The Beetle by Richard Marsh (read e books online free txt) 📕
Description
The Beetle was published in 1897, the same year as Dracula—and outsold it six to one that year. Like Dracula, the novel is steeped in the evil mysteries of an ancient horror: in this case, a mysterious ancient Egyptian creature bent on revenge.
The story is told through the sequential points of view of a group of middle-class Victorians who find themselves enmeshed in the creature’s plot. The creature, in the guise of an Egyptian man, appears in London seeking revenge against a popular member of Parliament. They soon find out that it can shape shift into other things, including women; that it can control minds and use hypnosis; and that it won’t stop at anything to get the revenge it seeks. The heroes are soon caught in a whirlwind of chase scenes, underground laboratories, secret cults, and more as they race to foil the creature.
While The Beetle didn’t earn the lasting popularity of Stoker’s counterpart, it remains a strange and unique morsel of Victorian sensationalist fiction.
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- Author: Richard Marsh
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“May I ask, sir, to what I am indebted for the pleasure of your company?”
He paused, as if waiting for my answer. When none came, he put his question in another form.
“Pray, sir, who are you, and on whose invitation do I find you here?”
As I still stood speechless, motionless, meeting his glance without a twitching of an eyebrow, nor a tremor of the hand, I imagine that he began to consider me with an even closer intentness than before. And that the—to say the least of it—peculiarity of my appearance, caused him to suspect that he was face to face with an adventure of a peculiar kind. Whether he took me for a lunatic I cannot certainly say; but, from his manner, I think it possible he did. He began to move towards me from across the room, addressing me with the utmost suavity and courtesy.
“Be so good as to give me the revolver, and the papers you are holding in your hand.”
As he came on, something entered into me, and forced itself from between my lips, so that I said, in a low, hissing voice, which I vow was never mine,
“The beetle!”
Whether it was, or was not, owing, in some degree, to a trick of my imagination, I cannot determine, but, as the words were spoken, it seemed to me that the lights went low, so that the place was all in darkness, and I again was filled with the nauseous consciousness of the presence of something evil in the room. But if, in that matter, my abnormally strained imagination played me a trick, there could be no doubt whatever as to the effect which the words had on Mr. Lessingham. When the mist of the blackness—real or supposititious—had passed from before my eyes, I found that he had retreated to the extremest limits of the room, and was crouching, his back against the bookshelves, clutching at them, in the attitude of a man who has received a staggering blow, from which, as yet, he has had no opportunity of recovering. A most extraordinary change had taken place in the expression of his face; in his countenance amazement, fear, and horror seemed struggling for the mastery. I was filled with a most discomforting qualm, as I gazed at the frightened figure in front of me, and realised that it was that of the great Paul Lessingham, the god of my political idolatry.
“Who are you?—In God’s name, who are you?”
His very voice seemed changed; his frenzied, choking accents would hardly have been recognised by either friend or foe.
“Who are you?—Do you hear me ask, who are you? In the name of God, I bid you say!”
As he perceived that I was still, he began to show a species of excitement which it was unpleasant to witness, especially as he continued to crouch against the bookshelf, as if he was afraid to stand up straight. So far from exhibiting the impassivity for which he was renowned, all the muscles in his face and all the limbs in his body seemed to be in motion at once; he was like a man afflicted with the shivering ague—his very fingers were twitching aimlessly, as they were stretched out on either side of him, as if seeking for support from the shelves against which he leaned.
“Where have you come from? what do you want? who sent you here? what concern have you with me? is it necessary that you should come and play these childish tricks with me? why? why?”
The questions came from him with astonishing rapidity. When he saw that I continued silent, they came still faster, mingled with what sounded to me like a stream of inchoate abuse.
“Why do you stand there in that extraordinary garment—it’s worse than nakedness, yes, worse than nakedness! For that alone I could have you punished, and I will!—and try to play the fool? Do you think I am a boy to be bamboozled by every bogey a blunderer may try to conjure up? If so, you’re wrong, as whoever sent you might have had sense enough to let you know. If you tell me who you are, and who sent you here, and what it is you want, I will be merciful; if not, the police shall be sent for, and the law shall take its course—to the bitter end!—I warn you.—Do you hear? You fool! tell me who you are?”
The last words came from him in what was very like a burst of childish fury. He himself seemed conscious, the moment after, that his passion was sadly lacking in dignity, and to be ashamed of it. He drew himself straight up. With a pocket-handkerchief which he took from an inner pocket of his coat, he wiped his lips. Then, clutching it tightly in his hand, he eyed me with a fixedness which, under any other circumstances, I should have found unbearable.
“Well, sir, is your continued silence part of the business of the role you have set yourself to play?”
His tone was firmer, and his bearing more in keeping with his character.
“If it be so, I presume that I, at least have liberty to speak. When I find a gentleman, even one gifted with your eloquence of silence, playing the part of burglar, I think you will grant that a few words on my part cannot justly be considered to be out of place.”
Again he paused. I could not but feel that he was employing the vehicle of somewhat cumbrous sarcasm
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