Tess of the d’Urbervilles by Thomas Hardy (readict TXT) 📕
Description
Tess of the d’Urbervilles is said to be Thomas Hardy’s fictional masterpiece and is considered to be an important nineteenth century novel. It explores themes of love, sex, class and morality in an aching love story.
It initially appeared in a censored, serialised version in The Graphic in 1891 and was published in a single volume the following year. Early reviews were mixed, partly because of its challenge to Victorian sexual morals—it is now looked upon much more favorably.
Tess Durbeyfield is the oldest child of uneducated peasants who are given the impression that they may have noble blood, as their surname is a corruption of that of an extinct Norman family. When Tess participates in the village May Dance, she meets Angel, who stops to join the dance but notices Tess too late to dance with her. That night, Tess’s father gets too drunk to drive to the market, so she undertakes the journey herself. However, she falls asleep at the reins, and the family’s only horse encounters a speeding wagon and is fatally wounded. Tess feels so guilty over the consequences for the family that she agrees to try to claim kin with a rich widow who lives in a neighbouring town. The story traces Tess’s life through the following years.
The novel has been adapted for the stage, theatre, opera, cinema and television numerous times since its publication.
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- Author: Thomas Hardy
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She liked doing it after the confinement of the sick chamber, where she was not now required by reason of her mother’s improvement. Violent motion relieved thought. The plot of ground was in a high, dry, open enclosure, where there were forty or fifty such pieces, and where labour was at its briskest when the hired labour of the day had ended. Digging began usually at six o’clock and extended indefinitely into the dusk or moonlight. Just now heaps of dead weeds and refuse were burning on many of the plots, the dry weather favouring their combustion.
One fine day Tess and ’Liza-Lu worked on here with their neighbours till the last rays of the sun smote flat upon the white pegs that divided the plots. As soon as twilight succeeded to sunset the flare of the couch-grass and cabbage-stalk fires began to light up the allotments fitfully, their outlines appearing and disappearing under the dense smoke as wafted by the wind. When a fire glowed, banks of smoke, blown level along the ground, would themselves become illuminated to an opaque lustre, screening the workpeople from one another; and the meaning of the “pillar of a cloud,” which was a wall by day and a light by night, could be understood.
As evening thickened, some of the gardening men and women gave over for the night, but the greater number remained to get their planting done, Tess being among them, though she sent her sister home. It was on one of the couch-burning plots that she laboured with her fork, its four shining prongs resounding against the stones and dry clods in little clicks. Sometimes she was completely involved in the smoke of her fire; then it would leave her figure free, irradiated by the brassy glare from the heap. She was oddly dressed tonight, and presented a somewhat staring aspect, her attire being a gown bleached by many washings, with a short black jacket over it, the effect of the whole being that of a wedding and funeral guest in one. The women further back wore white aprons, which, with their pale faces, were all that could be seen of them in the gloom, except when at moments they caught a flash from the flames.
Westward, the wiry boughs of the bare thorn hedge which formed the boundary of the field rose against the pale opalescence of the lower sky. Above, Jupiter hung like a full-blown jonquil, so bright as almost to throw a shade. A few small nondescript stars were appearing elsewhere. In the distance a dog barked, and wheels occasionally rattled along the dry road.
Still the prongs continued to click assiduously, for it was not late; and though the air was fresh and keen there was a whisper of spring in it that cheered the workers on. Something in the place, the hours, the crackling fires, the fantastic mysteries of light and shade, made others as well as Tess enjoy being there. Nightfall, which in the frost of winter comes as a fiend and in the warmth of summer as a lover, came as a tranquillizer on this March day.
Nobody looked at his or her companions. The eyes of all were on the soil as its turned surface was revealed by the fires. Hence as Tess stirred the clods and sang her foolish little songs with scarce now a hope that Clare would ever hear them, she did not for a long time notice the person who worked nearest to her—a man in a long smockfrock who, she found, was forking the same plot as herself, and whom she supposed her father had sent there to advance the work. She became more conscious of him when the direction of his digging brought him closer. Sometimes the smoke divided them; then it swerved, and the two were visible to each other but divided from all the rest.
Tess did not speak to her fellow-worker, nor did he speak to her. Nor did she think of him further than to recollect that he had not been there when it was broad daylight, and that she did not know him as any one of the Marlott labourers, which was no wonder, her absences having been so long and frequent of late years. By-and-by he dug so close to her that the fire-beams were reflected as distinctly from the steel prongs of his fork as from her own. On going up to the fire to throw a pitch of dead weeds upon it, she found that he did the same on the other side. The fire flared up, and she beheld the face of d’Urberville.
The unexpectedness of his presence, the grotesqueness of his appearance in a gathered smockfrock, such as was now worn only by the most old-fashioned of the labourers, had a ghastly comicality that chilled her as to its bearing. D’Urberville emitted a low, long laugh.
“If I were inclined to joke, I should say, How much this seems like Paradise!” he remarked whimsically, looking at her with an inclined head.
“What do you say?” she weakly asked.
“A jester might say this is just like Paradise. You are Eve, and I am the old Other One come to tempt you in the disguise of an inferior animal. I used to be quite up in that scene of Milton’s when I was theological. Some of it goes—
“Empress, the way is ready, and not long,
Beyond a row of myrtles
⋮
If thou accept
My conduct, I can bring thee thither soon.”
“Lead then,” said Eve.
“And so on. My dear Tess, I am only putting this to you as a thing that you might have supposed or said quite untruly, because you think so badly of me.”
“I never said you were Satan, or thought it. I don’t think of you in that way at all. My thoughts of you are quite cold, except when you affront me. What, did you come digging here entirely because of me?”
“Entirely. To see you; nothing more. The smockfrock, which I
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