we ordered hors d’œuvres and beer. The sommelier brought the beer, tall, beaded on the outside of the steins, and cold. There were a dozen different dishes of hors d’œuvres.
“Have any fun last night?” I asked.
“No. I don’t think so.”
“How’s the writing going?”
“Rotten. I can’t get this second book going.”
“That happens to everybody.”
“Oh, I’m sure of that. It gets me worried, though.”
“Thought any more about going to South America?”
“I mean that.”
“Well, why don’t you start off?”
“Frances.”
“Well,” I said, “take her with you.”
“She wouldn’t like it. That isn’t the sort of thing she likes. She likes a lot of people around.”
“Tell her to go to hell.”
“I can’t. I’ve got certain obligations to her.”
He shoved the sliced cucumbers away and took a pickled herring.
“What do you know about Lady Brett Ashley, Jake?”
“Her name’s Lady Ashley. Brett’s her own name. She’s a nice girl,” I said. “She’s getting a divorce and she’s going to marry Mike Campbell. He’s over in Scotland now. Why?”
“She’s a remarkably attractive woman.”
“Isn’t she?”
“There’s a certain quality about her, a certain fineness. She seems to be absolutely fine and straight.”
“She’s very nice.”
“I don’t know how to describe the quality,” Cohn said. “I suppose it’s breeding.”
“You sound as though you liked her pretty well.”
“I do. I shouldn’t wonder if I were in love with her.”
“She’s a drunk,” I said. “She’s in love with Mike Campbell, and she’s going to marry him. He’s going to be rich as hell some day.”
“I don’t believe she’ll ever marry him.”
“Why not?”
“I don’t know. I just don’t believe it. Have you known her a long time?”
“Yes,” I said. “She was a V.A.D. in a hospital I was in during the war.”
“She must have been just a kid then.”
“She’s thirty-four now.”
“When did she marry Ashley?”
“During the war. Her own true love had just kicked off with the dysentery.”
“You talk sort of bitter.”
“Sorry. I didn’t mean to. I was just trying to give you the facts.”
“I don’t believe she would marry anybody she didn’t love.”
“Well,” I said. “She’s done it twice.”
“I don’t believe it.”
“Well,” I said, “don’t ask me a lot of fool questions if you don’t like the answers.”
“I didn’t ask you that.”
“You asked me what I knew about Brett Ashley.”
“I didn’t ask you to insult her.”
“Oh, go to hell.”
He stood up from the table his face white, and stood there white and angry behind the little plates of hors d’œuvres.
“Sit down,” I said. “Don’t be a fool.”
“You’ve got to take that back.”
“Oh, cut out the prep-school stuff.”
“Take it back.”
“Sure. Anything. I never heard of Brett Ashley. How’s that?”
“No. Not that. About me going to hell.”
“Oh, don’t go to hell,” I said. “Stick around. We’re just starting lunch.”
Cohn smiled again and sat down. He seemed glad to sit down. What the hell would he have done if he hadn’t sat down? “You say such damned insulting things, Jake.”
“I’m sorry. I’ve got a nasty tongue. I never mean it when I say nasty things.”
“I know it,” Cohn said. “You’re really about the best friend I have, Jake.”
God help you, I thought. “Forget what I said,” I said out loud. “I’m sorry.”
“It’s all right. It’s fine. I was just sore for a minute.”
“Good. Let’s get something else to eat.”
After we finished the lunch we walked up to the Café de la Paix and had coffee. I could feel Cohn wanted to bring up Brett again, but I held him off it. We talked about one thing and another, and I left him to come to the office.
VIAt five o’clock I was in the Hotel Crillon waiting for Brett. She was not there, so I sat down and wrote some letters. They were not very good letters but I hoped their being on Crillon stationery would help them. Brett did not turn up, so about quarter to six I went down to the bar and had a Jack Rose with George the barman. Brett had not been in the bar either, and so I looked for her upstairs on my way out, and took a taxi to the Café Select. Crossing the Seine I saw a string of barges being towed empty down the current, riding high, the bargemen at the sweeps as they came toward the bridge. The river looked nice. It was always pleasant crossing bridges in Paris.
The taxi rounded the statue of the inventor of the semaphore engaged in doing same, and turned up the Boulevard Raspail, and I sat back to let that part of the ride pass. The Boulevard Raspail always made dull riding. It was like a certain stretch on the P.L.M. between Fontainebleau and Montereau that always made me feel bored and dead and dull until it was over. I suppose it is some association of ideas that makes those dead places in a journey. There are other streets in Paris as ugly as
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