Short Fiction by Kate Chopin (love story books to read .txt) 📕
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Kate Chopin’s most famous work nowadays is the novel The Awakening, but at the turn of the last century she was more famous for her short fiction, published in American magazines like the St. Louis Post-Dispatch, Youth’s Companion, and Vogue. A prolific writer, over the course of fourteen years she penned nearly a hundred stories, although many didn’t see publication until a new collection was released in 1963. The stories focus on life in 1890s Louisiana, a setting that she was living in as a resident of New Orleans and Natchitoches. They’re told from many different points of view, but always with empathy for the struggles, both big and small, of the protagonists.
This collection contains the forty-nine short stories of Kate Chopin verified to be in the U.S. public domain, including “Désirée’s Baby” and “The Dream of an Hour.” They’re presented in the order they were originally written.
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- Author: Kate Chopin
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“If you don’ wan’ to go, you know w’at you got to do, ’Thénaïse,” fumed Montéclin. “You don’ set yo’ feet back on Cane River, by God, unless you want to—not w’ile I’m alive.”
Cazeau looked at him as if he were a monkey whose antics fell short of being amusing.
Athénaïse still made no reply, said not a word. She walked rapidly past her husband, past her brother; bidding goodbye to no one, not even to her mother. She descended the stairs, and without assistance from anyone mounted the pony, which Cazeau had ordered to be saddled upon his arrival. In this way she obtained a fair start of her husband, whose departure was far more leisurely, and for the greater part of the way she managed to keep an appreciable gap between them. She rode almost madly at first, with the wind inflating her skirt balloon-like about her knees, and her sunbonnet falling back between her shoulders.
At no time did Cazeau make an effort to overtake her until traversing an old fallow meadow that was level and hard as a table. The sight of a great solitary oak-tree, with its seemingly immutable outlines, that had been a landmark for ages—or was it the odor of elderberry stealing up from the gully to the south? or what was it that brought vividly back to Cazeau, by some association of ideas, a scene of many years ago? He had passed that old live-oak hundreds of times, but it was only now that the memory of one day came back to him. He was a very small boy that day, seated before his father on horseback. They were proceeding slowly, and Black Gabe was moving on before them at a little dogtrot. Black Gabe had run away, and had been discovered back in the Gotrain swamp. They had halted beneath this big oak to enable the negro to take breath; for Cazeau’s father was a kind and considerate master, and everyone had agreed at the time that Black Gabe was a fool, a great idiot indeed, for wanting to run away from him.
The whole impression was for some reason hideous, and to dispel it Cazeau spurred his horse to a swift gallop. Overtaking his wife, he rode the remainder of the way at her side in silence.
It was late when they reached home. Félicité was standing on the grassy edge of the road, in the moonlight, waiting for them.
Cazeau once more ate his supper alone; for Athénaïse went to her room, and there she was crying again.
IIIAthénaïse was not one to accept the inevitable with patient resignation, a talent born in the souls of many women; neither was she the one to accept it with philosophical resignation, like her husband. Her sensibilities were alive and keen and responsive. She met the pleasurable things of life with frank, open appreciation, and against distasteful conditions she rebelled. Dissimulation was as foreign to her nature as guile to the breast of a babe, and her rebellious outbreaks, by no means rare, had hitherto been quite open and aboveboard. People often said that Athénaïse would know her own mind some day, which was equivalent to saying that she was at present unacquainted with it. If she ever came to such knowledge, it would be by no intellectual research, by no subtle analyses or tracing the motives of actions to their source. It would come to her as the song to the bird, the perfume and color to the flower.
Her parents had hoped—not without reason and justice—that marriage would bring the poise, the desirable pose, so glaringly lacking in Athénaïse’s character. Marriage they knew to be a wonderful and powerful agent in the development and formation of a woman’s character; they had seen its effect too often to doubt it.
“And if this marriage does nothing else,” exclaimed Miché in an outburst of sudden exasperation, “it will rid us of Athénaïse; for I am at the end of my patience with her! You have never had the firmness to manage her,”—he was speaking to his wife—“I have not had the time, the leisure, to devote to her training; and what good we might have accomplished, that maudit Montéclin—Well, Cazeau is the one! It takes just such a steady hand to guide a disposition like Athénaïse’s, a master hand, a strong will that compels obedience.”
And now, when they had hoped for so much, here was Athénaïse, with gathered and fierce vehemence, beside which her former outbursts appeared mild, declaring that she would not, and she would not, and she would not continue to enact the role of wife to Cazeau. If she had had a reason! as Madame Miché lamented; but it could not be discovered that she had any sane one. He had never scolded, or called names, or deprived her of comforts, or been guilty of any of the many reprehensible acts commonly attributed to objectionable husbands. He did not slight nor neglect her. Indeed, Cazeau’s chief offense seemed to be that he loved her, and Athénaïse was not the woman to be loved against her will. She called marriage a trap set for the feet of unwary and unsuspecting girls, and in round, unmeasured terms reproached her mother with treachery and deceit.
“I told you Cazeau was the man,” chuckled Miché, when his wife had related the scene that had accompanied and influenced Athénaïse’s departure.
Athénaïse again hoped, in the morning, that Cazeau would scold or make some sort of a scene, but he apparently did not dreaim of it. It was exasperating that he should take her acquiescence so for granted. It is true he had been up and over the fields and across the river and back long before she was out of bed, and he may have been thinking of something else, which was no excuse, which was even in some sense an aggravation. But he did say to her at breakfast, “That brother of yo’s, that
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