The Sun Also Rises by Ernest Hemingway (first color ebook reader TXT) 📕
Description
The Sun Also Rises was Ernest Hemingway’s first published novel, and the novel that introduced the term “Lost Generation” to describe the generation that came to adulthood during World War I.
The novel follows Jake Barnes, an American expat living in the Parisian café society of the roaring 20s. A wound sustained during the war has left him unable to have sex, and that drives a wedge between him and the woman he loves: Brett Ashley, a twice-divorcée who has embraced the sexual freedom and independence of the age. As they drift through their lives in postwar Paris, they find themselves on a trip with some friends to Spain to witness the Festival of San Fermin, a week-long bacchanal whose highlight is bullfighting.
Hemingway explores the aimless, heavy drinking, and dramatic lives of Jake, Brett, and their friends as a means to reflect the Lost Generation as a whole. Jake is a character of troubled masculinity: his war wound has fundamentally changed him as a man, and his behavior is often tentative, unsure, and placating. On the other hand, Brett is an enigmatic New Woman: free to drink and carouse with the men, she is seductive, but aching for the reassurance and love of a real relationship, and not just sex. The satellites of friends that orbit around them are equally troubled, drinking to excess and fighting with themselves and with others.
These complex characters are now mere spectators for the bullfight, a microcosm of war and death whose masters, the matadors, are the powerful and elegant emblems of masculinity that the Lost Generation finds it impossible to compete against.
Though initially met with mixed reviews, modern critics consider it to be Hemingway’s best novel. The characters and events are largely based on real-life people in Hemingway’s social circle and his time spent in Paris and Spain. Thus, the book sold very well in its first print run, as the expatriate community was eager to read about the coded scandals of their peers. Today it is recognized as a foundational work of the modernist style, and an American classic.
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- Author: Ernest Hemingway
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The taxi stopped in front of the Rotonde. No matter what café in Montparnasse you ask a taxi-driver to bring you to from the right bank of the river, they always take you to the Rotonde. Ten years from now it will probably be the Dome. It was near enough, anyway. I walked past the sad tables of the Rotonde to the Select. There were a few people inside at the bar, and outside, alone, sat Harvey Stone. He had a pile of saucers in front of him, and he needed a shave.
“Sit down,” said Harvey, “I’ve been looking for you.”
“What’s the matter?”
“Nothing. Just looking for you.”
“Been out to the races?”
“No. Not since Sunday.”
“What do you hear from the States?”
“Nothing. Absolutely nothing.”
“What’s the matter?”
“I don’t know. I’m through with them. I’m absolutely through with them.”
He leaned forward and looked me in the eye.
“Do you want to know something, Jake?”
“Yes.”
“I haven’t had anything to eat for five days.”
I figured rapidly back in my mind. It was three days ago that Harvey had won two hundred francs from me shaking poker dice in the New York Bar.
“What’s the matter?”
“No money. Money hasn’t come,” he paused. “I tell you it’s strange, Jake. When I’m like this I just want to be alone. I want to stay in my own room. I’m like a cat.”
I felt in my pocket.
“Would a hundred help you any, Harvey?”
“Yes.”
“Come on. Let’s go and eat.”
“There’s no hurry. Have a drink.”
“Better eat.”
“No. When I get like this I don’t care whether I eat or not.”
We had a drink. Harvey added my saucer to his own pile.
“Do you know Mencken, Harvey?”
“Yes. Why?”
“What’s he like?”
“He’s all right. He says some pretty funny things. Last time I had dinner with him we talked about Hoffenheimer. ‘The trouble is,’ he said, ‘he’s a garter snapper.’ That’s not bad.”
“That’s not bad.”
“He’s through now,” Harvey went on. “He’s written about all the things he knows, and now he’s on all the things he doesn’t know.”
“I guess he’s all right,” I said. “I just can’t read him.”
“Oh, nobody reads him now,” Harvey said, “except the people that used to read the Alexander Hamilton Institute.”
“Well,” I said. “That was a good thing, too.”
“Sure,” said Harvey. So we sat and thought deeply for a while.
“Have another port?”
“All right,” said Harvey.
“There comes Cohn,” I said. Robert Cohn was crossing the street.
“That moron,” said Harvey. Cohn came up to our table.
“Hello, you bums,” he said.
“Hello, Robert,” Harvey said. “I was just telling Jake here that you’re a moron.”
“What do you mean?”
“Tell us right off. Don’t think. What would you rather do if you could do anything you wanted?”
Cohn started to consider.
“Don’t think. Bring it right out.”
“I don’t know,” Cohn said. “What’s it all about, anyway?”
“I mean what would you rather do. What comes into your head first. No matter how silly it is.”
“I don’t know,” Cohn said. “I think I’d rather play football again with what I know about handling myself, now.”
“I misjudged you,” Harvey said. “You’re not a moron. You’re only a case of arrested development.”
“You’re awfully funny, Harvey,” Cohn said. “Some day somebody will push your face in.”
Harvey Stone laughed. “You think so. They won’t, though. Because it wouldn’t make any difference to me. I’m not a fighter.”
“It would make a difference to you if anybody did it.”
“No, it wouldn’t. That’s where you make your big mistake. Because you’re not intelligent.”
“Cut it out about me.”
“Sure,” said Harvey. “It doesn’t make any difference to me. You don’t mean anything to me.”
“Come on, Harvey,” I said. “Have another porto.”
“No,” he said. “I’m going up the street and eat. See you later, Jake.”
He walked out and up the street. I watched him crossing the street through the taxis, small, heavy, slowly sure of himself in the traffic.
“He always gets me sore,” Cohn said. “I can’t stand him.”
“I like him,” I said. “I’m fond of him. You don’t want to get sore at him.”
“I know it,” Cohn said. “He just gets on my nerves.”
“Write this afternoon?”
“No. I couldn’t get it going. It’s harder to do than my first book. I’m having a hard time handling it.”
The sort of healthy conceit that he had when he returned from America early in the spring was gone. Then he had been sure of his work, only with these personal longings for adventure. Now the sureness was gone. Somehow I feel I have not shown Robert Cohn clearly. The reason is that until he fell in love with Brett, I never heard him make one remark that would, in any way, detach him from other people. He was nice to watch on the tennis-court, he had a good body, and he kept it in shape; he handled his cards well at bridge, and he had a funny sort of undergraduate quality about him. If he were in a crowd nothing he said stood out. He wore what used to be called polo shirts at school, and may be called that still, but he was not professionally youthful. I do not believe he thought about his clothes much. Externally he had been formed at Princeton. Internally he had been moulded by the two women who had trained him. He had a nice, boyish sort of cheerfulness that had never been trained out of him, and I probably have not brought it out. He loved to win at tennis. He probably loved to win as much as Lenglen, for instance. On the other hand, he was not angry at being beaten. When he fell in love with Brett his tennis game went all to pieces. People beat him who
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