Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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After a second pause she continued: âWhat is it my duty and wisdom to do next? Not to stay here inactive, I am glad to say, but, of course, to walk over to the Hollow.â
âTo the Hollow, Shirley?â
âTo the Hollow. Will you go with me?â
âWhere those men are gone?â
âThey have taken the highway; we should not encounter them. The road over the fields is as safe, silent, and solitary as a path through the air would be. Will you go?â
âYes,â was the answer, given mechanically, not because the speaker wished or was prepared to go, or, indeed, was otherwise than scared at the prospect of going, but because she felt she could not abandon Shirley.
âThen we must fasten up these windows, and leave all as secure as we can behind us. Do you know what we are going for, Cary?â
âYesâ ânoâ âbecause you wish it.â
âIs that all? And are you so obedient to a mere caprice of mine? What a docile wife you would make to a stern husband! The moonâs face is not whiter than yours at this moment, and the aspen at the gate does not tremble more than your busy fingers; and so, tractable and terror-struck, and dismayed and devoted, you would follow me into the thick of real danger! Cary, let me give your fidelity a motive. We are going for Mooreâs sakeâ âto see if we can be of use to him, to make an effort to warn him of what is coming.â
âTo be sure! I am a blind, weak fool, and you are acute and sensible, Shirley. I will go with you; I will gladly go with you!â
âI do not doubt it. You would die blindly and meekly for me, but you would intelligently and gladly die for Moore. But, in truth, there is no question of death tonight; we run no risk at all.â
Caroline rapidly closed shutter and lattice. âDo not fear that I shall not have breath to run as fast as you can possibly run, Shirley. Take my hand. Let us go straight across the fields.â
âBut you cannot climb walls?â
âTonight I can.â
âYou are afraid of hedges, and the beck which we shall be forced to cross?â
âI can cross it.â
They started; they ran. Many a wall checked but did not baffle them. Shirley was surefooted and agile; she could spring like a deer when she chose. Caroline, more timid and less dexterous, fell once or twice, and bruised herself; but she rose again directly, saying she was not hurt. A quickset hedge bounded the last field; they lost time in seeking a gap in it. The aperture, when found, was narrow, but they worked their way through. The long hair, the tender skin, the silks and the muslins suffered; but what was chiefly regretted was the impediment this difficulty had caused to speed. On the other side they met the beck, flowing deep in a rough bed. At this point a narrow plank formed the only bridge across it. Shirley had trodden the plank successfully and fearlessly many a time before; Caroline had never yet dared to risk the transit.
âI will carry you across,â said Miss Keeldar. âYou are light, and I am not weak. Let me try.â
âIf I fall in, you may fish me out,â was the answer, as a grateful squeeze compressed her hand. Caroline, without pausing, trod forward on the trembling plank as if it were a continuation of the firm turf. Shirley, who followed, did not cross it more resolutely or safely. In their present humour, on their present errand, a strong and foaming channel would have been a barrier to neither. At the moment they were above the control either of fire or water. All Stilbroâ Moor, alight and aglow with bonfires, would not have stopped them, nor would Calder or Aire thundering in flood. Yet one sound made them pause. Scarce had they set foot on the solid opposite bank when a shot split the air from the north. One second elapsed. Further off burst a like note in the south. Within the space of three minutes similar signals boomed in the east and west.
âI thought we were dead at the first explosion,â observed Shirley, drawing a long breath. âI felt myself hit in the temples, and I concluded your heart was pierced; but the reiterated voice was an explanation. Those are signalsâ âit is their wayâ âthe attack must be near. We should have had wings. Our feet have not borne us swiftly enough.â
A portion of the copse was now to clear. When they emerged from it the mill lay just below them. They could look down upon the buildings, the yard; they could see the road beyond. And the first glance in that direction told Shirley she was right in her conjecture. They were already too late to give warning. It had taken more time than they calculated on to overcome the various obstacles which embarrassed the shortcut across the fields.
The road, which should have been white, was dark with a moving mass. The rioters were assembled in front of the closed yard gates, and a single figure stood within, apparently addressing them. The mill itself was perfectly black and still. There was neither life, light, nor motion around it.
âSurely he is prepared. Surely that is not Moore meeting them alone?â whispered Shirley.
âIt is. We must go to him. I will go to him.â
âThat you will not.â
âWhy did I come, then? I came only for him. I shall join him.â
âFortunately it is out of your power. There is no entrance to the yard.â
âThere is a small entrance at the back, besides the gates in front. It opens by a secret method which I know. I will try it.â
âNot with my leave.â
Miss Keeldar clasped her round the waist with both arms and held her
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