Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
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Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âHow could I think them alike?â she asked herself. âI see now it is Hortense Louis resembles, not Robert.â
And this was in part true. He had the shorter nose and longer upper lip of his sister rather than the fine traits of his brother. He had her mould of mouth and chinâ âall less decisive, accurate, and clear than those of the young mill-owner. His air, though deliberate and reflective, could scarcely be called prompt and acute. You felt, in sitting near and looking up at him, that a slower and probably a more benignant nature than that of the elder Moore shed calm on your impressions.
Robertâ âperhaps aware that Carolineâs glance had wandered towards and dwelt upon him, though he had neither met nor answered itâ âput down the book of engravings, and approaching, took a seat at her side. She resumed her conversation with Louis, but while she talked to him her thoughts were elsewhere. Her heart beat on the side from which her face was half averted. She acknowledged a steady, manly, kindly air in Louis; but she bent before the secret power of Robert. To be so near himâ âthough he was silent, though he did not touch so much as her scarf-fringe or the white hem of her dressâ âaffected her like a spell. Had she been obliged to speak to him only, it would have quelled, but, at liberty to address another, it excited her. Her discourse flowed freely; it was gay, playful, eloquent. The indulgent look and placid manner of her auditor encouraged her to ease; the sober pleasure expressed by his smile drew out all that was brilliant in her nature. She felt that this evening she appeared to advantage, and as Robert was a spectator, the consciousness contented her. Had he been called away, collapse would at once have succeeded stimulus.
But her enjoyment was not long to shine full-orbed; a cloud soon crossed it.
Hortense, who for some time had been on the move ordering supper, and was now clearing the little table of some books, etc., to make room for the tray, called Robertâs attention to the glass of flowers, the carmine and snow and gold of whose petals looked radiant indeed by candlelight.
âThey came from Fieldhead,â she said, âintended as a gift to you, no doubt. We know who is the favourite there; not I, Iâm sure.â
It was a wonder to hear Hortense jestâ âa sign that her spirits were at high-water mark indeed.
âWe are to understand, then, that Robert is the favourite?â observed Louis.
âMon cher,â replied Hortense, âRobertâ âcâest tout ce quâil y a de plus prĂ©cieux au monde; Ă cĂŽtĂ© de lui le reste du genre humain nâest que du rebut.â âNâai-je pas raison, mon enfant?â she added, appealing to Caroline.
Caroline was obliged to reply, âYes,â and her beacon was quenched. Her star withdrew as she spoke.
âEt toi, Robert?â inquired Louis.
âWhen you shall have an opportunity, ask herself,â was the quiet answer. Whether he reddened or paled Caroline did not examine. She discovered that it was late, and she must go home. Home she would go; not even Robert could detain her now.
XXIV The Valley of the Shadow of DeathThe future sometimes seems to sob a low warning of the events it is bringing us, like some gathering though yet remote storm, which, in tones of the wind, in flushings of the firmament, in clouds strangely torn, announces a blast strong to strew the sea with wrecks; or commissioned to bring in fog the yellow taint of pestilence covering white Western isles with the poisoned exhalations of the East, dimming the lattices of English homes with the breath of Indian plague. At other times this future bursts suddenly, as if a rock had rent, and in it a grave had opened, whence issues the body of one that slept. Ere you are aware you stand face to face with a shrouded and unthought-of calamityâ âa new Lazarus.
Caroline Helstone went home from Hollowâs Cottage in good health, as she imagined. On waking the next morning she felt oppressed with unwonted languor. At breakfast, at each meal of the following day, she missed all sense of appetite. Palatable food was as ashes and sawdust to her.
âAm I ill?â she asked, and looked at herself in the glass. Her eyes were bright, their pupils dilated, her cheeks seemed rosier, and fuller than usual. âI look well; why can I not eat?â
She felt a pulse beat fast in her temples; she felt, too, her brain in strange activity. Her spirits were raised; hundreds of busy and broken but brilliant thoughts engaged her mind. A glow rested on them, such as tinged her complexion.
Now followed a hot, parched, thirsty, restless night. Towards morning one terrible dream seized her like a tiger; when she woke, she felt and knew she was ill.
How she had caught the fever (fever it was) she could not tell. Probably in her late walk home, some sweet, poisoned breeze, redolent of honeydew and miasma, had passed into her lungs and veins, and finding there already a fever of mental excitement, and a languor of long conflict and habitual sadness, had fanned the spark to flame, and left a well-lit fire behind it.
It seemed, however, but a gentle fire. After two hot days and worried nights, there was no violence in the symptoms, and neither her uncle, nor Fanny, nor the doctor, nor Miss Keeldar, when she called, had any fear for her. A few days would restore her, everyone believed.
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