Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
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Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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Vinicius did not know himself what to answer; but hearing from Peter that the quarryman’s hut was near by, he said—
“Take the mules to Macrinus.”
“Pardon me, lord, if I mention the house in Ameriola. In view of such an awful fire, it is easy to forget a thing so paltry.”
“Thou wilt get it.”
“O grandson of Numa Pompilius, I have always been sure, but now, when this magnanimous prophet also has heard the promise, I will not remind thee even of this, that thou hast promised me a vineyard. Pax vobiscum. I shall find thee, lord. Pax vobiscum.”
They answered, “And peace with thee.”
Then both turned to the right toward the hills. Along the road Vinicius said—
“Lord, wash me with the water of baptism, so that I may call myself a real confessor of Christ, for I love Him with all the power of my soul. Wash me quickly, for I am ready in heart. And what thou commandest I will do, but tell me, so that I may do it in addition.”
“Love men as thy own brothers,” answered the Apostle, “for only with love mayst thou serve Him.”
“Yes, I understand and feel that. When a child I believed in the Roman gods, though I did not love them. But I so love Him the One God that I would give my life for Him gladly.” And he looked toward the sky, repeating with exaltation: “For He is one, for He alone is kind and merciful; hence, let not only this city perish, but the whole world, Him alone will I confess and recognize.”
“And He will bless thee and thy house,” concluded the Apostle.
Meanwhile they turned into another ravine, at the end of which a faint light was visible. Peter pointed to it and said—
“There is the hut of the quarryman who gave us a refuge when, on the way from Ostrianum with the sick Linus, we could not go to the Trans-Tiber.”
After a while they arrived. The hut was rather a cave rounded out in an indentation of the hill, and was faced outside with a wall made of reeds. The door was closed, but through an opening, which served for a window, the interior was visible, lighted by a fire. Some dark giant figure rose up to meet them, and inquired—“Who are ye?”
“Servants of Christ,” answered Peter. “Peace be with thee, Ursus.”
Ursus bent to the Apostle’s feet; then, recognizing Vinicius, seized his hand by the wrist, and raised it to his lips.
“And thou, lord,” said he. “Blessed be the name of the Lamb, for the joy which thou wilt bring to Callina.”
He opened the door then, and entered. Linus was lying on a bundle of straw, with an emaciated face and a forehead as yellow as ivory. Near the fire sat Lygia with a string of small fish, intended evidently for supper. Occupied in removing the fish from the string, and thinking that it was Ursus who had entered, she did not raise her eyes. But Vinicius approached, and, pronouncing her name, stretched his hand to her. She sprang up quickly then; a flash of astonishment and delight shot across her face. Without a word, like a child who after days of fear and sorrow had found father or mother, she threw herself into his open arms.
He embraced her, pressed her to his bosom for some time with such ecstasy as if she had been saved by a miracle. Then, withdrawing his arms, he took her temples between his hands, kissed her forehead and her eyes, embraced her again, repeated her name, bent to her knees, to her palms, greeted her, did her homage, honored her. His delight had no bounds; neither had his love and happiness.
At last he told her how he had rushed in from Antium; had searched for her at the walls, in the smoke at the house of Linus; how he had suffered and was terrified; how much he had endured before the Apostle had shown him her retreat.
“But now,” said he, “that I have found thee, I will not leave thee near fire and raging crowds. People are slaying one another under the walls, slaves are revolting and plundering. God alone knows what miseries may fall yet on Rome. But I will save thee and all of you. Oh, my dear, let us go to Antium; we will take a ship there and sail to Sicily. My land is thy land, my houses are thy houses. Listen to me! In Sicily we shall find Aulus. I will give thee back to Pomponia, and take thee from her hands afterward. But, O carissima, have no further fear of me. Christ has not washed me yet, but ask Peter if on the way hither I have not told him my wish to be a real confessor of Christ, and begged him to baptize me, even in this hut of a quarryman. Believe, and let all believe me.”
Lygia heard these words with radiant face. The Christians formerly, because of Jewish persecutions, and then because of the fire and disturbance caused by the disaster, lived in fear and uncertainty. A journey to quiet Sicily would put an end to all danger, and open a new epoch of happiness in their lives. If Vinicius had wished to take only Lygia, she would have resisted the temptation surely, as she did not wish to leave Peter and Linus; but Vinicius said to them, “Come with me; my lands are your lands, my houses your houses.” At this Lygia inclined to kiss his hand, in sign of obedience, and said—
“Where thou art, Caius, there am I, Caia.”
Then confused that she had spoken words which by Roman custom were repeated only at marriage, she blushed deeply, and stood in the light of the fire, with drooping head, in doubt lest he might take them ill of her. But in his face boundless homage alone was depicted. He
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