The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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“I made it myself.”
Ah! A woman who could make herself a pretty frock had not lost her interest in life.
“Make hay while the sun shines,” he said; “and drink that up. I want to see some colour in your cheeks. We mustn’t waste life; it doesn’t do. There’s a new Marguerite tonight; let’s hope she won’t be fat. And Mephisto—anything more dreadful than a fat chap playing the Devil I can’t imagine.”
But they did not go to the opera after all, for in getting up from dinner the dizziness came over him again, and she insisted on his staying quiet and going to bed early. When he parted from her at the door of the hotel, having paid the cabman to drive her to Chelsea, he sat down again for a moment to enjoy the memory of her words: “You are such a darling to me, Uncle Jolyon!” Why! Who wouldn’t be! He would have liked to stay up another day and take her to the Zoo, but two days running of him would bore her to death. No, he must wait till next Sunday; she had promised to come then. They would settle those lessons for Holly, if only for a month. It would be something. That little Mam’zelle Beauce wouldn’t like it, but she would have to lump it. And crushing his old opera hat against his chest he sought the lift.
He drove to Waterloo next morning, struggling with a desire to say: “Drive me to Chelsea.” But his sense of proportion was too strong. Besides, he still felt shaky, and did not want to risk another aberration like that of last night, away from home. Holly, too, was expecting him, and what he had in his bag for her. Not that there was any cupboard love in his little sweet—she was a bundle of affection. Then, with the rather bitter cynicism of the old, he wondered for a second whether it was not cupboard love which made Irene put up with him. No, she was not that sort either. She had, if anything, too little notion of how to butter her bread, no sense of property, poor thing! Besides, he had not breathed a word about that codicil, nor should he—sufficient unto the day was the good thereof.
In the victoria which met him at the station Holly was restraining the dog Balthasar, and their caresses made “jubey” his drive home. All the rest of that fine hot day and most of the next he was content and peaceful, reposing in the shade, while the long lingering sunshine showered gold on the lawns and the flowers. But on Thursday evening at his lonely dinner he began to count the hours; sixty-five till he would go down to meet her again in the little coppice, and walk up through the fields at her side. He had intended to consult the doctor about his fainting fit, but the fellow would be sure to insist on quiet, no excitement and all that; and he did not mean to be tied by the leg, did not want to be told of an infirmity—if there were one, could not afford to hear of it at his time of life, now that this new interest had come. And he carefully avoided making any mention of it in a letter to his son. It would only bring them back with a run! How far this silence was due to consideration for their pleasure, how far to regard for his own, he did not pause to consider.
That night in his study he had just finished his cigar and was dozing off, when he heard the rustle of a gown, and was conscious of a scent of violets. Opening his eyes he saw her, dressed in grey, standing by the fireplace, holding out her arms. The odd thing was that, though those arms seemed to hold nothing, they were curved as if round someone’s neck, and her own neck was bent back, her lips open, her eyes closed. She vanished at once, and there were the mantelpiece and his bronzes. But those bronzes and the mantelpiece had not been there when she was, only the fireplace and the wall! Shaken and troubled, he got up. “I must take medicine,” he thought; “I can’t be well.” His heart beat too fast, he had an asthmatic feeling in the chest; and going to the window, he opened it to get some air. A dog was barking far away, one of the dogs at Gage’s farm no doubt, beyond the coppice. A beautiful still night, but dark. “I dropped off,” he mused, “that’s it! And yet I’ll swear my eyes were open!” A sound like a sigh seemed to answer.
“What’s that?” he said sharply, “who’s there?”
Putting his hand to his side to still the beating of his heart, he stepped out on the terrace. Something soft scurried by in the dark. “Shoo!” It was that great grey cat. “Young Bosinney was like a great cat!” he thought. “It was him in there, that she—that she was—He’s got her still!” He walked to the edge of the terrace, and looked down into the darkness; he could just see the powdering of the daisies on the unmown lawn. Here today and gone tomorrow! And there came the moon, who saw all, young and old, alive and dead, and didn’t care a dump! His own turn soon. For a single day of youth he would give what was left! And he turned again towards the house. He could see the windows of the night nursery up there. His little sweet would be asleep. “Hope that dog won’t wake her!” he thought. “What is it makes us love, and makes us die! I must go to bed.”
And across the terrace stones, growing grey in the moonlight, he passed back within.
VHow should an old man live his days if not in dreaming of his
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