Little Dorrit by Charles Dickens (suggested reading .TXT) 📕
Description
Little Dorrit, like many of Charles Dickens’ novels, was originally published in serial form over a period of about 18 months, before appearing in book form in 1857.
The novel focuses on the experiences of its protagonist Arthur Clenham, who has spent some twenty years in China helping his father run the family business there. After his father dies, Arthur returns home to London. His mother gives him little in the way of welcome. She is a cold, bitter woman who has brought Arthur up under a strict religious regime concentrating on the punitive aspects of the Old Testament. Despite this upbringing, or perhaps in reaction to it, Arthur is a kind, considerate man. He is intrigued by a slight young woman he encounters working as a part-time seamstress for his mother, whom his mother calls simply “Little Dorrit.” Arthur senses some mystery about her mother’s employment of Little Dorrit, and proceeds to investigate.
There are several subplots and a whole host of characters. Compared to some of Dickens’ work, Little Dorrit features a good deal of intrigue and tension. There are also some strong strands of humor, in the form of the fictional “Circumlocution Office,” whose sole remit is “How Not To Do It,” and which stands in the way of any improvement of British life. Also very amusing are the rambling speeches of Flora, a woman with whom Arthur was enamored before he left for China, but whose shallowness he now perceives only too well.
Little Dorrit has been adapted for the screen many times, and by the BBC in 2010 in a limited television series which featured Claire Foy as Little Dorrit, Matthew Macfayden as Arthur Clenham, and Andy Serkis as the villain Rigaud.
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- Author: Charles Dickens
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Little Dorrit worked and strove as usual, wondering at all this, but keeping her wonder, as she had from her earliest years kept many heavier loads, in her own breast. A change had stolen, and was stealing yet, over the patient heart. Every day found her something more retiring than the day before. To pass in and out of the prison unnoticed, and elsewhere to be overlooked and forgotten, were, for herself, her chief desires.
To her own room too, strangely assorted room for her delicate youth and character, she was glad to retreat as often as she could without desertion of any duty. There were afternoon times when she was unemployed, when visitors dropped in to play a hand at cards with her father, when she could be spared and was better away. Then she would flit along the yard, climb the scores of stairs that led to her room, and take her seat at the window. Many combinations did those spikes upon the wall assume, many light shapes did the strong iron weave itself into, many golden touches fell upon the rust, while Little Dorrit sat there musing. New zigzags sprung into the cruel pattern sometimes, when she saw it through a burst of tears; but beautified or hardened still, always over it and under it and through it, she was fain to look in her solitude, seeing everything with that ineffaceable brand.
A garret, and a Marshalsea garret without compromise, was Little Dorrit’s room. Beautifully kept, it was ugly in itself, and had little but cleanliness and air to set it off; for what embellishment she had ever been able to buy, had gone to her father’s room. Howbeit, for this poor place she showed an increasing love; and to sit in it alone became her favourite rest.
Insomuch, that on a certain afternoon during the Pancks mysteries, when she was seated at her window, and heard Maggy’s well-known step coming up the stairs, she was very much disturbed by the apprehension of being summoned away. As Maggy’s step came higher up and nearer, she trembled and faltered; and it was as much as she could do to speak, when Maggy at length appeared.
“Please, Little Mother,” said Maggy, panting for breath, “you must come down and see him. He’s here.”
“Who, Maggy?”
“Who, o’ course Mr. Clennam. He’s in your father’s room, and he says to me, Maggy, will you be so kind and go and say it’s only me.”
“I am not very well, Maggy. I had better not go. I am going to lie down. See! I lie down now, to ease my head. Say, with my grateful regard, that you left me so, or I would have come.”
“Well, it an’t very polite though, Little Mother,” said the staring Maggy, “to turn your face away, neither!”
Maggy was very susceptible to personal slights, and very ingenious in inventing them. “Putting both your hands afore your face too!” she went on. “If you can’t bear the looks of a poor thing, it would be better to tell her so at once, and not go and shut her out like that, hurting her feelings and breaking her heart at ten year old, poor thing!”
“It’s to ease my head, Maggy.”
“Well, and if you cry to ease your head, Little Mother, let me cry too. Don’t go and have all the crying to yourself,” expostulated Maggy, “that an’t not being greedy.” And immediately began to blubber.
It was with some difficulty that she could be induced to go back with the excuse; but the promise of being told a story—of old her great delight—on condition that she concentrated her faculties upon the errand and left her little mistress to herself for an hour longer, combined with a misgiving on Maggy’s part that she had left her good temper at the bottom of the staircase, prevailed. So away she went, muttering her message all the way to keep it in her mind, and, at the appointed time, came back.
“He was very sorry, I can tell you,” she announced, “and wanted to send a doctor. And he’s coming again tomorrow he is and I don’t think he’ll have a good sleep tonight along o’ hearing about your head, Little Mother. Oh my! Ain’t you been a-crying!”
“I think I have, a little, Maggy.”
“A little! Oh!”
“But it’s all over now—all over for good, Maggy. And my head is much better and cooler, and I am quite comfortable. I am very glad I did not go down.”
Her great staring child tenderly embraced her; and having smoothed her hair, and bathed her forehead and eyes with cold water (offices in which her awkward hands became skilful), hugged her again, exulted in her brighter looks, and stationed her in her chair by the window. Over against this chair, Maggy, with apoplectic exertions that were not
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