Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
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Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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She placed them on the table before her friend.
âWhy would you rather sit up longer?â asked Miss Keeldar, taking up the firearms, examining them, and again laying them down.
âBecause I have a strange, excited feeling in my heart.â
âSo have I.â
âIs this state of sleeplessness and restlessness caused by something electrical in the air, I wonder?â
âNo; the sky is clear, the stars numberless. It is a fine night.â
âBut very still. I hear the water fret over its stony bed in Hollowâs Copse as distinctly as if it ran below the churchyard wall.â
âI am glad it is so still a night. A moaning wind or rushing rain would vex me to fever just now.â
âWhy, Shirley?â
âBecause it would baffle my efforts to listen.â
âDo you listen towards the Hollow?â
âYes; it is the only quarter whence we can hear a sound just now.â
âThe only one, Shirley.â
They both sat near the window, and both leaned their arms on the sill, and both inclined their heads towards the open lattice. They saw each otherâs young faces by the starlight and that dim June twilight which does not wholly fade from the west till dawn begins to break in the east.
âMr. Helstone thinks we have no idea which way he is gone,â murmured Miss Keeldar, ânor on what errand, nor with what expectations, nor how prepared. But I guess much; do not you?â
âI guess something.â
âAll those gentlemenâ âyour cousin Moore includedâ âthink that you and I are now asleep in our beds, unconscious.â
âCaring nothing about themâ âhoping and fearing nothing for them,â added Caroline.
Both kept silent for full half an hour. The night was silent too; only the church clock measured its course by quarters. Some words were interchanged about the chill of the air. They wrapped their scarves closer round them, resumed their bonnets, which they had removed, and again watched.
Towards midnight the teasing, monotonous bark of the house-dog disturbed the quietude of their vigil. Caroline rose, and made her way noiselessly through the dark passages to the kitchen, intending to appease him with a piece of bread. She succeeded. On returning to the dining-room she found it all dark, Miss Keeldar having extinguished the candle. The outline of her shape was visible near the still open window, leaning out. Miss Helstone asked no questions; she stole to her side. The dog recommenced barking furiously. Suddenly he stopped, and seemed to listen. The occupants of the dining-room listened too, and not merely now to the flow of the mill-stream. There was a nearer, though a muffled, sound on the road below the churchyardâ âa measured, beating, approaching soundâ âa dull tramp of marching feet.
It drew near. Those who listened by degrees comprehended its extent. It was not the tread of two, nor of a dozen, nor of a score of men; it was the tread of hundreds. They could see nothing; the high shrubs of the garden formed a leafy screen between them and the road. To hear, however, was not enough, and this they felt as the troop trod forwards, and seemed actually passing the rectory. They felt it more when a human voiceâ âthough that voice spoke but one wordâ âbroke the hush of the night.
âHalt!â
A halt followed. The march was arrested. Then came a low conference, of which no word was distinguishable from the dining-room.
âWe must hear this,â said Shirley.
She turned, took her pistols from the table, silently passed out through the middle window of the dining-room, which was, in fact, a glass door, stole down the walk to the garden wall, and stood listening under the lilacs. Caroline would not have quitted the house had she been alone, but where Shirley went she would go. She glanced at the weapon on the sideboard, but left it behind her, and presently stood at her friendâs side. They dared not look over the wall, for fear of being seen; they were obliged to crouch behind it. They heard these wordsâ â
âIt looks a rambling old building. Who lives in it besides the damned parson?â
âOnly three womenâ âhis niece and two servants.â
âDo you know where they sleep?â
âThe lasses behind; the niece in a front room.â
âAnd Helstone?â
âYonder is his chamber. He was burning a light, but I see none now.â
âWhere would you get in?â
âIf I were ordered to do his jobâ âand he desarves itâ âIâd try yondâ long window; it opens to the dining-room. I could grope my way upstairs, and I know his chamber.â
âHow would you manage about the women folk?â
âLet âem alone except they shrieked, and then Iâd soon quieten âem. I could wish to find the old chap asleep. If he waked, heâd be dangerous.â
âHas he arms?â
âFirearms, allusâ âand allus loadened.â
âThen youâre a fool to stop us here. A shot would give the alarm. Moore would be on us before we could turn round. We should miss our main object.â
âYou might go on, I tell you. Iâd engage Helstone alone.â
A pause. One of the party dropped some weapon, which rang on the stone causeway. At this sound the rectory dog barked again furiouslyâ âfiercely.
âThat spoils all!â said the voice. âHeâll awake. A noise like that might rouse the dead. You did not say there was a dog. Damn you! Forward!â
Forward they wentâ âtramp, trampâ âwith mustering, manifold, slow-filing tread. They were gone.
Shirley stood erect, looked over the wall, along the road.
âNot a soul remains,â she said.
She stood and mused. âThank God!â was the next observation.
Caroline repeated the ejaculationâ ânot in so steady a tone. She was trembling much. Her heart was beating fast and thick; her face was cold, her forehead damp.
âThank God for us!â she reiterated. âBut what will happen elsewhere? They have passed us by that they may make sure of others.â
âThey have done well,â returned Shirley, with composure. âThe others will defend themselves. They can do it. They are prepared for them. With us it is otherwise. My finger was on the trigger of this pistol. I was quite ready to give that man, if he had entered, such a greeting as he little calculated on; but behind him followed three hundred. I had
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