The Iliad by Homer (book club recommendations txt) 📕
Description
The Iliad is one of the oldest works of Western literature, dating back to classical antiquity. Homer’s epic poem belongs in a collection called the Epic Cycle, which includes the Odyssey. It was originally written in ancient Greek and utilized a dactylic hexameter rhyme scheme. Although this rhyme scheme sounds beautiful in its native language, in modern English it can sound awkward and, as Eric McMillan humorously describes it, resembles “pumpkins rolling on a barn floor.” William Cullen Bryant avoided this problem by converting his translation into blank verse.
This epic poem begins with the Achaean army sacking the city of Chryse and capturing two maidens as prizes of war. One of the maidens, Chryseis, is given to Agamemnon, the leader of the Achaeans, and the other maiden, Briseis, was given to the army’s best warrior, Achilles. Chryseis’ father, the city’s priest, prays to the god Apollo and asks for a plague on the Achaean army. To stop this plague, Agamemnon returns Chryseis to her father, but then orders Achilles to give him Briseis as compensation. Achilles refuses.
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- Author: Homer
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The assailants half. As yet the citizens
Had not complied, but secretly had planned
An ambush. Their beloved wives meanwhile,
And their young children, stood and watched the walls,
With aged men among them, while the youths
Marched on, with Mars and Pallas at their head,
Both wrought in gold, with golden garments on,
Stately and large in form, and over all
Conspicuous, in bright armor, as became
The gods; the rest were of an humbler size.
And when they reached the spot where they should lie
In ambush, by a river’s side, a place
For watering herds, they sat them down, all armed
In shining brass. Apart from all the rest
They placed two sentries, on the watch to spy
The approach of sheep and horned kine. Soon came
The herds in sight; two shepherds walked with them,
Who, all unweeting of the evil nigh,
Solaced their task with music from their reeds.
The warriors saw and rushed on them, and took
And drave away large prey of beeves, and flocks
Of fair white sheep, whose keepers they had slain.
When the besiegers in their council heard
The sound of tumult at the watering-place,
They sprang upon their nimble-footed steeds,
And overtook the pillagers. Both bands
Arrayed their ranks and fought beside the stream,
And smote each other. There did Discord rage,
And Tumult, and the great Destroyer, Fate.
One wounded warrior she had seized alive,
And one unbounded yet, and through the field
Dragged by the foot another, dead. Her robe
Was reddened o’er the shoulders with the blood
From human veins. Like living men they ranged
The battle-field, and dragged by turns the slain.
There too he sculptured a broad fallow field
Of soft rich mould, thrice ploughed, and over which
Walked many a ploughman, guiding to and fro
His steers, and when on their return they reached
The border of the field the master came
To meet them, placing in the hands of each
A goblet of rich wine. Then turned they back
Along the furrows, diligent to reach
Their distant end. All dark behind the plough
The ridges lay, a marvel to the sight,
Like real furrows, though engraved in gold.
There, too, the artist placed a field which lay
Deep in ripe wheat. With sickles in their hands
The laborers reaped it. Here the handfuls fell
Upon the ground; there binders tied them fast
With bands, and made them sheaves. Three binders went
Close to the reapers, and behind them boys,
Bringing the gathered handfuls in their arms.
Ministered to the binders. Staff in hand,
The master stood among them by the side
Of the ranged sheaves and silently rejoiced.
Meanwhile the servants underneath an oak
Prepared a feast apart; they sacrificed
A fatling ox and dressed it, while the maids
Were kneading for the reapers the white meal.
A vineyard also on the shield he graved,
Beautiful, all of gold, and heavily
Laden with grapes. Black were the clusters all;
The vines were stayed on rows of silver stakes.
He drew a blue trench round it, and a hedge
Of tin. One only path there was by which
The vintagers could go to gather grapes.
Young maids and striplings of a tender age
Bore the sweet fruit in baskets. Midst them all,
A youth from his shrill harp drew pleasant sounds,
And sang with soft voice to the murmuring strings.
They danced around him, beating with quick feet
The ground, and sang and shouted joyously.
And there the artist wrought a herd of beeves,
High-horned, and sculptured all in gold and tin.
They issued lowing from their stalls to seek
Their pasture, by a murmuring stream, that ran
Rapidly through its reeds. Four herdsmen, graved
In gold, were with the beeves, and nine fleet dogs
Followed. Two lions, seizing on a bull
Among the foremost cattle, dragged him off
Fearfully bellowing; hounds and herdsmen rushed
To rescue him. The lions tore their prey,
And lapped the entrails and the crimson blood.
Vainly the shepherds pressed around and urged
Their dogs, that shrank from fastening with their teeth
Upon the lions, but stood near and bayed.
There also did illustrious Vulcan grave
A fair, broad pasture, in a pleasant glade,
Full of white sheep, and stalls, and cottages,
And many a shepherd’s fold with sheltering roof.
And there illustrious Vulcan also wrought
A dance—a maze like that which Daedalus,
In the broad realm of Gnossus once contrived
For fair-haired Ariadne. Blooming youths
And lovely virgins, tripping to light airs,
Held fast each other’s wrists. The maidens wore
Fine linen robes; the youths had tunics on
Lustrous as oil, and woven daintily.
The maids wore wreaths of flowers; the young men swords
Of gold in silver belts. They bounded now
In a swift circle—as a potter whirls
With both his hands a wheel to try its speed,
Sitting before it—then again they crossed
Each other, darting to their former place.
A multitude around that joyous dance
Gathered, and were amused, while from the crowd
Two tumblers raised their song, and flung themselves
About among the band that trod the dance.
Last on the border of that glorious shield
He graved in all its strength the ocean-stream.
And when that huge and massive shield was done,
He forged a corselet brighter than the blaze
Of fire; he forged a solid helm to fit
The hero’s temples, shapely and enchased
With rare designs, and with a crest of gold.
And last he forged him greaves of ductile tin.
When the great artist Vulcan saw his task
Complete, he lifted all that armor up
And laid it at the feet of her who bore
Achilles. Like a falcon in her flight,
Down plunging from Olympus capped with snow,
She bore the shining armor Vulcan gave.
Thetis brings to Achilles the armor forged by Vulcan—The body of Patroclus preserved by the gods from corruption—An assembly of all the army, before whom Agamemnon and Achilles make speeches, and renounce their enmity—Briseis restored to Achilles, and the presents of Agamemnon accepted by him—Lament of Briseis over Patroclus—Sorrow of Achilles—He arms himself for the war—His speech to the horses of Patroclus whom he upbraids for having suffered their master to be slain—The answer of one of them named Xanthus, warning Achilles of his approaching death.
In saffron-colored mantle from the tides
Of Ocean rose the Morning to bring light
To gods and men, when Thetis reached the fleet,
Bringing the gift of Vulcan. There she found
Her son, who, bending o’er Patroclus, wept
Aloud, and all around a troop of friends
Lamented bitterly. Beside him stood
The glorious goddess, took his hand, and
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