Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âI would advise all young ladies,â pursued Mrs. Yorke, âto study the characters of such children as they chance to meet with before they marry and have any of their own to consider well how they would like the responsibility of guiding the careless, the labour of persuading the stubborn, the constant burden and task of training the best.â
âBut with love it need not be so very difficult,â interposed Caroline. âMothers love their children most dearlyâ âalmost better than they love themselves.â
âFine talk! very sentimental! There is the rough, practical part of life yet to come for you, young miss.â
âBut, Mrs. Yorke, if I take a little baby into my armsâ âany poor womanâs infant, for instanceâ âI feel that I love that helpless thing quite peculiarly, though I am not its mother. I could do almost anything for it willingly, if it were delivered over entirely to my careâ âif it were quite dependent on me.â
âYou feel! Yes, yes! I dare say, now. You are led a great deal by your feelings, and you think yourself a very sensitive personage, no doubt. Are you aware that, with all these romantic ideas, you have managed to train your features into an habitually lackadaisical expression, better suited to a novel-heroine than to a woman who is to make her way in the real world by dint of common sense?â
âNo; I am not at all aware of that, Mrs. Yorke.â
âLook in the glass just behind you. Compare the face you see there with that of any early-rising, hardworking milkmaid.â
âMy face is a pale one, but it is not sentimental; and most milkmaids, however red and robust they may be, are more stupid and less practically fitted to make their way in the world than I am. I think more, and more correctly, than milkmaids in general do; consequently, where they would often, for want of reflection, act weakly, I, by dint of reflection, should act judiciously.â
âOh no! you would be influenced by your feelings; you would be guided by impulse.â
âOf course I should often be influenced by my feelings. They were given me to that end. Whom my feelings teach me to love I must and shall love; and I hope, if ever I have a husband and children, my feelings will induce me to love them. I hope, in that case, all my impulses will be strong in compelling me to love.â
Caroline had a pleasure in saying this with emphasis; she had a pleasure in daring to say it in Mrs. Yorkeâs presence. She did not care what unjust sarcasm might be hurled at her in reply. She flushed, not with anger but excitement, when the ungenial matron answered coolly, âDonât waste your dramatic effects. That was well saidâ âit was quite fine; but it is lost on two womenâ âan old wife and an old maid. There should have been a disengaged gentleman present.â âIs Mr. Robert nowhere hid behind the curtains, do you think, Miss Moore?â
Hortense, who during the chief part of the conversation had been in the kitchen superintending the preparations for tea, did not yet quite comprehend the drift of the discourse. She answered, with a puzzled air, that Robert was at Whinbury. Mrs. Yorke laughed her own peculiar short laugh.
âStraightforward Miss Moore!â said she patronizingly. âIt is like you to understand my question so literally and answer it so simply. Your mind comprehends nothing of intrigue. Strange things might go on around you without your being the wiser; you are not of the class the world calls sharp-witted.â
These equivocal compliments did not seem to please Hortense. She drew herself up, puckered her black eyebrows, but still looked puzzled.
âI have ever been noted for sagacity and discernment from childhood,â she returned; for, indeed, on the possession of these qualities she peculiarly piqued herself.
âYou never plotted to win a husband, Iâll be bound,â pursued Mrs. Yorke; âand you have not the benefit of previous experience to aid you in discovering when others plot.â
Caroline felt this kind language where the benevolent speaker intended she should feel itâ âin her very heart. She could not even parry the shafts; she was defenceless for the present. To answer would have been to avow that the cap fitted. Mrs. Yorke, looking at her as she sat with troubled, downcast eyes, and cheek burning painfully, and figure expressing in its bent attitude and unconscious tremor all the humiliation and chagrin she experienced, felt the sufferer was fair game. The strange woman had a natural antipathy to a shrinking, sensitive characterâ âa nervous temperament; nor was a pretty, delicate, and youthful face a passport to her affections. It was seldom she met with all these obnoxious qualities combined in one individual; still more seldom she found that individual at her mercy, under circumstances in which she could crush her well. She happened this afternoon to be specially bilious and moroseâ âas much disposed to gore as any vicious âmother of the herd.â Lowering her large head she made a new charge.
âYour cousin Hortense is an excellent sister, Miss Helstone. Such ladies as come to try their lifeâs luck here at Hollowâs Cottage may, by a very little clever female artifice, cajole the mistress of the house, and have the game all in their own hands. You are fond of your cousinâs society, I dare say, miss?â
âOf which cousinâs?â
âOh, of the ladyâs, of course.â
âHortense is, and always has been, most kind to me.â
âEvery sister with an eligible single brother is considered most kind by her spinster friends.â
âMrs. Yorke,â said Caroline, lifting her eyes slowly, their blue orbs at the same time clearing from trouble, and shining steady and full, while the glow of shame left her cheek, and its hue turned pale and settledâ ââMrs. Yorke, may I ask what you mean?â
âTo give you a lesson on the cultivation of rectitude, to disgust you with craft and false sentiment.â
âDo I need this lesson?â
âMost young ladies of the
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