Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) ๐
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Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieลฤ z czasรณw Nerona. Among Henryk Sienkiewiczโs inspirations was the painting Neroโs Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Neroโs cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Viniciusโs immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novelโs title translates to โWhere are you going, Lord?โ, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peterโs death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paulโs fate and the deaths of Nero and Petronius, Viniciusโs wise and worldly uncle and mentor. Sienkiewicz contrasts Petroniusโs and Neroโs hedonism with Viniciusโs and Lygiaโs journey to a deeper faith in their God, and with Peter and Paulโs faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how oneโs way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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It was known in Rome that Caesar wished to see Ostia on the journey, or rather the largest ship in the world, which had brought wheat recently from Alexandria, and from Ostia to go by the Via Littoralis to Antium. Orders had been given a number of days earlier; hence at the Porta Ostiensis, from early morning, crowds made up of the local rabble and of all nations of the earth had collected to feast their eyes with the sight of Caesarโs retinue, on which the Roman population could never gaze sufficiently. The road to Antium was neither difficult nor long. In the place itself, which was composed of palaces and villas built and furnished in a lordly manner, it was possible to find everything demanded by comfort, and even the most exquisite luxury of the period. Caesar had the habit, however, of taking with him on a journey every object in which he found delight, beginning with musical instruments and domestic furniture, and ending with statues and mosaics, which were taken even when he wished to remain on the road merely a short time for rest or recreation. He was accompanied, therefore, on every expedition by whole legions of servants, without reckoning divisions of pretorian guards, and Augustians; of the latter each had a personal retinue of slaves.
Early on the morning of that day herdsmen from the Campania, with sunburnt faces, wearing goatskins on their legs, drove forth five hundred she-asses through the gates, so that Poppaea on the morrow of her arrival at Antium might have her bath in their milk. The rabble gazed with delight and ridicule at the long ears swaying amid clouds of dust, and listened with pleasure to the whistling of whips and the wild shouts of the herdsmen. After the asses had gone by, crowds of youth rushed forth, swept the road carefully, and covered it with flowers and needles from pine-trees. In the crowds people whispered to each other, with a certain feeling of pride, that the whole road to Antium would be strewn in that way with flowers taken from private gardens round about, or bought at high prices from dealers at the Porta Mugionis. As the morning hours passed, the throng increased every moment. Some had brought their whole families, and, lest the time might seem tedious, they spread provisions on stones intended for the new temple of Ceres, and ate their prandium beneath the open sky. Here and there were groups, in which the lead was taken by persons who had traveled; they talked of Caesarโs present trip, of his future journeys, and journeys in general. Sailors and old soldiers narrated wonders which during distant campaigns they had heard about countries which a Roman foot had never touched. Home-stayers, who had never gone beyond the Appian Way, listened with amazement to marvelous tales of India, of Arabia, of archipelagos surrounding Britain in which, on a small island inhabited by spirits, Briareus had imprisoned the sleeping Saturn. They heard of Hyperborean regions of stiffened seas, of the hisses and roars which the ocean gives forth when the sun plunges into his bath. Stories of this kind found ready credence among the rabble, stories believed by such men even as Tacitus and Pliny. They spoke also of that ship which Caesar was to look atโ โa ship which had brought wheat to last for two years, without reckoning four hundred passengers, an equal number of soldiers, and a multitude of wild beasts to be used during the summer games. This produced general good feeling toward Caesar, who not only nourished the populace, but amused it. Hence a greeting full of enthusiasm was waiting for him.
Meanwhile came a detachment of Numidian horse, who belonged to the pretorian guard. They wore yellow uniforms, red girdles, and great earrings, which cast a golden gleam on their black faces. The points of their bamboo spears glittered like flames, in the sun. After they had passed, a procession-like movement began. The throng crowded forward to look at it more nearly; but divisions of pretorian foot were there, and, forming in line on both sides of the gate, prevented approach to the road. In advance moved wagons carrying tents, purple, red, and violet, and tents of byssus woven from threads as white as snow; and oriental carpets, and tables of citrus, and pieces of mosaic, and kitchen utensils, and cages with birds from the East, North, and West, birds whose tongues or brains were to go to Caesarโs table, and vessels with wine and baskets with fruit. But objects not to be exposed to bruising or breaking in vehicles were borne by slaves. Hence hundreds of people were seen on foot, carrying vessels, and statues of Corinthian bronze. There were
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