Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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One Tuesday morning, as usual, she had asked leave to rise, and now she sat wrapped in her white dressing-gown, leaning forward in the easy-chair, gazing steadily and patiently from the lattice. Mrs. Pryor was seated a little behind, knitting as it seemed, but, in truth, watching her. A change crossed her pale, mournful brow, animating its languor; a light shot into her faded eyes, reviving their lustre; she half rose and looked earnestly out. Mrs. Pryor, drawing softly near, glanced over her shoulder. From this window was visible the churchyard, beyond it the road; and there, riding sharply by, appeared a horseman. The figure was not yet too remote for recognition. Mrs. Pryor had long sight; she knew Mr. Moore. Just as an intercepting rising ground concealed him from view, the clock struck twelve.
âMay I lie down again?â asked Caroline.
Her nurse assisted her to bed. Having laid her down and drawn the curtain, she stood listening near. The little couch trembled, the suppressed sob stirred the air. A contraction as of anguish altered Mrs. Pryorâs features; she wrung her hands; half a groan escaped her lips. She now remembered that Tuesday was Whinbury market day. Mr. Moore must always pass the rectory on his way thither, just ere noon of that day.
Caroline wore continually round her neck a slender braid of silk, attached to which was some trinket. Mrs. Pryor had seen the bit of gold glisten, but had not yet obtained a fair view of it. Her patient never parted with it. When dressed it was hidden in her bosom; as she lay in bed she always held it in her hand. That Tuesday afternoon the transient dozeâ âmore like lethargy than sleepâ âwhich sometimes abridged the long days, had stolen over her. The weather was hot. While turning in febrile restlessness, she had pushed the coverlets a little aside. Mrs. Pryor bent to replace them. The small, wasted hand, lying nerveless on the sick girlâs breast, clasped as usual her jealously-guarded treasure. Those fingers whose attenuation it gave pain to see were now relaxed in sleep. Mrs. Pryor gently disengaged the braid, drawing out a tiny locketâ âa slight thing it was, such as it suited her small purse to purchase. Under its crystal face appeared a curl of black hair, too short and crisp to have been severed from a female head.
Some agitated movement occasioned a twitch of the silken chain. The sleeper started and woke. Her thoughts were usually now somewhat scattered on waking, her look generally wandering. Half rising, as if in terror, she exclaimed, âDonât take it from me, Robert! Donât! It is my last comfort; let me keep it. I never tell anyone whose hair it is; I never show it.â
Mrs. Pryor had already disappeared behind the curtain. Reclining far back in a deep armchair by the bedside, she was withdrawn from view. Caroline looked abroad into the chamber; she thought it empty. As her stray ideas returned slowly, each folding its weak wings on the mindâs sad shore, like birds exhausted, beholding void, and perceiving silence round her, she believed herself alone. Collected she was not yet; perhaps healthy self-possession and self-control were to be hers no more; perhaps that world the strong and prosperous live in had already rolled from beneath her feet forever. So, at least, it often seemed to herself. In health she had never been accustomed to think aloud, but now words escaped her lips unawares.
âOh, I should see him once more before all is over! Heaven might favour me thus far!â she cried. âGod grant me a little comfort before I die!â was her humble petition.
âBut he will not know I am ill till I am gone, and he will come when they have laid me out, and I am senseless, cold, and stiff.
âWhat can my departed soul feel then? Can it see or know what happens to the clay? Can spirits, through any medium, communicate with living flesh? Can the dead at all revisit those they leave? Can they come in the elements? Will wind, water, fire, lend me a path to Moore?
âIs it for nothing the wind sounds almost articulately sometimesâ âsings as I have lately heard it sing at nightâ âor passes the casement sobbing, as if for sorrow to come? Does nothing, then, haunt it, nothing inspire it?
âWhy, it suggested to me words one night; it poured a strain which I could have written down, only I was appalled, and dared not rise to seek pencil and paper by the dim watch-light.
âWhat is that electricity they speak of, whose changes make us well or ill, whose lack or excess blasts, whose even balance revives? What are all those influences that are about us in the atmosphere, that keep playing over our nerves like fingers on stringed instruments, and call forth now a sweet note, and now a wailâ ânow an exultant swell, and anon the saddest cadence?
âWhere is the other world? In what will another life consist? Why do I ask? Have I not cause to think that the hour is hasting but too fast when the veil must be rent for me? Do I not know the Grand Mystery is likely to burst prematurely on me? Great Spirit, in whose goodness I confide, whom, as my Father, I have petitioned night and morning from early infancy, help the weak creation of Thy hands! Sustain me through the ordeal I dread and must undergo! Give me strength! Give
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