The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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That evening after dinner he had a return of the dizziness, though he did not faint. He would not ring the bell, because he knew it would mean a fuss, and make his going up on the morrow more conspicuous. When one grew old, the whole world was in conspiracy to limit freedom, and for what reason?—just to keep the breath in him a little longer. He did not want it at such cost. Only the dog Balthasar saw his lonely recovery from that weakness; anxiously watched his master go to the sideboard and drink some brandy, instead of giving him a biscuit. When at last old Jolyon felt able to tackle the stairs he went up to bed. And, though still shaky next morning, the thought of the evening sustained and strengthened him. It was always such a pleasure to give her a good dinner—he suspected her of undereating when she was alone; and, at the opera to watch her eyes glow and brighten, the unconscious smiling of her lips. She hadn’t much pleasure, and this was the last time he would be able to give her that treat. But when he was packing his bag he caught himself wishing that he had not the fatigue of dressing for dinner before him, and the exertion, too, of telling her about June’s return.
The opera that evening was Carmen, and he chose the last entr’acte to break the news, instinctively putting it off till the latest moment.
She took it quietly, queerly; in fact, he did not know how she had taken it before the wayward music lifted up again and silence became necessary. The mask was down over her face, that mask behind which so much went on that he could not see. She wanted time to think it over, no doubt! He would not press her, for she would be coming to give her lesson tomorrow afternoon, and he should see her then when she had got used to the idea. In the cab he talked only of the Carmen; he had seen better in the old days, but this one was not bad at all. When he took her hand to say good night, she bent quickly forward and kissed his forehead.
“Goodbye, dear Uncle Jolyon, you have been so sweet to me.”
“Tomorrow then,” he said. “Good night. Sleep well.” She echoed softly: “Sleep well!” and in the cab window, already moving away, he saw her face screwed round towards him, and her hand put out in a gesture which seemed to linger.
He sought his room slowly. They never gave him the same, and he could not get used to these “spick-and-spandy” bedrooms with new furniture and grey-green carpets sprinkled all over with pink roses. He was wakeful and that wretched Habanera kept throbbing in his head.
His French had never been equal to its words, but its sense he knew, if it had any sense, a gipsy thing—wild and unaccountable. Well, there was in life something which upset all your care and plans—something which made men and women dance to its pipes. And he lay staring from deep-sunk eyes into the darkness where the unaccountable held sway. You thought you had hold of life, but it slipped away behind you, took you by the scruff of the neck, forced you here and forced you there, and then, likely as not, squeezed life out of you! It took the very stars like that, he shouldn’t wonder, rubbed their noses together and flung them apart; it had never done playing its pranks. Five million people in this great blunderbuss of a town, and all of them at the mercy of that Life-Force, like a lot of little dried peas hopping about on a board when you struck your fist on it. Ah, well! Himself would not hop much longer—a good long sleep would do him good!
How hot it was up here!—how noisy! His forehead burned; she had
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