Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
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Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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Caroline stole a quiet gaze towards her, dwelling on her young, absorbed countenance, and observing a certain unconscious movement of the mouth as she readâ âa movement full of character. Caroline had tact, and she had fine instinct. She felt that Rose Yorke was a peculiar childâ âone of the unique; she knew how to treat her. Approaching quietly, she knelt on the carpet at her side, and looked over her little shoulder at her book. It was a romance of Mrs. Radcliffeâsâ âThe Italian.
Caroline read on with her, making no remark. Presently Rose showed her the attention of asking, ere she turned the leaf, âAre you ready?â
Caroline only nodded.
âDo you like it?â inquired Rose ere long.
âLong since, when I read it as a child, I was wonderfully taken with it.â
âWhy?â
âIt seemed to open with such promiseâ âsuch foreboding of a most strange tale to be unfolded.â
âAnd in reading it you feel as if you were far away from Englandâ âreally in Italyâ âunder another sort of skyâ âthat blue sky of the south which travellers describe.â
âYou are sensible of that, Rose?â
âIt makes me long to travel, Miss Helstone.â
âWhen you are a woman, perhaps, you may be able to gratify your wish.â
âI mean to make a way to do so, if one is not made for me. I cannot live always in Briarfield. The whole world is not very large compared with creation. I must see the outside of our own round planet, at least.â
âHow much of its outside?â
âFirst this hemisphere where we live; then the other. I am resolved that my life shall be a life. Not a black trance like the toadâs, buried in marble; nor a long, slow death like yours in Briarfield rectory.â
âLike mine! what can you mean, child?â
âMight you not as well be tediously dying as forever shut up in that glebe-houseâ âa place that, when I pass it, always reminds me of a windowed grave? I never see any movement about the door. I never hear a sound from the wall. I believe smoke never issues from the chimneys. What do you do there?â
âI sew, I read, I learn lessons.â
âAre you happy?â
âShould I be happy wandering alone in strange countries as you wish to do?â
âMuch happier, even if you did nothing but wander. Remember, however, that I shall have an object in view; but if you only went on and on, like some enchanted lady in a fairy tale, you might be happier than now. In a dayâs wandering you would pass many a hill, wood, and watercourse, each perpetually altering in aspect as the sun shone out or was overcast; as the weather was wet or fair, dark or bright. Nothing changes in Briarfield rectory. The plaster of the parlour ceilings, the paper on the walls, the curtains, carpets, chairs, are still the same.â
âIs change necessary to happiness?â
âYes.â
âIs it synonymous with it?â
âI donât know; but I feel monotony and death to be almost the same.â
Here Jessie spoke.
âIsnât she mad?â she asked.
âBut, Rose,â pursued Caroline, âI fear a wandererâs life, for me at least, would end like that tale you are readingâ âin disappointment, vanity, and vexation of spirit.â
âDoes The Italian so end?â
âI thought so when I read it.â
âBetter to try all things and find all empty than to try nothing and leave your life a blank. To do this is to commit the sin of him who buried his talent in a napkinâ âdespicable sluggard!â
âRose,â observed Mrs. Yorke, âsolid satisfaction is only to be realized by doing oneâs duty.â
âRight, mother! And if my Master has given me ten talents, my duty is to trade with them, and make them ten talents more. Not in the dust of household drawers shall the coin be interred. I will not deposit it in a broken-spouted teapot, and shut it up in a china closet among tea-things. I will not commit it to your worktable to be smothered in piles of woollen hose. I will not prison it in the linen press to find shrouds among the sheets. And least of all, motherâ (she got up from the floor)â ââleast of all will I hide it in a tureen of cold potatoes, to be ranged with bread, butter, pastry, and ham on the shelves of the larder.â
She stopped, then went on, âMother, the Lord who gave each of us our talents will come home some day, and will demand from all an account. The teapot, the old stocking-foot, the linen rag, the willow-pattern tureen will yield up their barren deposit in many a house. Suffer your daughters, at least, to put their money to the exchangers, that they may be enabled at the Masterâs coming to pay Him His own with usury.â
âRose, did you bring your sampler with you, as I told you?â
âYes, mother.â
âSit down, and do a line of marking.â
Rose sat down promptly, and wrought according to orders. After a busy pause of ten minutes, her mother asked, âDo you think yourself oppressed nowâ âa victim?â
âNo, mother.â
âYet, as far as I understood your tirade, it was a protest against all womanly and domestic employment.â
âYou misunderstood it, mother. I should be sorry not to learn to sew. You do right to teach me, and to make me work.â
âEven to the mending of your brothersâ stockings and the making of sheets?â
âYes.â
âWhere is the use of ranting and spouting about it, then?â
âAm I to do nothing but that? I will do that, and then I will do more. Now, mother, I have said my say. I am twelve years old at present, and not till I am sixteen will I speak again about talents. For four years I bind myself an industrious apprentice to all you can teach me.â
âYou see what my daughters are, Miss Helstone,â observed Mrs. Yorke; âhow precociously wise in their own conceits! âI would rather this, I prefer thatââ âsuch is Jessieâs cuckoo song; while Rose utters the bolder cry, âI will, and I will not!âââ
âI render a reason, mother; besides, if my cry is bold, it is only heard once in a twelvemonth. About each
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