Sons and Lovers by D. H. Lawrence (best short novels .txt) 📕
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Sons and Lovers, a story of working-class England, is D. H. Lawrence’s third novel. It went through various drafts, and was titled “Paul Morel” until the final draft, before being published and met with an indifferent reaction from contemporary critics. Modern critics now consider it to be D. H. Lawrence’s masterpiece, with the Modern Library placing it ninth in its “100 Best English-Language Novels of the 20th Century.”
The novel follows the Morels, a family living in a coal town, and headed by a passionate but boorish miner. His wife, originally from a refined family, is dragged down by Morel’s classlessness, and finds her life’s joy in her children. As the children grow up and start leading lives of their own, they struggle against their mother’s emotional drain on them.
Sons and Lovers was written during a period in Lawrence’s life when his own mother was gravely ill. Its exploration of the Oedipal instinct, frank depiction of working-class household unhappiness and violence, and accurate and colorful depiction of Nottinghamshire dialect, make it a fascinating window into the life of people not often chronicled in fiction of the day.
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- Author: D. H. Lawrence
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Then suddenly he relaxed, full of wonder and misgiving. Dawes had been yielding. Morel felt his body flame with pain, as he realised what he was doing; he was all bewildered. Dawes’s struggles suddenly renewed themselves in a furious spasm. Paul’s hands were wrenched, torn out of the scarf in which they were knotted, and he was flung away, helpless. He heard the horrid sound of the other’s gasping, but he lay stunned; then, still dazed, he felt the blows of the other’s feet, and lost consciousness.
Dawes, grunting with pain like a beast, was kicking the prostrate body of his rival. Suddenly the whistle of the train shrieked two fields away. He turned round and glared suspiciously. What was coming? He saw the lights of the train draw across his vision. It seemed to him people were approaching. He made off across the field into Nottingham, and dimly in his consciousness as he went, he felt on his foot the place where his boot had knocked against one of the lad’s bones. The knock seemed to reecho inside him; he hurried to get away from it.
Morel gradually came to himself. He knew where he was and what had happened, but he did not want to move. He lay still, with tiny bits of snow tickling his face. It was pleasant to lie quite, quite still. The time passed. It was the bits of snow that kept rousing him when he did not want to be roused. At last his will clicked into action.
“I mustn’t lie here,” he said; “it’s silly.”
But still he did not move.
“I said I was going to get up,” he repeated. “Why don’t I?”
And still it was some time before he had sufficiently pulled himself together to stir; then gradually he got up. Pain made him sick and dazed, but his brain was clear. Reeling, he groped for his coats and got them on, buttoning his overcoat up to his ears. It was some time before he found his cap. He did not know whether his face was still bleeding. Walking blindly, every step making him sick with pain, he went back to the pond and washed his face and hands. The icy water hurt, but helped to bring him back to himself. He crawled back up the hill to the tram. He wanted to get to his mother—he must get to his mother—that was his blind intention. He covered his face as much as he could, and struggled sickly along. Continually the ground seemed to fall away from him as he walked, and he felt himself dropping with a sickening feeling into space; so, like a nightmare, he got through with the journey home.
Everybody was in bed. He looked at himself. His face was discoloured and smeared with blood, almost like a dead man’s face. He washed it, and went to bed. The night went by in delirium. In the morning he found his mother looking at him. Her blue eyes—they were all he wanted to see. She was there; he was in her hands.
“It’s not much, mother,” he said. “It was Baxter Dawes.”
“Tell me where it hurts you,” she said quietly.
“I don’t know—my shoulder. Say it was a bicycle accident, mother.”
He could not move his arm. Presently Minnie, the little servant, came upstairs with some tea.
“Your mother’s nearly frightened me out of my wits—fainted away,” she said.
He felt he could not bear it. His mother nursed him; he told her about it.
“And now I should have done with them all,” she said quietly.
“I will, mother.”
She covered him up.
“And don’t think about it,” she said—“only try to go to sleep. The doctor won’t be here till eleven.”
He had a dislocated shoulder, and the second day acute bronchitis set in. His mother was pale as death now, and very thin. She would sit and look at him, then away into space. There was something between them that neither dared mention. Clara came to see him. Afterwards he said to his mother:
“She makes me tired, mother.”
“Yes; I wish she wouldn’t come,” Mrs. Morel replied.
Another day Miriam came, but she seemed almost like a stranger to him.
“You know, I don’t care about them, mother,” he said.
“I’m afraid you don’t, my son,” she replied sadly.
It was given out everywhere that it was a bicycle accident. Soon he was able to go to work again, but now there was a constant sickness and gnawing at his heart. He went to Clara, but there seemed, as it were, nobody there. He could not work. He and his mother seemed almost to avoid each other. There was some secret between them which they could not bear. He was not aware of it. He only knew that his life seemed unbalanced, as if it were going to smash into pieces.
Clara did not know what was the matter with him. She realised that he seemed unaware of her. Even when he came to
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