His Masterpiece by Émile Zola (classic novels for teens .TXT) 📕

a third raked up the soiled sand. Behind the brown serge hangings the staff of the establishment was lunching⁠—one could hear a grinding of jaws and husky laughter, a rumpus akin to that of a camp of gipsies devouring the contents of their saucepans.

Claude and Sandoz went round the garden, where they discovered a statue by Mahoudeau, very badly placed in a corner near the eastern vestibule. It was the bathing girl at last, standing erect, but of diminutive proportions, being scarcely as tall as a girl ten years old, but charmingly delicate⁠—with slim hips and a tiny bosom, displaying all the exquisite hesitancy of a sprouting bud. The figure seemed to exhale a perfume, that grace which nothing can give, but which flowers where it lists, stubborn, invincible, perennial grace, springing still and ever from Mahoudeau’s thick fingers, which were so ignorant of their special aptitude that they had long treated this very grace with derision.

Sandoz could not help smiling.

“And to think that this fellow has done everything he could to warp his talent. If his figure were better placed, it would meet with great success.”

“Yes, great success,” repeated Claude. “It is very pretty.”

Precisely at that moment they perceived Mahoudeau, already in the vestibule, and going towards the staircase. They called him, ran after him, and then all three remained talking together for a few minutes. The ground-floor gallery stretched away, empty, with its sanded pavement, and the pale light streaming through its large round windows. One might have fancied oneself under a railway bridge. Strong pillars supported the metallic framework, and an icy chillness blew from above, moistening the sand in which one’s feet sank. In the distance, behind a torn curtain, one could see rows of statues, the rejected sculptural exhibits, the casts which poor sculptors did not even remove, gathered together in a livid kind of morgue, in a state of lamentable abandonment. But what surprised one, on raising one’s head, was the continuous din, the mighty tramp of the public over the flooring of the upper galleries. One was deafened by it; it rolled on without a pause, as if interminable trains, going at full speed, were ever and ever shaking the iron girders.

When Mahoudeau had been complimented, he told Claude that he had searched for his picture in vain. In the depths of what hole could they have put it? Then, in a fit of affectionate remembrance for the past, he asked anxiously after Gagnière and Dubuche. Where were the Salons of yore which they had all reached in a band, the mad excursions through the galleries as in an enemy’s country, the violent disdain they had felt on going away, the discussions which had made their tongues swell and emptied their brains? Nobody now saw Dubuche. Two or three times a month Gagnière came from Melun, in a state of bewilderment, to attend some concert; and he now took such little interest in painting that he had not even looked in at the Salon, although he exhibited his usual landscape, the same view of the banks of the Seine which he had been sending for the last fifteen years⁠—a picture of a pretty greyish tint, so conscientious and quiet that the public had never remarked it.

“I was going upstairs,” resumed Mahoudeau. “Will you come with me?”

Claude, pale with suffering, raised his eyes every second. Ah! that terrible rumbling, that devouring gallop of the monster overhead, the shock of which he felt in his very limbs!

He held out his hand without speaking.

“What! are you going to leave us?” exclaimed Sandoz. “Take just another turn with us, and we’ll go away together.”

Then, on seeing Claude so weary, a feeling of pity made his heart contract. He divined that the poor fellow’s courage was exhausted, that he was desirous of solitude, seized with a desire to fly off alone and hide his wound.

“Then, goodbye, old man: I’ll call and see you tomorrow.”

Staggering, and as if pursued by the tempest upstairs, Claude disappeared behind the clumps of shrubbery in the garden. But two hours later Sandoz, who after losing Mahoudeau had just found him again with Jory and Fagerolles, perceived the unhappy painter again standing in front of his picture, at the same spot where he had met him the first time. At the moment of going off the wretched fellow had come up there again, harassed and attracted despite himself.

There was now the usual five o’clock crush. The crowd, weary of winding round the galleries, became distracted, and pushed and shoved without ever finding its way out. Since the coolness of the morning, the heat of all the human bodies, the odour of all the breath exhaled there had made the atmosphere heavy, and the dust of the floors, flying about, rose up in a fine mist. People still took each other to see certain pictures, the subjects of which alone struck and attracted the crowd. Some went off, came back, and walked about unceasingly. The women were particularly obstinate in not retiring; they seemed determined to remain there till the attendants should push them out when six o’clock began to strike. Some fat ladies had foundered. Others, who had failed to find even the tiniest place to sit down, leaned heavily on their parasols, sinking, but still obstinate. Every eye was turned anxiously and supplicatingly towards the settees laden with people. And all that those thousands of sightseers were now conscious of, was that last fatigue of theirs, which made their legs totter, drew their features together, and tortured them with headache⁠—that headache peculiar to fine-art shows, which is caused by the constant straining of one’s neck and the blinding dance of colours.

Alone on the little settee where at noon already they had been talking about their private affairs, the two decorated gentlemen were still chatting quietly, with their minds a hundred leagues away from the place. Perhaps they had returned thither, perhaps they had not even stirred from the spot.

“And so,” said the fat