His Masterpiece by Émile Zola (classic novels for teens .TXT) 📕
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His Masterpiece, sometimes translated as “The Work” or “The Masterpiece,” is Zola’s 14th entry in his Rougon-Macquart series of novels. In it we see Claude Lantier, a painter with obvious talent, struggle to leave a revolutionary mark on the art world of 19th-century Paris. The novel deftly explores the themes of genius, poverty, purity in art, art as a beaurocratic institution, obsession, and madness.
The book is notable not just for its accurate portrayal of the art world of the time, but also for the interesting personal details Zola incorporated into the book. Lantier is a pastiche of several famous painters Zola personally knew, including Paul Cézanne, Claude Monet, and Édouard Manet; Lantier’s masterpiece is based on Manet’s revolutionary painting Le Déjeuner sur l’herbe; and the novel’s accuracy is even blamed on ending the long friendship between Zola and Cézanne. Zola himself includes a self-portrait, as the character Pierre Sandoz.
Vizetelly’s translation is fresh and readable, and Zola’s rendition of Paris and the surrounding countryside is vibrant and engrossing. Rarely do we get such a close and engaging window into bohemian life in old Paris.
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- Author: Émile Zola
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It so happened that Sandoz, who had turned round, said to Claude: “Hallo! there’s Fagerolles!”
And, indeed, Fagerolles and Jory had just laid hands on a table near by without noticing their friends, and the journalist, continuing in his gruff voice a conversation which had previously begun, remarked:
“Yes, I saw his Dead Child! Ah! the poor devil! what an ending!”
But Fagerolles nudged Jory, and the latter, having caught sight of his two old comrades, immediately added:
“Ah! that dear old Claude! How goes it, eh? You know that I haven’t yet seen your picture. But I’m told that it’s superb.”
“Superb!” declared Fagerolles, who then began to express his surprise. “So you lunched here. What an idea! Everything is so awfully bad. We two have just come from Ledoyen’s. Oh! such a crowd and such hustling, such mirth! Bring your table nearer and let us chat a bit.”
They joined the two tables together. But flatterers and petitioners were already after the triumphant young master. Three friends rose up and noisily saluted him from afar. A lady became smilingly contemplative when her husband had whispered his name in her ear. And the tall, thin fellow, the artist whose picture had been badly hung, and who had pursued him since the morning, as enraged as ever, left a table where he was seated at the further end of the buffet, and again hurried forward to complain, imperatively demanding “the line” at once.
“Oh! go to the deuce!” at last cried Fagerolles, his patience and amiability exhausted. And he added, when the other had gone off, mumbling some indistinct threats: “It’s true; a fellow does all he can to be obliging, but those chaps would drive one mad! All of them on the ‘line’! leagues of ‘line’ then! Ah! what a business it is to be a committeeman! One wears out one’s legs, and one only reaps hatred as reward.”
Claude, who was looking at him with his oppressed air, seemed to wake up for a moment, and murmured:
“I wrote to you; I wanted to go and see you to thank you. Bongrand told me about all the trouble you had. So thanks again.”
But Fagerolles hastily broke in:
“Tut, tut! I certainly owed that much to our old friendship. It’s I who am delighted to have given you any pleasure.”
He showed the embarrassment which always came upon him in presence of the acknowledged master of his youth, that kind of humility which filled him perforce when he was with the man whose mute disdain, even at this moment, sufficed to spoil all his triumph.
“Your picture is very good,” slowly added Claude, who wished to be kindhearted and generous.
This simple praise made Fagerolles’ heart swell with exaggerated, irresistible emotion, springing he knew not whence; and this rascal, who believed in nothing, who was usually so proficient in humbug, answered in a shaky voice:
“Ah! my dear fellow, ah! it’s very kind of you to tell me that!”
Sandoz had at last obtained two cups of coffee, and as the waiter had forgotten to bring any sugar, he had to content himself with some pieces which a party had left on an adjoining table. A few tables, indeed, had now become vacant, but the general freedom had increased, and one woman’s laughter rang out so loudly that every head turned round. The
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