His Masterpiece by Émile Zola (classic novels for teens .TXT) 📕

men were smoking, and a bluish cloud slowly rose above the straggling tablecloths, stained by wine and littered with dirty plates and dishes. When Fagerolles, on his aide, succeeded in obtaining two glasses of chartreuse for himself and Jory, he began to talk to Sandoz, whom he treated with a certain amount of deference, divining that the novelist might become a power. And Jory thereupon appropriated Claude, who had again become mournful and silent.

“You know, my dear fellow,” said the journalist, “I didn’t send you any announcement of my marriage. On account of our position we managed it on the quiet without inviting any guests. All the same, I should have liked to let you know. You will excuse me, won’t you?”

He showed himself expansive, gave particulars, full of the happiness of life, and egotistically delighted to feel fat and victorious in front of that poor vanquished fellow. He succeeded with everything, he said. He had given up leader-writing, feeling the necessity of settling down seriously, and he had risen to the editorship of a prominent art review, on which, so it was asserted, he made thirty thousand francs a year, without mentioning certain profits realised by shady trafficking in the sale of art collections. The middle-class rapacity which he had inherited from his mother, the hereditary passion for profit which had secretly impelled him to embark in petty speculations as soon as he had gained a few coppers, now openly displayed itself, and ended by making him a terrible customer, who bled all the artists and amateurs who came under his clutches.

It was amidst this good luck of his that Mathilde, now all-powerful, had brought him to the point of begging her, with tears in his eyes, to become his wife, a request which she had proudly refused during six long months.

“When folks are destined to live together,” he continued, “the best course is to set everything square. You experienced it yourself, my dear fellow; you know something about it, eh? And if I told you that she wouldn’t consent at first⁠—yes, it’s a fact⁠—for fear of being misjudged and of doing me harm. Oh! she has such grandeur, such delicacy of mind! No, nobody can have an idea of that woman’s qualities. Devoted, taking all possible care of one, economical, and acute, too, and such a good adviser! Ah! it was a lucky chance that I met her! I no longer do anything without consulting her; I let her do as she likes; she manages everything, upon my word.”

The truth was that Mathilde had finished by reducing him to the frightened obedience of a little boy. The once dissolute she-ghoul had become a dictatorial spouse, eager for respect, and consumed with ambition and love of money. She showed, too, every form of sourish virtue. It was said that they had been seen taking the Holy Communion together at Notre Dame de Lorette. They kissed one another before other people, and called each other by endearing nicknames. Only, of an evening, he had to relate how he had spent his time during the day, and if the employment of a single hour remained suspicious, if he did not bring home all the money he had received, down to the odd coppers, she led him the most abominable life imaginable.

This, of course, Jory left unmentioned. By way of conclusion he exclaimed: “And so we waited for my father’s death, and then I married her.”

Claude, whose mind had so far been wandering, and who had merely nodded without listening, was struck by that last sentence.

“What! you married her⁠—married Mathilde?”

That exclamation summed up all the astonishment that the affair caused him, all the recollections that occurred to him of Mahoudeau’s shop. That Jory, why, he could still hear him talking about Mathilde in an abominable manner; and yet he had married her! It was really stupid for a fellow to speak badly of a woman, for he never knew if he might not end by marrying her some day or other!

However, Jory was perfectly serene, his memory was dead, he never allowed himself an allusion to the past, never showed the slightest embarrassment when his comrades’ eyes were turned on him. Besides, Mathilde seemed to be a newcomer. He introduced her to them as if they knew nothing whatever about her.

Sandoz, who had lent an ear to the conversation, greatly interested by this fine business, called out as soon as Jory and Claude became silent:

“Let’s be off, eh? My legs are getting numbed.”

But at that moment Irma Bécot appeared, and stopped in front of the buffet. With her hair freshly gilded, she had put on her best looks⁠—all the tricky sheen of a tawny hussy, who seemed to have just stepped out of some old Renaissance frame; and she wore a train of light blue brocaded silk, with a satin skirt covered with Alençon lace, of such richness that quite an escort of gentlemen followed her in admiration. On perceiving Claude among the others, she hesitated for a moment, seized, as it were, with cowardly shame in front of that ill-clad, ugly, derided devil. Then, becoming valiant, as it were, it was his hand that she shook the first amid all those well-dressed men, who opened their eyes in amazement. She laughed with an affectionate air, and spoke to him in a friendly, bantering way.

Fagerolles, however, was already paying for the two chartreuses he had ordered, and at last he went off with Irma, whom Jory also decided to follow. Claude watched them walk away together, she between the two men, moving on in regal fashion, greatly admired, and repeatedly bowed to by people in the crowd.

“One can see very well that Mathilde isn’t here,” quietly remarked Sandoz. “Ah! my friend, what clouts Jory would receive on getting home!”

The novelist now asked for the bill. All the tables were becoming vacant; there only remained a litter of bones and crusts. A couple of waiters were wiping the marble slabs with sponges, whilst