Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
Description
Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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Of the fourteen divisions of Rome there remained only four, including the Trans-Tiber. Flames had consumed all the others. When at last the piles of cinders had been turned into ashes, an immense space was visible from the Tiber to the Esquiline, gray, gloomy, dead. In this space stood rows of chimneys, like columns over graves in a cemetery. Among these columns gloomy crowds of people moved about in the daytime, some seeking for precious objects, others for the bones of those dear to them. In the night dogs howled above the ashes and ruins of former dwellings.
All the bounty and aid shown by Caesar to the populace did not restrain evil speech and indignation. Only the herd of robbers, criminals, and homeless ruffians, who could eat, drink, and rob enough, were contented. People who had lost all their property and their nearest relatives were not won over by the opening of gardens, the distribution of bread, or the promise of games and gifts. The catastrophe had been too great and unparalleled. Others, in whom was hidden yet some spark of love for the city and their birthplace, were brought to despair by news that the old name “Roma” was to vanish, and that from the ashes of the capital Caesar would erect a new city called Neropolis. A flood of hatred rose and swelled every day, despite the flatteries of the Augustians and the calumnies of Tigellinus. Nero, more sensitive than any former Caesar to the favor of the populace, thought with alarm that in the sullen and mortal struggle which he was waging with patricians in the Senate, he might lack support. The Augustians themselves were not less alarmed, for any morning might bring them destruction. Tigellinus thought of summoning certain legions from Asia Minor. Vatinius, who laughed even when slapped on the face, lost his humor; Vitellius lost his appetite.
Others were taking counsel among themselves how to avert the danger, for it was no secret that were an outburst to carry off Caesar, not one of the Augustians would escape, except, perhaps, Petronius. To their influence were ascribed the madnesses of Nero, to their suggestions all the crimes which he committed. Hatred for them almost surpassed that for Nero. Hence some began to make efforts to rid themselves of responsibility for the burning of the city. But to free themselves they must clear Caesar also from suspicion, or no one would believe that they had not caused the catastrophe. Tigellinus took counsel on this subject with Domitius Afer, and even with Seneca, though he hated him. Poppaea, who understood that the ruin of Nero would be her own sentence, took the opinion of her confidants and of Hebrew priests, for it had been admitted for years that she held the faith of Jehovah. Nero found his own methods, which, frequently terrible, were more frequently foolish, and fell now into terror, now into childish delight, but above all he complained.
On a time a long and fruitless consultation was held in the house of Tiberius, which had survived the fire. Petronius thought it best to leave troubles, go to Greece, thence to Egypt and Asia Minor. The journey had been planned long before; why defer it, when in Rome were sadness and danger?
Caesar accepted the counsel with eagerness; but Seneca when he had thought awhile, said—
“It is easy to go, but it would be more difficult to return.”
“By Heracles!” replied Petronius, “we may return at the head of Asiatic legions.”
“This will I do!” exclaimed Nero.
But Tigellinus opposed. He could discover nothing himself, and if the arbiter’s idea had come to his own head he would beyond doubt have declared it the saving one; but with him the question was that Petronius might not be a second time the only man who in difficult moments could rescue all and everyone.
“Hear me, divinity,” said he, “this advice is destructive! Before thou art at Ostia a civil war will break out; who knows but one of the surviving collateral descendants of the divine Augustus will declare himself Caesar, and what shall we do if the legions take his side?”
“We shall try,” answered Nero, “that there be no descendants of Augustus. There are not many now; hence it is easy to rid ourselves of them.”
“It is possible to do so, but is it a question of them alone? No longer ago than yesterday my people heard in the crowd that a man like Thrasea should be Caesar.”
Nero bit his lips. After a while he raised his eyes and said: “Insatiable and thankless. They have grain enough, and they have coal on which to bake cakes; what more do they want?”
“Vengeance!” replied Tigellinus.
Silence followed. Caesar rose on a sudden, extended his hand, and began to declaim—
“Hearts call for vengeance, and vengeance wants a victim.” Then, forgetting everything, he said, with radiant face: “Give me the tablet and stylus to write this line. Never could Lucan have composed the like. Have ye noticed that I found it in a twinkle?”
“O incomparable!” exclaimed a number of voices. Nero wrote down the line, and said—
“Yes, vengeance wants a victim.” Then he cast a glance on those around him. “But if we spread the report that Vatinius gave command to burn the city, and devote him to the anger of the people?”
“O divinity! Who am I?” exclaimed Vatinius.
“True! One more important
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