Resurrection by Leo Tolstoy (best sci fi novels of all time TXT) 📕
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Resurrection, the last full-length novel written by Leo Tolstoy, was published in 1899 after ten years in the making. A humanitarian cause—the pacifist Doukhobor sect, persecuted by the Russian government, needed funds to emigrate to Canada—prompted Tolstoy to finish the novel and dedicate its ensuing revenues to alleviate their plight. Ultimately, Tolstoy’s actions were credited with helping hundreds of Doukhobors emigrate to Canada.
The novel centers on the relationship between Nekhlúdoff, a Russian landlord, and Máslova, a prostitute whose life took a turn for the worse after Nekhlúdoff wronged her ten years prior to the novel’s events. After Nekhlúdoff happens to sit in the jury for a trial in which Máslova is accused of poisoning a merchant, Nekhlúdoff begins to understand the harm he has inflicted upon Máslova—and the harm that the Russian state and society inflicts upon the poor and marginalized—as he embarks on a quest to alleviate Máslova’s suffering.
Nekhlúdoff’s process of spiritual awakening in Resurrection serves as a framing for many of the novel’s religious and political themes, such as the hypocrisy of State Christianity and the injustice of the penal system, which were also the subject of Tolstoy’s nonfiction treatise on Christian anarchism, The Kingdom of God Is Within You. The novel also explores the “single tax” economic theory propounded by the American economist Henry George, which drives a major subplot in the novel concerning the management of Nekhlúdoff’s estates.
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- Author: Leo Tolstoy
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The carriage in which Nekhlúdoff had taken his place was half filled with people. There were in it servants, working men, factory hands, butchers, Jews, shopmen, workmen’s wives, a soldier, two ladies, a young one and an old one with bracelets on her arm, and a severe-looking gentleman with a cockade on his black cap. All these people were sitting quietly; the bustle of taking their places was long over; some sat cracking and eating sunflower seeds, some smoking, some talking.
Tarás sat, looking very happy, opposite the door, keeping a place for Nekhlúdoff, and carrying on an animated conversation with a man in a cloth coat who sat opposite to him, and who was, as Nekhlúdoff afterwards found out, a gardener going to a new situation. Before reaching the place where Tarás sat Nekhlúdoff stopped between the seats near a reverend-looking old man with a white beard and nankeen coat, who was talking with a young woman in peasant dress. A little girl of about seven, dressed in a new peasant costume, sat, her little legs dangling above the floor, by the side of the woman, and kept cracking seeds.
The old man turned round, and, seeing Nekhlúdoff, he moved the lappets of his coat off the varnished seat next to him, and said, in a friendly manner:
“Please, here’s a seat.”
Nekhlúdoff thanked him, and took the seat. As soon as he was seated the woman continued the interrupted conversation.
She was returning to her village, and related how her husband, whom she had been visiting, had received her in town.
“I was there during the carnival, and now, by the Lord’s help, I’ve been again,” she said. “Then, God willing, at Christmas I’ll go again.”
“That’s right,” said the old man, with a look at Nekhlúdoff, “it’s the best way to go and see him, else a young man can easily go to the bad, living in a town.”
“Oh, no, sir, mine is not such a man. No nonsense of any kind about him; his life is as good as a young maiden’s. The money he earns he sends home all to a copeck. And, as to our girl here, he was so glad to see her, there are no words for it,” said the woman, and smiled.
The little girl, who sat cracking her seeds and spitting out the shells, listened to her mother’s words, and, as if to confirm them, looked up with calm, intelligent eyes into Nekhlúdoff’s and the old man’s faces.
“Well, if he’s good, that’s better still,” said the old man. “And none of that sort of thing?” he added, with a look at a couple, evidently factory hands, who sat at the other side of the carriage. The husband, with his head thrown back, was pouring vodka down his throat out of a bottle, and the wife sat holding a bag, out of which they had taken the bottle, and watched him intently.
“No, mine neither drinks nor smokes,” said the woman who was conversing with the old man, glad of the opportunity of praising her husband once more. “No, sir, the earth does not hold many such.” And, turning to Nekhlúdoff, she added, “That’s the sort of man he is.”
“What could be better,” said the old man, looking at the factory worker, who had had his drink and had passed the bottle to his wife. The wife laughed, shook her head, and also raised the bottle to her lips.
Noticing Nekhlúdoff’s and the old man’s look directed towards them, the factory worker addressed the former.
“What is it, sir? That we are drinking? Ah, no one sees how we work, but everyone sees how we drink. I have earned it, and I am drinking and treating my wife, and no one else.”
“Yes, yes,” said Nekhlúdoff, not knowing what to say.
“True, sir. My wife is a steady woman. I am satisfied with my wife, because she can feel for me. Is it right what I’m saying, Mávra?”
“There you are, take it, I don’t want any more,” said the wife, returning the bottle to him. “And what are you jawing for like that?” she added.
“There now! She’s good—that good; and suddenly she’ll begin squeaking like a wheel that’s not greased. Mávra, is it right what I’m saying?”
Mávra laughed and moved her hand with a tipsy gesture.
“Oh, my, he’s at it again.”
“There now,
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