Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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Caroline, once more turning to the little mirror, was shading her ringlets from her cheek to smooth them under her cottage bonnet, certain that it would not only be useless but unpleasant to stay longer, when, on the sudden opening of the back-door, there fell an abrupt calm in the kitchen. The tongues were checked, pulled up as with bit and bridle. âWas itâ âwas itâ âRobert?â He oftenâ âalmost alwaysâ âentered by the kitchen way on his return from market. No; it was only Joe Scott, who, having hemmed significantly thriceâ âevery hem being meant as a lofty rebuke to the squabbling womankindâ âsaid, âNow, I thowt I heerd a crack?â
None answered.
âAnd,â he continued pragmatically, âas tâ maisterâs comed, and as heâll enter through this hoyle, I considered it desirable to step in and let ye know. A household oâ women is nivver fit to be comed on wiâout warning. Here he is.â âWalk forrard, sir. They war playing up queerly, but I think Iâve quietened âem.â
Another person, it was now audible, entered. Joe Scott proceeded with his rebukes.
âWhat dâye mean by being all iâ darkness? Sarah, thou quean, canst tâ not light a candle? It war sundown an hour syne. Heâll brak his shins agean some oâ yer pots, and tables, and stuff.â âTak tent oâ this baking-bowl, sir; theyâve set it iâ yer way, fair as if they did it iâ malice.â
To Joeâs observations succeeded a confused sort of pause, which Caroline, though she was listening with both her ears, could not understand. It was very brief. A cry broke itâ âa sound of surprise, followed by the sound of a kiss; ejaculations, but half articulate, succeeded.
âMon Dieu! mon Dieu! Est-ce que je mây attendais?â were the words chiefly to be distinguished.
âEt tu te portes toujours bien, bonne soeur?â inquired another voiceâ âRobertâs, certainly.
Caroline was puzzled. Obeying an impulse the wisdom of which she had not time to question, she escaped from the little parlour, by way of leaving the coast clear, and running upstairs took up a position at the head of the banisters, whence she could make further observations ere presenting herself. It was considerably past sunset now; dusk filled the passage, yet not such deep dusk but that she could presently see Robert and Hortense traverse it.
âCaroline! Caroline!â called Hortense, a moment afterwards, âvenez voir mon frĂšre!â
âStrange,â commented Miss Helstone, âpassing strange! What does this unwonted excitement about such an everyday occurrence as a return from market portend? She has not lost her senses, has she? Surely the burnt treacle has not crazed her?â
She descended in a subdued flutter. Yet more was she fluttered when Hortense seized her hand at the parlour door, and leading her to Robert, who stood in bodily presence, tall and dark against the one window, presented her with a mixture of agitation and formality, as though they had been utter strangers, and this was their first mutual introduction.
Increasing puzzle! He bowed rather awkwardly, and turning from her with a strangerâs embarrassment, he met the doubtful light from the window. It fell on his face, and the enigma of the dream (a dream it seemed) was at its height. She saw a visage like and unlikeâ âRobert, and no Robert.
âWhat is the matter?â said Caroline. âIs my sight wrong? Is it my cousin?â
âCertainly it is your cousin,â asserted Hortense.
Then who was this now coming through the passageâ ânow entering the room? Caroline, looking round, met a new Robertâ âthe real Robert, as she felt at once.
âWell,â said he, smiling at her questioning, astonished face, âwhich is which?â
âAh, this is you!â was the answer.
He laughed. âI believe it is me. And do you know who he is? You never saw him before, but you have heard of him.â
She had gathered her senses now.
âIt can be only one personâ âyour brother, since it is so like you; my other cousin, Louis.â
âClever little Oedipus! you would have baffled the Sphinx! But now, see us together.â âChange places; change again, to confuse her, Louis.â âWhich is the old love now, Lina?â
âAs if it were possible to make a mistake when you speak! You should have told Hortense to ask. But you are not so much alike. It is only your height, your figure, and complexion that are so similar.â
âAnd I am Robert, am I not?â asked the newcomer, making a first effort to overcome what seemed his natural shyness.
Caroline shook her head gently. A soft, expressive ray from her eye beamed on the real Robert. It said much.
She was not permitted to quit her cousins soon. Robert himself was peremptory in obliging her to remain. Glad, simple, and affable in her demeanour (glad for this night, at least), in light, bright spirits for the time, she was too pleasant an addition to the cottage circle to be willingly parted with by any of them. Louis seemed naturally rather a grave, still, retiring man; but the Caroline of this evening, which was not (as you know, reader) the Caroline of every day, thawed his reserve, and cheered his gravity soon. He sat near her and talked to her. She already knew his vocation was that of tuition. She learned now he had for some years been the tutor of Mr. Sympsonâs son; that he had been travelling with him, and had accompanied him to the north. She inquired if he liked his post, but got a look in reply which did not invite or license further question.
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