Middlemarch by George Eliot (ebook and pdf reader TXT) 📕
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“George Eliot” was the pen-name of Mary Ann Evans, one of the greatest of English novelists of the Victorian era. Her long novel Middlemarch, subtitled A Study of Provincial Life, is generally considered to be her finest work.
Published in eight installments between 1871 and 1872, Middlemarch tells the intertwined stories of a variety of people living in the vicinity of the (fictional) midlands town of Middlemarch during the early 1830s, the time of the great Reform Act. The novel is remarkable for its realistic treatment of situation, character and relationships and also demonstrates its author’s accurate knowledge of political issues, medicine, politics, and rural economy. Yet it also includes several touches of humor.
The novel’s main characters include: Dorothea Brooke, a religiously-inclined and very intelligent young woman who marries a much older man believing that she can assist him in his scholarly studies; Dr. Tertius Lydgate, a doctor who comes to Middlemarch to further his medical research and implement his ideas for treatment, but whose plans are thrown into disarray by an unwise marriage; Fred Vincy, an idle young man, the son of the town’s Mayor, who gets into a mire of debt; and several others.
The initial reception of the novel by critics was mixed, with a number of unfavorable reviews, but its reputation has grown through time and Middlemarch is now generally considered to be one of the best novels ever written in English.
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- Author: George Eliot
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Mr. Casaubon, who had risen early complaining of palpitation, was in the library giving audience to his curate Mr. Tucker. By-and-by Celia would come in her quality of bridesmaid as well as sister, and through the next weeks there would be wedding visits received and given; all in continuance of that transitional life understood to correspond with the excitement of bridal felicity, and keeping up the sense of busy ineffectiveness, as of a dream which the dreamer begins to suspect. The duties of her married life, contemplated as so great beforehand, seemed to be shrinking with the furniture and the white vapor-walled landscape. The clear heights where she expected to walk in full communion had become difficult to see even in her imagination; the delicious repose of the soul on a complete superior had been shaken into uneasy effort and alarmed with dim presentiment. When would the days begin of that active wifely devotion which was to strengthen her husband’s life and exalt her own? Never perhaps, as she had preconceived them; but somehow—still somehow. In this solemnly pledged union of her life, duty would present itself in some new form of inspiration and give a new meaning to wifely love.
Meanwhile there was the snow and the low arch of dun vapor—there was the stifling oppression of that gentlewoman’s world, where everything was done for her and none asked for her aid—where the sense of connection with a manifold pregnant existence had to be kept up painfully as an inward vision, instead of coming from without in claims that would have shaped her energies.—“What shall I do?” “Whatever you please, my dear:” that had been her brief history since she had left off learning morning lessons and practising silly rhythms on the hated piano. Marriage, which was to bring guidance into worthy and imperative occupation, had not yet freed her from the gentlewoman’s oppressive liberty: it had not even filled her leisure with the ruminant joy of unchecked tenderness. Her blooming full-pulsed youth stood there in a moral imprisonment which made itself one with the chill, colorless, narrowed landscape, with the shrunken furniture, the never-read books, and the ghostly stag in a pale fantastic world that seemed to be vanishing from the daylight.
In the first minutes when Dorothea looked out she felt nothing but the dreary oppression; then came a keen remembrance, and turning away from the window she walked round the room. The ideas and hopes which were living in her mind when she first saw this room nearly three months before were present now only as memories: she judged them as we judge transient and departed things. All existence seemed to beat with a lower pulse than her own, and her religious faith was a solitary cry, the struggle out of a nightmare in which every object was withering and shrinking away from her. Each remembered thing in the room was disenchanted, was deadened as an unlit transparency, till her wandering gaze came to the group of miniatures, and there at last she saw something which had gathered new breath and meaning: it was the miniature of Mr. Casaubon’s aunt Julia, who had made the unfortunate marriage—of Will Ladislaw’s grandmother. Dorothea could fancy that it was alive now—the delicate woman’s face which yet had a headstrong look, a peculiarity difficult to interpret. Was it only her friends who thought her marriage unfortunate? or did she herself find it out to be a mistake, and taste the salt bitterness of her tears in the merciful silence of the night? What breadths of experience Dorothea seemed to have passed over since she first looked at this miniature! She felt a new companionship with it, as if it had an ear for her and could see how she was looking at it. Here was a woman who had known some difficulty about marriage. Nay, the colors deepened, the lips and chin seemed to get larger, the hair and eyes seemed to be sending out light, the face was masculine and beamed on her with that full gaze which tells her on whom it falls that she is too interesting for the slightest movement of her eyelid to pass unnoticed and uninterpreted. The vivid presentation came like a pleasant glow to Dorothea: she felt herself smiling, and turning from the miniature sat down and looked up as if she were again talking to a figure in front of her. But the smile disappeared as she went on meditating, and at last she said aloud—
“Oh, it was cruel to speak so! How sad—how dreadful!”
She rose quickly and went out of the room, hurrying along the corridor, with the irresistible impulse to go and see her husband and inquire if she could do anything for him. Perhaps Mr. Tucker was gone and Mr. Casaubon was alone in the library. She felt as if all her morning’s gloom would vanish if she could see her husband glad because of her presence.
But when she reached the head of the dark oak there was Celia coming up, and below there was Mr. Brooke, exchanging welcomes and congratulations with Mr. Casaubon.
“Dodo!” said Celia, in her quiet staccato; then kissed her sister, whose arms encircled her, and said no more. I think they both cried a little in a furtive manner, while Dorothea ran downstairs to greet her uncle.
“I need not ask how you are, my dear,” said Mr. Brooke, after kissing her forehead. “Rome has agreed with you, I see—happiness, frescos, the antique—that sort of thing. Well, it’s very pleasant to have you back again, and you understand all about art now, eh? But Casaubon is a little pale, I tell him—a little pale, you know. Studying hard in his holidays is carrying it rather too far. I overdid it at one time”—Mr. Brooke still held Dorothea’s hand, but had turned his face to Mr. Casaubon—“about topography, ruins, temples—I thought I had a clue, but I saw it would carry me too far, and nothing might come of it. You may go any length in that sort of
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