The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
Read free book «The Forsyte Saga by John Galsworthy (acx book reading txt) 📕» - read online or download for free at americanlibrarybooks.com
- Author: John Galsworthy
Read book online «The Forsyte Saga by John Galsworthy (acx book reading txt) 📕». Author - John Galsworthy
In Jolyon compassion was checked by the tone of that close voice. What was there in the fellow that made it so difficult to be sorry for him?
“I can go and see her, if you like,” he said. “I suppose she might be glad of a divorce, but I know nothing.”
Soames nodded.
“Yes, please go. As I say, I know her address; but I’ve no wish to see her.” His tongue was busy with his lips, as if they were very dry.
“You’ll have some tea?” said Jolyon, stifling the words: “And see the house.” And he led the way into the hall. When he had rung the bell and ordered tea, he went to his easel to turn his drawing to the wall. He could not bear, somehow, that his work should be seen by Soames, who was standing there in the middle of the great room which had been designed expressly to afford wall space for his own pictures. In his cousin’s face, with its unseizable family likeness to himself, and its chinny, narrow, concentrated look, Jolyon saw that which moved him to the thought: “That chap could never forget anything—nor ever give himself away. He’s pathetic!”
VII The Colt and the FillyWhen young Val left the presence of the last generation he was thinking: “This is jolly dull! Uncle Soames does take the bun. I wonder what this filly’s like?” He anticipated no pleasure from her society; and suddenly he saw her standing there looking at him. Why, she was pretty! What luck!
“I’m afraid you don’t know me,” he said. “My name’s Val Dartie—I’m once removed, second cousin, something like that, you know. My mother’s name was Forsyte.”
Holly, whose slim brown hand remained in his because she was too shy to withdraw it, said:
“I don’t know any of my relations. Are there many?”
“Tons. They’re awful—most of them. At least, I don’t know—some of them. One’s relations always are, aren’t they?”
“I expect they think one awful too,” said Holly.
“I don’t know why they should. No one could think you awful, of course.”
Holly looked at him—the wistful candour in those grey eyes gave young Val a sudden feeling that he must protect her.
“I mean there are people and people,” he added astutely. “Your dad looks awfully decent, for instance.”
“Oh yes!” said Holly fervently; “he is.”
A flush mounted in Val’s cheeks—that scene in the Pandemonium promenade—the dark man with the pink carnation developing into his own father! “But you know what the Forsytes are,” he said almost viciously. “Oh! I forgot; you don’t.”
“What are they?”
“Oh! fearfully careful; not sportsmen a bit. Look at Uncle Soames!”
“I’d like to,” said Holly.
Val resisted a desire to run his arm through hers. “Oh! no,” he said, “let’s go out. You’ll see him quite soon enough. What’s your brother like?”
Holly led the way on to the terrace and down to the lawn without answering. How describe Jolly, who, ever since she remembered anything, had been her lord, master, and ideal?
“Does he sit on you?” said Val shrewdly. “I shall be knowing him at Oxford. Have you got any horses?”
Holly nodded. “Would you like to see the stables?”
“Rather!”
They passed under the oak tree, through a thin shrubbery, into the stable-yard. There under a clock-tower lay a fluffy brown-and-white dog, so old that he did not get up, but faintly waved the tail curled over his back.
“That’s Balthasar,” said Holly; “he’s so old—awfully old, nearly as old as I am. Poor old boy! He’s devoted to Dad.”
“Balthasar! That’s a rum name. He isn’t purebred you know.”
“No! but he’s a darling,” and she bent down to stroke the dog. Gentle and supple, with dark covered head and slim browned neck and hands, she seemed to Val strange and sweet, like a thing slipped between him and all previous knowledge.
“When grandfather died,” she said, “he wouldn’t eat for two days. He saw him die, you know.”
“Was that old Uncle Jolyon? Mother always says he was a topper.”
“He was,” said Holly simply, and opened the stable door.
In a loose-box stood a silver roan of about fifteen hands, with a long black tail and mane. “This is mine—Fairy.”
“Ah!” said Val, “she’s a jolly palfrey. But you ought to bang her tail. She’d look much smarter.” Then catching her wondering look, he thought suddenly: “I don’t know—anything she likes!” And he took a long sniff of the stable air. “Horses are ripping, aren’t they? My Dad …” he stopped.
“Yes?” said Holly.
An impulse to unbosom himself almost overcame him—but not quite. “Oh! I don’t know he’s often gone a mucker over them. I’m jolly keen on them too—riding and hunting. I like racing awfully, as well; I should like to be a gentleman rider.” And oblivious of the fact that he had but one more day in town, with two engagements, he plumped out:
“I say, if I hire a gee tomorrow, will you come a ride in Richmond Park?”
Holly clasped her hands.
“Oh yes! I simply love riding. But there’s Jolly’s horse; why don’t you ride him? Here he is. We could go after tea.”
Val looked doubtfully at his trousered legs.
He had imagined them immaculate before her eyes in high brown boots and Bedford cords.
“I don’t much like riding his horse,” he said. “He mightn’t like it. Besides, Uncle Soames wants to get back, I expect. Not that I believe in buckling under to him, you know. You haven’t got an uncle, have you? This is rather a good beast,” he added, scrutinising Jolly’s horse, a dark brown, which was showing the whites of its eyes. “You haven’t got any hunting here, I suppose?”
“No; I don’t know that I want to hunt. It must be awfully exciting, of course; but it’s cruel, isn’t it? June says so.”
“Cruel?” ejaculated Val. “Oh! that’s all rot. Who’s June?”
“My sister—my half-sister, you know—much older than me.” She had put her hands up to both cheeks
Comments (0)