The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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They returned to the house less talkative, followed this time by the dog Balthasar, walking more slowly than anything on earth, and clearly expecting them not to exceed his speed limit.
“This is a ripping place,” said Val from under the oak tree, where they had paused to allow the dog Balthasar to come up.
“Yes,” said Holly, and sighed. “Of course I want to go everywhere. I wish I were a gipsy.”
“Yes, gipsies are jolly,” replied Val, with a conviction which had just come to him; “you’re rather like one, you know.”
Holly’s face shone suddenly and deeply, like dark leaves gilded by the sun.
“To go mad-rabbiting everywhere and see everything, and live in the open—oh! wouldn’t it be fun?”
“Let’s do it!” said Val.
“Oh yes, let’s!”
“It’d be grand sport, just you and I.”
Then Holly perceived the quaintness and gushed.
“Well, we’ve got to do it,” said Val obstinately, but reddening too.
“I believe in doing things you want to do. What’s down there?”
“The kitchen-garden, and the pond and the coppice, and the farm.”
“Let’s go down!”
Holly glanced back at the house.
“It’s teatime, I expect; there’s Dad beckoning.”
Val, uttering a growly sound, followed her towards the house.
When they re-entered the hall gallery the sight of two middle-aged Forsytes drinking tea together had its magical effect, and they became quite silent. It was, indeed, an impressive spectacle. The two were seated side by side on an arrangement in marqueterie which looked like three silvery pink chairs made one, with a low tea-table in front of them. They seemed to have taken up that position, as far apart as the seat would permit, so that they need not look at each other too much; and they were eating and drinking rather than talking—Soames with his air of despising the teacake as it disappeared, Jolyon of finding himself slightly amusing. To the casual eye neither would have seemed greedy, but both were getting through a good deal of sustenance. The two young ones having been supplied with food, the process went on silent and absorbative, till, with the advent of cigarettes, Jolyon said to Soames:
“And how’s Uncle James?”
“Thanks, very shaky.”
“We’re a wonderful family, aren’t we? The other day I was calculating the average age of the ten old Forsytes from my father’s family Bible. I make it eighty-four already, and five still living. They ought to beat the record;” and looking whimsically at Soames, he added:
“We aren’t the men they were, you know.”
Soames smiled. “Do you really think I shall admit that I’m not their equal”; he seemed to be saying, “or that I’ve got to give up anything, especially life?”
“We may live to their age, perhaps,” pursued Jolyon, “but self-consciousness is a handicap, you know, and that’s the difference between us. We’ve lost conviction. How and when self-consciousness was born I never can make out. My father had a little, but I don’t believe any other of the old Forsytes ever had a scrap. Never to see yourself as others see you, it’s a wonderful preservative. The whole history of the last century is in the difference between us. And between us and you,” he added, gazing through a ring of smoke at Val and Holly, uncomfortable under his quizzical regard, “there’ll be—another difference. I wonder what.”
Soames took out his watch.
“We must go,” he said, “if we’re to catch our train.”
“Uncle Soames never misses a train,” muttered Val, with his mouth full.
“Why should I?” Soames answered simply.
“Oh! I don’t know,” grumbled Val, “other people do.”
At the front door he gave Holly’s slim brown hand a long and surreptitious squeeze.
“Look out for me tomorrow,” he whispered; “three o’clock. I’ll wait for you in the road; it’ll save time. We’ll have a ripping ride.” He gazed back at her from the lodge gate, and, but for the principles of a man about town, would have waved his hand. He felt in no mood to tolerate his uncle’s conversation. But he was not in danger. Soames preserved a perfect muteness, busy with faraway thoughts.
The yellow leaves came down about those two walking the mile and a half which Soames had traversed so often in those long-ago days when he came down to watch with secret pride the building of the house—that house which was to have been the home of him and her from whom he was now going to seek release. He looked back once, up that endless vista of autumn lane between the yellowing hedges. What an age ago! “I don’t want to see her,” he had said to Jolyon. Was that true? “I may have to,” he thought; and he shivered, seized by one of those queer shudderings that they say mean footsteps on one’s grave. A chilly world! A queer world! And glancing sidelong at his nephew, he thought: “Wish I were his age! I wonder what she’s like now!”
VIII Jolyon Prosecutes TrusteeshipWhen those two were gone Jolyon did not return to his painting, for daylight was failing, but went to the study, craving unconsciously a revival of that momentary vision of his father sitting in the old leather chair with his knees crossed and his straight eyes gazing up from under the dome of his massive brow. Often in this little room, cosiest in the house, Jolyon would catch a moment of communion with his father. Not, indeed, that he had definitely any faith in the persistence of the human spirit—the feeling was not so logical—it was, rather, an atmospheric impact, like a scent, or one of those strong animistic impressions from forms, or effects of light, to which those with the artist’s eye are especially prone. Here only—in this little unchanged room where his father had spent the most of his waking hours—could be
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