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manner. Messer Guido Orlando being at that time chief magistrate of Florence, there likewise resided in that city a noble and valiant cavalier of the family of Buondclmonti, one of the most distinguished houses in the state. Our young Buondelmonce having already plighted his troth to a lady of the Amidei family, the lovers were considered as betrothed, with all the solemnity usually observed on such occasions. But this unfortunate young man, chancing one day to pass by the house of the Donati, was stopped and accosted by a lady of the name of Lapaccia, who moved to him from her door as he went along, saying: ‘I am surprised that a gentleman of your appearance, Signor, should think of taking for his wife a woman scarcely worthy of handing him his boots. There is a child of my own, whom, to speak sincerely, I have long intended for you, and whom I wish you would just venture to see.’ And on this she called out for her daughter, whose name was Ciulla, one of the prettiest and most enchanting girls in all Florence. Introducing her to Messer Buondelmonte, she whispered, ‘This is she whom I had reserved for you’; and the young Florentine, suddenly becoming enamored of her, thus replied to her mother, ‘I am quite ready. Madonna, to meet your wishes’; and before stirring from the spot he placed a ring upon her finger, and, wedding her, received her there as his wife.

“The Amidei, hearing that young Buondelmonte had thus espoused another, immediately met together, and took counsel with other friends and relations, how they might best avenge themselves for such an insult offered to their house. There were present among the rest Lambertuccio Amidei, Schiatta Ruberti, and Mosca Lamberti, one of whom proposed to give him a box on the ear, another to strike him in the face; yet they were none of them able to agree about it among themselves. On observing this, Mosca hastily rose, in a great passion, saying, ‘Cosa fatta capo ha,’ wishing it to be understood that a dead man will never strike again. It was therefore decided that he should be put to death, a sentence which they proceeded to execute in the following manner.

“M. Buondelmonte returning one Easter morning from a visit to the Casa Bardi, beyond the Arno, mounted upon a snow-white steed, and dressed in a mantle of the same color, had just reached the foot of the Ponte Vecchio, or old bridge, where formerly stood a statue of Mars, whom the Florentines in their Pagan state were accustomed to worship, when the whole party issued out upon him, and, dragging him in the scuffle from his horse, in spite of the gallant resistance he made, despatched him with a thousand wounds. The tidings of this affair seemed to throw all Florence into confusion; the chief personages and noblest families in the place everywhere meeting, and dividing themselves into parties in consequence; the one party embracing the cause of the Buondelmonti, who placed themselves at the head of the Guelfs; and the other taking part with the Amidei, who supported the Ghibellines.

“In the same fatal manner, nearly all the seigniories and cities of Italy were involved in the original quarrel between these two German families: the Guelfs still supporting the interest of the Holy Church, and the Ghibellines those of the Emperor. And thus I have made you acquainted with the origin of the Germanic faction, between two noble houses, for the sake of a vile cur, and have shown how it afterwards disturbed the peace of Italy for the sake of a beautiful woman.”

For an account of the Bianchi and Neri factions see Note 354. ↩

Cavalcante de’ Cavalcanti, father of Dante’s friend, Guido Cavalcanti. He was of the Guelf party; so that here are Guelf and Ghibelline buried in the same tomb. ↩

This question recalls the scene in the Odyssey, where the shade of Agamemnon appears to Ulysses and asks for Orestes. Book XI in Chapman’s translation, line 603:⁠—

“Doth my son yet survive
In Orchomen or Pylos? Or doth live
In Sparta with his uncle? Yet I see
Divine Orestes is not here with me.”

Guido Cavalcanti, whom Benvenuto da Imola calls “the other eye of Florence,”⁠—alter oculus Florentiæ tempore Dantis. It is to this Guido that Dante addresses the sonnet, which is like the breath of Spring, beginning:⁠—

“Guido, I wish that Lapo, thou, and I
Could be by spells conveyed, as it were now,
Upon a barque, with all the winds that blow,
Across all seas at our good will to hie.”

He was a poet of decided mark, as may be seen by his “Song of Fortune,” quoted in Note 107, and the Sonnet to Dante, Note 1125. But he seems not to have shared Dante’s admiration for Virgil, and to have been more given to the study of philosophy than of poetry. Like Lucentio in “The Taming of the Shrew” he is

“So devote to Aristotle’s ethics
As Ovid be an outcast quite abjured.”

Boccaccio, Decameron, VI 9, praises him for his learning and other good qualities; “for over and beside his being one of the best Logitians, as those times not yielded a better,” so runs the old translation, “he was also a most absolute Natural Philosopher, a very friendly Gentleman, singularly well spoken, and whatsoever else was commendable in any man was no way wanting in him.” In the same Novella he tells this anecdote of him:⁠—

“It chanced upon a day that Signior Guido, departing from the Church of Saint Michael d’ Horta, and passing along by the Adamari, so far as to Saint John’s Church, which evermore was his customary walk: many goodly Marble Tombs were then about the said Church, as now adays are at Saint Reparata, and divers more beside. He entring among the Columns of Porphiry, and the other Sepulchers being there, because

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