The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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And Jolly had said:
“All right, Dad, I won’t,” and he never had.
“And there’s just one other thing. I don’t know much about morality and that, but there is this: It’s always worth while before you do anything to consider whether it’s going to hurt another person more than is absolutely necessary.”
Jolly had looked thoughtful, and nodded, and presently had squeezed his father’s hand. And Jolyon had thought: “I wonder if I had the right to say that?” He always had a sort of dread of losing the dumb confidence they had in each other; remembering how for long years he had lost his own father’s, so that there had been nothing between them but love at a great distance. He underestimated, no doubt, the change in the spirit of the age since he himself went up to Cambridge in ’65; and perhaps he underestimated, too, his boy’s power of understanding that he was tolerant to the very bone. It was that tolerance of his, and possibly his scepticism, which ever made his relations towards June so queerly defensive. She was such a decided mortal; knew her own mind so terribly well; wanted things so inexorably until she got them—and then, indeed, often dropped them like a hot potato. Her mother had been like that, whence had come all those tears. Not that his incompatibility with his daughter was anything like what it had been with the first Mrs. Young Jolyon. One could be amused where a daughter was concerned; in a wife’s case one could not be amused. To see June set her heart and jaw on a thing until she got it was all right, because it was never anything which interfered fundamentally with Jolyon’s liberty—the one thing on which his jaw was also absolutely rigid, a considerable jaw, under that short grizzling beard. Nor was there ever any necessity for real heart-to-heart encounters. One could break away into irony—as indeed he often had to. But the real trouble with June was that she had never appealed to his aesthetic sense, though she might well have, with her red-gold hair and her viking-coloured eyes, and that touch of the Berserker in her spirit. It was very different with Holly, soft and quiet, shy and affectionate, with a playful imp in her somewhere. He watched this younger daughter of his through the duckling stage with extraordinary interest. Would she come out a swan? With her sallow oval face and her grey wistful eyes and those long dark lashes, she might, or she might not. Only this last year had he been able to guess. Yes, she would be a swan—rather a dark one, always a shy one, but an authentic swan. She was eighteen now, and Mademoiselle Beauce was gone—the excellent lady had removed, after eleven years haunted by her continuous reminiscences of the “well-brrred little Tayleurs,” to another family whose bosom would now be agitated by her reminiscences of the “well-brrred little Forsytes.” She had taught Holly to speak French like herself.
Portraiture was not Jolyon’s forte, but he had already drawn his younger daughter three times, and was drawing her a fourth, on the afternoon of October 4th, 1899, when a card was brought to him which caused his eyebrows to go up:
Mr. Soames Forsyte
The Shelter, Mapledurham.
Connoisseurs Club, St. James’s.
But here the Forsyte Saga must digress again. …
To return from a long travel in Spain to a darkened house, to a little daughter bewildered with tears, to the sight of a loved father lying peaceful in his last sleep, had never been, was never likely to be, forgotten by so impressionable and warmhearted a man as Jolyon. A sense as of mystery, too, clung to that sad day, and about the end of one whose life had been so well-ordered, balanced, and aboveboard. It seemed incredible that his father could thus have vanished without, as it were, announcing his intention, without last words to his son, and due farewells. And those incoherent allusions of little Holly to “the lady in grey,” of Mademoiselle Beauce to a Madame Errant (as it sounded) involved all things in a mist, lifted a little when he read his father’s will and the codicil thereto. It had been his duty as executor of that will and codicil to inform Irene, wife of his cousin Soames, of her life interest in fifteen thousand pounds. He had called on her to explain that the existing investment in India Stock, earmarked to meet the charge, would produce for her the interesting net sum of £430 odd a year, clear of income tax. This was but the third time he had seen his cousin Soames’ wife—if indeed she was still his wife, of which he was not quite sure. He remembered having seen her sitting in the Botanical Gardens waiting for Bosinney—a passive, fascinating figure, reminding him of Titian’s Heavenly Love, and again, when, charged by his father, he had gone to Montpellier Square on the afternoon when Bosinney’s death was known. He still recalled vividly her sudden appearance in the drawing-room doorway on that occasion—her beautiful face, passing from wild eagerness of hope to stony despair; remembered the compassion he had felt, Soames’ snarling smile, his words, “We are not at home!” and the slam of the front door.
This third time he saw a face and form more beautiful—freed from that warp of wild hope and despair. Looking at her, he thought: “Yes, you are just what the Dad would have admired!” And the strange story of his father’s Indian summer became slowly clear to him. She spoke of old Jolyon with reverence and tears in her eyes. “He was so wonderfully kind to me; I don’t know why. He looked so beautiful and peaceful sitting in that chair under the tree;
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