Resurrection by Leo Tolstoy (best sci fi novels of all time TXT) 📕
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Resurrection, the last full-length novel written by Leo Tolstoy, was published in 1899 after ten years in the making. A humanitarian cause—the pacifist Doukhobor sect, persecuted by the Russian government, needed funds to emigrate to Canada—prompted Tolstoy to finish the novel and dedicate its ensuing revenues to alleviate their plight. Ultimately, Tolstoy’s actions were credited with helping hundreds of Doukhobors emigrate to Canada.
The novel centers on the relationship between Nekhlúdoff, a Russian landlord, and Máslova, a prostitute whose life took a turn for the worse after Nekhlúdoff wronged her ten years prior to the novel’s events. After Nekhlúdoff happens to sit in the jury for a trial in which Máslova is accused of poisoning a merchant, Nekhlúdoff begins to understand the harm he has inflicted upon Máslova—and the harm that the Russian state and society inflicts upon the poor and marginalized—as he embarks on a quest to alleviate Máslova’s suffering.
Nekhlúdoff’s process of spiritual awakening in Resurrection serves as a framing for many of the novel’s religious and political themes, such as the hypocrisy of State Christianity and the injustice of the penal system, which were also the subject of Tolstoy’s nonfiction treatise on Christian anarchism, The Kingdom of God Is Within You. The novel also explores the “single tax” economic theory propounded by the American economist Henry George, which drives a major subplot in the novel concerning the management of Nekhlúdoff’s estates.
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- Author: Leo Tolstoy
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“Well, and to you? Was she kinder, now?” asked the gardener.
“That’s beyond question. She clings to me as if we were one soul. Whatever I think she understands. Even mother, angry as she was, could not help saying: ‘It’s as if our Theodosia had been transformed; she’s quite a different woman now!’ We were once going to cart the sheaves with two carts. She and I were in the first, and I say, ‘How could you think of doing that, Theodosia?’ and she says, ‘How could I think of it? just so, I did not wish to live with you. I thought I’d rather die than live with you!’ I say, ‘And now?’ and she says, ‘Now you’re in my heart!’ ” Tarás stopped, and smiled joyfully, shook his head as if surprised. “Hardly had we got the harvest home when I went to soak the hemp, and when I got home there was a summons, she must go to be tried, and we had forgotten all about the matter that she was to be tried for.”
“It can only be the evil one,” said the gardener. “Could any man of himself think of destroying a living soul? We had a fellow once—” and the gardener was about to commence his tale when the train began to stop.
“It seems we are coming to a station,” he said. “I’ll go and have a drink.”
The conversation stopped, and Nekhlúdoff followed the gardener out of the carriage onto the wet platform of the station.
XLIIBefore Nekhlúdoff got out he had noticed in the station yard several elegant equipages, some with three, some with four, well-fed horses, with tinkling bells on their harness. When he stepped out on the wet, dark-coloured boards of the platform, he saw a group of people in front of the first-class carriage, among whom were conspicuous a stout lady with costly feathers on her hat, and a waterproof, and a tall, thin-legged young man in a cycling suit. The young man had by his side an enormous, well-fed dog, with a valuable collar. Behind them stood footmen, holding wraps and umbrellas, and a coachman, who had also come to meet the train.
On the whole of the group, from the fat lady down to the coachman who stood holding up his long coat, there lay the stamp of wealth and quiet self-assurance. A curious and servile crowd rapidly gathered round this group—the stationmaster, in his red cap, a gendarme, a thin young lady in a Russian costume, with beads round her neck, who made a point of seeing the trains come in all through the summer, a telegraph clerk, and passengers, men and women.
In the young man with the dog Nekhlúdoff recognised young Korchágin, a gymnasium student. The fat lady was the Princess’s sister, to whose estate the Korchágins were now moving. The guard, with his gold cord and shiny top-boots, opened the carriage door and stood holding it as a sign of deference, while Philip and a porter with a white apron carefully carried out the long-faced Princess in her folding chair. The sisters greeted each other, and French sentences began flying about. Would the Princess go in a closed or an open carriage? At last the procession started towards the exit, the lady’s maid, with her curly fringe, parasol and leather case in the rear.
Nekhlúdoff not wishing to meet them and to have to take leave over again, stopped before he got to the door, waiting for the procession to pass.
The Princess, her son, Missy, the doctor, and the maid went out first, the old Prince and his sister-in-law remained behind. Nekhlúdoff was too far to catch anything but a few disconnected French sentences of their conversation. One of the sentences uttered by the Prince, as it often happens, for some unaccountable reason remained in his memory with all its intonations and the sound of the voice.
“Oh, il est du vrai grand monde, du vrai grand monde,” said the Prince in his loud, self-assured tone as he went out of the station with his sister-in-law, accompanied by the respectful
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