Notre-Dame de Paris by Victor Hugo (e reader for manga txt) 📕

bound to deliver the malefactor ready judged for execution if he be a layman, to the provost of Paris; if a clerk, to the official of the bishopric.”

“Thank you, sir.”

“Oh, God!” said Fleur-de-Lys, “the poor creature!”

This thought filled with sadness the glance which she cast upon the populace. The captain, much more occupied with her than with that pack of the rabble, was amorously rumpling her girdle behind. She turned round, entreating and smiling.

“Please let me alone, Phoebus! If my mother were to return, she would see your hand!”

At that moment, midday rang slowly out from the clock of Notre-Dame. A murmur of satisfaction broke out in the crowd. The last vibration of the twelfth stroke had hardly died away when all heads surged like the waves beneath a squall, and an immense shout went up from the pavement, the windows, and the roofs,

“There she is!”

Fleur-de-Lys pressed her hands to her eyes, that she might not see.

“Charming girl,” said Phoebus, “do you wish to withdraw?”

“No,” she replied; and she opened through curiosity, the eyes which she had closed through fear.

A tumbrel drawn by a stout Norman horse, and all surrounded by cavalry in violet livery with white crosses, had just debouched upon the Place through the Rue Saint-Pierre-aux-Boeufs. The sergeants of the watch were clearing a passage for it through the crowd, by stout blows from their clubs. Beside the cart rode several officers of justice and police, recognizable by their black costume and their awkwardness in the saddle. Master Jacques Charmolue paraded at their head.

In the fatal cart sat a young girl with her arms tied behind her back, and with no priest beside her. She was in her shift; her long black hair (the fashion then was to cut it off only at the foot of the gallows) fell in disorder upon her half-bared throat and shoulders.

Athwart that waving hair, more glossy than the plumage of a raven, a thick, rough, gray rope was visible, twisted and knotted, chafing her delicate collarbones and twining round the charming neck of the poor girl, like an earthworm round a flower. Beneath that rope glittered a tiny amulet ornamented with bits of green glass, which had been left to her no doubt, because nothing is refused to those who are about to die. The spectators in the windows could see in the bottom of the cart her naked legs which she strove to hide beneath her, as by a final feminine instinct. At her feet lay a little goat, bound. The condemned girl held together with her teeth her imperfectly fastened shift. One would have said that she suffered still more in her misery from being thus exposed almost naked to the eyes of all. Alas! modesty is not made for such shocks.

“Jesus!” said Fleur-de-Lys hastily to the captain. “Look fair cousin, ’tis that wretched Bohemian with the goat.”

So saying, she turned to Phoebus. His eyes were fixed on the tumbrel. He was very pale.

“What Bohemian with the goat?” he stammered.

“What!” resumed Fleur-de-Lys, “do you not remember?”

Phoebus interrupted her.

“I do not know what you mean.”

He made a step to re-enter the room, but Fleur-de-Lys, whose jealousy, previously so vividly aroused by this same gypsy, had just been reawakened, Fleur-de-Lys gave him a look full of penetration and distrust. She vaguely recalled at that moment having heard of a captain mixed up in the trial of that witch.

“What is the matter with you?” she said to Phoebus, “one would say, that this woman had disturbed you.”

Phoebus forced a sneer⁠—

“Me! Not the least in the world! Ah! yes, certainly!”

“Remain, then!” she continued imperiously, “and let us see the end.”

The unlucky captain was obliged to remain. He was somewhat reassured by the fact that the condemned girl never removed her eyes from the bottom of the cart. It was but too surely la Esmeralda. In this last stage of opprobrium and misfortune, she was still beautiful; her great black eyes appeared still larger, because of the emaciation of her cheeks; her pale profile was pure and sublime. She resembled what she had been, in the same degree that a virgin by Masaccio, resembles a virgin of Raphael⁠—weaker, thinner, more delicate.

Moreover, there was nothing in her which was not shaken in some sort, and which with the exception of her modesty, she did not let go at will, so profoundly had she been broken by stupor and despair. Her body bounded at every jolt of the tumbrel like a dead or broken thing; her gaze was dull and imbecile. A tear was still visible in her eyes, but motionless and frozen, so to speak.

Meanwhile, the lugubrious cavalcade has traversed the crowd amid cries of joy and curious attitudes. But as a faithful historian, we must state that on beholding her so beautiful, so depressed, many were moved with pity, even among the hardest of them.

The tumbrel had entered the Parvis.

It halted before the central portal. The escort ranged themselves in line on both sides. The crowd became silent, and, in the midst of this silence full of anxiety and solemnity, the two leaves of the grand door swung back, as of themselves, on their hinges, which gave a creak like the sound of a fife. Then there became visible in all its length, the deep, gloomy church, hung in black, sparely lighted with a few candles gleaming afar off on the principal altar, opened in the midst of the Place which was dazzling with light, like the mouth of a cavern. At the very extremity, in the gloom of the apse, a gigantic silver cross was visible against a black drapery which hung from the vault to the pavement. The whole nave was deserted. But a few heads of priests could be seen moving confusedly in the distant choir stalls, and, at the moment when the great door opened, there escaped from the church a loud, solemn, and monotonous chanting, which cast over the head of the condemned girl, in gusts, fragments of melancholy psalms⁠—

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