The Beetle by Richard Marsh (read e books online free txt) 📕
Description
The Beetle was published in 1897, the same year as Dracula—and outsold it six to one that year. Like Dracula, the novel is steeped in the evil mysteries of an ancient horror: in this case, a mysterious ancient Egyptian creature bent on revenge.
The story is told through the sequential points of view of a group of middle-class Victorians who find themselves enmeshed in the creature’s plot. The creature, in the guise of an Egyptian man, appears in London seeking revenge against a popular member of Parliament. They soon find out that it can shape shift into other things, including women; that it can control minds and use hypnosis; and that it won’t stop at anything to get the revenge it seeks. The heroes are soon caught in a whirlwind of chase scenes, underground laboratories, secret cults, and more as they race to foil the creature.
While The Beetle didn’t earn the lasting popularity of Stoker’s counterpart, it remains a strange and unique morsel of Victorian sensationalist fiction.
Read free book «The Beetle by Richard Marsh (read e books online free txt) 📕» - read online or download for free at americanlibrarybooks.com
- Author: Richard Marsh
Read book online «The Beetle by Richard Marsh (read e books online free txt) 📕». Author - Richard Marsh
As I look back and reflect upon the audacity of the whole proceeding, even now I tremble. Hapless slave of another’s will although in very truth I was, I cannot repeat too often that I realised to the full just what it was that I was being compelled to do—a fact which was very far from rendering my situation less distressful!—and every detail of my involuntary actions was projected upon my brain in a series of pictures, whose clear-cut outlines, so long as memory endures, will never fade. Certainly no professional burglar, nor, indeed, any creature in his senses, would have ventured to emulate my surprising rashness. The process of smashing the pane of glass—it was plate glass—was anything but a noiseless one. There was, first, the blow itself, then the shivering of the glass, then the clattering of fragments into the area beneath. One would have thought that the whole thing would have made din enough to have roused the Seven Sleepers. But, here, again the weather was on my side. About that time the wind was howling wildly—it came shrieking across the square. It is possible that the tumult which it made deadened all other sounds.
Anyhow, as I stood within the room which I had violated, listening for signs of someone being on the alert, I could hear nothing. Within the house there seemed to be the silence of the grave. I drew down the window, and made for the door.
It proved by no means easy to find. The windows were obscured by heavy curtains, so that the room inside was dark as pitch. It appeared to be unusually full of furniture—an appearance due, perhaps, to my being a stranger in the midst of such Cimmerian blackness. I had to feel my way, very gingerly indeed, among the various impedimenta. As it was I seemed to come into contact with most of the obstacles there were to come into contact with, stumbling more than once over footstools, and over what seemed to be dwarf chairs. It was a miracle that my movements still continued to be unheard—but I believe that the explanation was, that the house was well built; that the servants were the only persons in it at the time; that their bedrooms were on the top floor; that they were fast asleep; and that they were little likely to be disturbed by anything that might occur in the room which I had entered.
Reaching the door at last, I opened it—listening for any promise of being interrupted—and—to adapt a hackneyed phrase—directed by the power which shaped my end, I went across the hall and up the stairs. I passed up the first landing, and, on the second, moved to a door upon the right. I turned the handle, it yielded, the door opened, I entered, closing it behind me. I went to the wall just inside the door, found a handle, jerked it, and switched on the electric light—doing, I make no doubt, all these things, from a spectator’s point of view, so naturally, that a judge and jury would have been with difficulty persuaded that they were not the product of my own volition.
In the brilliant glow of the electric light I took a leisurely survey of the contents of the room. It was, as the man in the bed had said it would be, a study—a fine, spacious apartment, evidently intended rather for work than for show. There were three separate writing-tables, one very large and two smaller ones, all covered with an orderly array of manuscripts and papers. A typewriter stood at the side of one. On the floor, under and about them, were piles of books, portfolios, and official-looking documents. Every available foot of wall space on three sides of the room was lined with shelves, full as they could hold with books. On the fourth side, facing the door, was a large lockup oak bookcase, and, in the farther corner, a quaint old bureau. So soon as I saw this bureau I went for it, straight as an arrow from a bow—indeed, it would be no abuse of metaphor to say that I was propelled towards it like an arrow from a bow.
It had drawers below, glass doors above, and between the drawers and the doors was a flap to let down. It was to this flap my attention was directed. I put out my hand to open it; it was locked at the top. I pulled at it with both hands; it refused to budge.
So this was the lock I was, if necessary, to practise the arts of a thief to open. I was no picklock; I had flattered myself that nothing, and no one, could make me such a thing. Yet now that I found myself confronted by that unyielding
Comments (0)