The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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He got out of bed and pulled the curtains aside; his room faced down over the river. There was little air, but the sight of that breadth of water flowing by, calm, eternal, soothed him. “The great thing,” he thought, “is not to make myself a nuisance. I’ll think of my little sweet, and go to sleep.” But it was long before the heat and throbbing of the London night died out into the short slumber of the summer morning. And old Jolyon had but forty winks.
When he reached home next day he went out to the flower garden, and with the help of Holly, who was very delicate with flowers, gathered a great bunch of carnations. They were, he told her, for “the lady in grey”—a name still bandied between them; and he put them in a bowl in his study where he meant to tackle Irene the moment she came, on the subject of June and future lessons. Their fragrance and colour would help. After lunch he lay down, for he felt very tired, and the carriage would not bring her from the station till four o’clock. But as the hour approached he grew restless, and sought the schoolroom, which overlooked the drive. The sun-blinds were down, and Holly was there with Mademoiselle Beauce, sheltered from the heat of a stifling July day, attending to their silkworms. Old Jolyon had a natural antipathy to these methodical creatures, whose heads and colour reminded him of elephants; who nibbled such quantities of holes in nice green leaves; and smelled, as he thought, horrid. He sat down on a chintz-covered windowseat whence he could see the drive, and get what air there was; and the dog Balthasar who appreciated chintz on hot days, jumped up beside him. Over the cottage piano a violet dust-sheet, faded almost to grey, was spread, and on it the first lavender, whose scent filled the room. In spite of the coolness here, perhaps because of that coolness the beat of life vehemently impressed his ebbed-down senses. Each sunbeam which came through the chinks had annoying brilliance; that dog smelled very strong; the lavender perfume was overpowering; those silkworms heaving up their grey-green backs seemed horribly alive; and Holly’s dark head bent over them had a wonderfully silky sheen. A marvellous cruelly strong thing was life when you were old and weak; it seemed to mock you with its multitude of forms and its beating vitality. He had never, till those last few weeks, had this curious feeling of being with one half of him eagerly borne along in the stream of life, and with the other half left on the bank, watching that helpless progress. Only when Irene was with him did he lose this double consciousness.
Holly turned her head, pointed with her little brown fist to the piano—for to point with a finger was not “well-brrred”—and said slyly:
“Look at the ‘lady in grey,’ Gran; isn’t she pretty today?”
Old Jolyon’s heart gave a flutter, and for a second the room was clouded; then it cleared, and he said with a twinkle:
“Who’s been dressing her up?”
“Mam’zelle.”
“Hollee! Don’t be foolish!”
That prim little Frenchwoman! She hadn’t yet got over the music lessons being taken away from her. That wouldn’t help. His little sweet was the only friend they had. Well, they were her lessons. And he shouldn’t budge shouldn’t budge for anything. He stroked the warm wool on Balthasar’s head, and heard Holly say: “When mother’s home, there won’t be any changes, will there? She doesn’t like strangers, you know.”
The child’s words seemed to bring the chilly atmosphere of opposition about old Jolyon, and disclose all the menace to his newfound freedom. Ah! He would have to resign himself to being an old man at the mercy of care and love, or fight to keep this new and prized companionship; and to fight tired him to death. But his thin, worn face hardened into resolution till it appeared all jaw. This was his house, and his affair; he should not budge! He looked at his watch, old and thin like himself; he had owned it fifty years. Past four already! And kissing the top of Holly’s head in passing, he went down to the hall. He wanted to get hold of her before she went up to give her lesson. At the first sound of wheels he stepped out into the porch, and saw at once that the victoria was empty.
“The train’s in, sir; but the lady ’asn’t come.”
Old Jolyon gave him a sharp upward look, his eyes seemed to push away that fat chap’s curiosity, and defy him to see the bitter disappointment he was feeling.
“Very well,” he said, and turned back into the house. He went to his study and sat down, quivering like a leaf. What did this mean? She might have lost her train, but he knew well enough she hadn’t. “Goodbye, dear Uncle Jolyon.” Why “Goodbye” and not “Good night”? And that hand of hers lingering in the air. And her kiss. What did it mean? Vehement alarm and irritation took possession of him. He got up and began to pace the Turkey carpet, between window and wall. She was going to give him up! He felt it for certain—and he defenceless. An old man wanting to look on beauty! It was ridiculous! Age closed his mouth, paralysed his power to fight. He had no right to what was warm and living, no right to anything but memories and sorrow. He could not plead with her; even an old man has his dignity. Defenceless! For an hour, lost to bodily fatigue, he paced up and down,
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