The History of Tom Jones, a Foundling by Henry Fielding (top young adult novels TXT) π
Description
A baby is deposited in the bed of Squire Allworthy, a wealthy widower in Georgian England. The baby is given the name of Tom Jones and given to Allworthyβs live-in sister to raise. She soon marries and has her own son, and the two boys are raised together, with the usual household rivalries and jealousies. As Tom reaches his late teenage years, he discovers the several young ladies that surround, but especially the one that lives next door. Circumstances eventually lead to Tom being thrown out of Allworthyβs house, and the bulk of the novel is about the resulting adventures and pursuit of his beloved Sophia.
Tom Jones is many things: a coming-of-age story, a romance, a picaresque, but it is first and foremost a comedy. It is also one of the earliest English novels, and was hugely popular when it was released, going through four printings in its first year. Fielding used the first chapter of each of its eighteen βbooksβ to weigh in on a wide-range of topics, from critics to religion, and his narrator is as important a character in the novel as Tom himself. Highly regarded and highly popular, it is still in print over three-and-a-half centuries after its initial success.
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- Author: Henry Fielding
Read book online Β«The History of Tom Jones, a Foundling by Henry Fielding (top young adult novels TXT) πΒ». Author - Henry Fielding
The only supernatural agents which can in any manner be allowed to us moderns, are ghosts; but of these I would advise an author to be extremely sparing. These are indeed, like arsenic, and other dangerous drugs in physic, to be used with the utmost caution; nor would I advise the introduction of them at all in those works, or by those authors, to which, or to whom, a horselaugh in the reader would be any great prejudice or mortification.
As for elves and fairies, and other such mummery, I purposely omit the mention of them, as I should be very unwilling to confine within any bounds those surprising imaginations, for whose vast capacity the limits of human nature are too narrow; whose works are to be considered as a new creation; and who have consequently just right to do what they will with their own.
Man therefore is the highest subject (unless on very extraordinary occasions indeed) which presents itself to the pen of our historian, or of our poet; and, in relating his actions, great care is to be taken that we do not exceed the capacity of the agent we describe.
Nor is possibility alone sufficient to justify us; we must keep likewise within the rules of probability. It is, I think, the opinion of Aristotle; or if not, it is the opinion of some wise man, whose authority will be as weighty when it is as old, βThat it is no excuse for a poet who relates what is incredible, that the thing related is really matter of fact.β This may perhaps be allowed true with regard to poetry, but it may be thought impracticable to extend it to the historian; for he is obliged to record matters as he finds them, though they may be of so extraordinary a nature as will require no small degree of historical faith to swallow them. Such was the successless armament of Xerxes described by Herodotus, or the successful expedition of Alexander related by Arrian. Such of later years was the victory of Agincourt obtained by Harry the Fifth, or that of Narva won by Charles the Twelfth of Sweden. All which instances, the more we reflect on them, appear still the more astonishing.
Such facts, however, as they occur in the thread of the story, nay, indeed, as they constitute the essential parts of it, the historian is not only justifiable in recording as they really happened, but indeed would be unpardonable should he omit or alter them. But there are other facts not of such consequence nor so necessary, which, though ever so well attested, may nevertheless be sacrificed to oblivion in complacence to the scepticism of a reader. Such is that memorable story of the ghost of George Villiers, which might with more propriety have been made a present of to Dr. Drelincourt, to have kept the ghost of Mrs. Veale company, at the head of his Discourse Upon Death, than have been introduced into so solemn a work as the History of the Rebellion.
To say the truth, if the historian will confine himself to what really happened, and utterly reject any circumstance, which, though never so well attested, he must be well assured is false, he will sometimes fall into the marvellous, but never into the incredible. He will often raise the wonder and surprise of his reader, but never that incredulous hatred mentioned by Horace. It is by falling into fiction, therefore, that we generally offend against this rule, of deserting probability, which the historian seldom, if ever, quits, till he forsakes his character and commences a writer of romance. In this, however, those historians who relate public transactions, have the advantage of us who confine ourselves to scenes of private life. The credit of the former is by common notoriety supported for a long time; and public records, with the concurrent testimony of many authors, bear evidence to their truth in future ages. Thus a Trajan and an Antoninus, a Nero and a Caligula, have all met with the belief of posterity; and no one doubts but that men so very good, and so very bad, were once the masters of mankind.
But we who deal in private character, who search into the most retired recesses, and draw forth examples of virtue and vice from holes and corners of the world, are in a more dangerous situation. As we have no public notoriety, no concurrent testimony, no records to support and corroborate what we deliver, it becomes us to keep within the limits not only of possibility, but of probability too; and this more especially in painting what is greatly good and amiable. Knavery and folly, though never so exorbitant, will more easily meet with assent; for ill-nature adds great support and strength to faith.
Thus we may, perhaps, with little danger, relate the history of Fisher; who having long owed his bread to the generosity of Mr. Derby, and having one morning received a considerable bounty from his hands, yet, in order to possess himself of what remained in his friendβs scrutoire, concealed himself in a public office of the Temple, through which there was a passage into Mr. Derbyβs chambers. Here he overheard Mr. Derby for many hours solacing himself at an entertainment which he that evening gave his friends, and to which Fisher had been invited. During all this time, no tender, no grateful reflections arose to restrain his purpose; but when the poor gentleman had let his company out through the office, Fisher came suddenly from his lurking-place, and walking softly behind his friend into his chamber, discharged a pistol-ball into his head. This may be believed when the bones of Fisher are as rotten as his heart. Nay, perhaps, it will be credited, that the villain went two days afterwards with some young ladies to the play of Hamlet; and with an unaltered countenance heard one of the ladies, who little suspected how near she was to the person, cry out, βGood God! if the man
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